For someone who does so well with Romantic piano works, it is astounding how well Argerich handles Bach in this recording. With such popular Bach pieces, any performer would face established Bach keyboardists who have nearly defined these works--the famous trio of Gould, Landowska, and Tureck always come up. But Argerich is radiant in her orchestra-like handling of the works. The Toccata in C minor awakens with a mordent, like a clarion call. She takes us through it with a breathless, moving slow section. The fugue is handled in a dance-like fashion, passing through the impetuous lines of triplets, and the double-fugue that follows is rich in tone color. Her dynamic sensitivity offers an extra device for tension when sequencing and modulating. The second Partita and second English Suite, likewise, are both clear in texture, phrasing, and articulation--from the introspective Sinfonia of the partita to the frenzy Bouree of the English suite, and ending in the stately gigue. This recording is full of life wealth for the ears.