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The almost legendary status of this recording (I see it has recently been re-released on a special Philips series commemorating 50 great recordings) needs very little comment. The most astounding thing for me was the way Grumiaux really manages to make his violin sound like at least two or three - the melodic line continues clearly and perfectly unbroken through all the double stopping and chords around it. And the music's intensity is brought out frightening effectively.
Yet another musical destruction of the opinion that Bach's music is excessively planned out and is nothing more than unemotional theory - anyone finding this at all dry and lacking in feeling needs their head examined!
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