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Bach: 6 Solo Sonatas & Partitas
 
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Bach: 6 Solo Sonatas & Partitas

1 April 2009 | Format: MP3

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Also available in CD Format
Song Title
Time
Popularity Prime  
30
1
3:34
30
2
4:59
30
3
2:42
30
4
3:31
30
5
4:30
30
6
4:03
30
7
3:36
30
8
3:26
30
9
3:20
30
10
3:06
30
11
3:21
30
12
3:33
30
13
3:34
30
14
7:07
30
15
4:30
30
16
5:45
Disc 2
30
1
4:20
30
2
2:37
30
3
4:00
30
4
3:54
30
5
13:35
30
6
3:42
30
7
9:18
30
8
2:52
30
9
4:54
30
10
3:37
30
11
3:39
30
12
3:04
30
13
1:45
30
14
2:43
30
15
1:33
30
16
1:49
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Product details

  • Original Release Date: 1 April 2009
  • Release Date: 1 April 2009
  • Number of Discs: 2
  • Label: Onyx Classics
  • Copyright: (c) 2009 Viktoria Mullova under exclusive licence to PM Classics Ltd
  • Total Length: 2:11:59
  • Genres:
  • ASIN: B00261LWYY
  • Average Customer Review: 5.0 out of 5 stars 1 customer review
  • Amazon Bestsellers Rank: 79,885 in Albums (See Top 100 in Albums)

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By Sid Nuncius #1 HALL OF FAMETOP 50 REVIEWER on 22 Aug. 2014
Format: MP3 Download
I think this is an absolutely outstanding recording. It is clear from the reviews here that people have their own favourite version of the Sonatas and Partitas. Personally, I have loved Rachel Podger's account for years for its verve, sparkle and intellectual weight Bach: Complete Sonatas and Partitas for Violin Solo and for me this set by Viktoria Mullova is at least as good.

The works themselves are truly wonderful in their technical complexity, harmonic and melodic invention and emotional and intellectual depth. In some hands they can feel rather dry and detached and one of the things I like about Mullova's reading here is her obvious emotional involvement and sense of sharing that involvement with the listener. Her performance is brought vividly to life in a resonant acoustic, beautifully captured in the excellent recorded sound. She has quite an intense approach so that even the bright, joyous Preludio to the E major Partita has quite an emotional edge to it but this never becomes forbidding and I found the works speaking to me in quite a new way as I listened to them.

Mullova uses a baroque bow to play a gut-strung violin made in the year of Bach's death, she employs minimal vibrato and, to me, shows perfect judgement of rubato and phrasing. Her technical brilliance allows her the freedom really to explore the meaning of Bach's music while making the playing of it seem effortless.
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