Vonnegut rounds up several familiar themes and character types for his 13th novel: genocide, the surreality of the modern world, fluid interplay of the past and present, and the less-than-heroic figure taking center stage to tell his story. Here he elevates to narrator a minor character from Breakfast of Champions , wounded World War II veteran and abstract painter Rabo Karabekian. At the urging of enchantress-as-bully Circe Berman, Karabekian writes his "hoax autobiography." Vonnegut uses the tale to satirize art movements and the art-as-investment mind-set and to explore the shifting shape of reality.
Vonnegut re-encapsulates several of his favorite themes: absurdity of war, America's prevalent loneliness, how the rich become rich. However, an interesting theme specific to Bluebeard is the discussion about art. What is art? Circe Berman stays on the best seller's list by generating volumes of teen novels while Paul Salinger lives a suicidal and depressed existence trying to create introspective critiques of humanity. Dan Gregory makes paintings equivalent to being a "taxidermist" where his subjects look more real on his canvas than in real life, while the abstract expressionists make unintelligible topics. Paul Salinger and the abstract expressionists look down on the others, but which is really better? The answer might be provided with the Rabo's greatest secret. Kept in a potato barn behind his mansion, its ultimate disclosure to the world makes a dramatic statement about art.
Here we have Vonnegut at his most focused on a long time, tearing off page after page that will make you laugh and stop and think at the same time. The reader will enjoy this book on several political and philosophical levels in addition to enjoying a fine story. It is tender yet sometimes loveless, a blending of wisdom and insanity.
This is the most fun I've had with a Vonnegut book in long time. Probably one of his more obscure works, it deserves to be read along with his other classics.