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The Autobiography of Alice B. Toklas (Penguin Modern Classics) [Paperback]

Gertrude Stein
3.6 out of 5 stars  See all reviews (9 customer reviews)
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Book Description

26 April 2001 0141185368 978-0141185361 New Ed

A fascinating insight into the vibrant culture of Modernism, and the rich artistic world of Paris's Left Bank, Gertrude Stein's The Autobiography of Alice B. Toklas includes an introduction by Thomas Fensch in Penguin Modern Classics.

For Gertrude Stein and her wife Alice B. Toklas, life in Paris was based upon the rue de Fleurus and the Saturday evenings and 'it was like a kaleidoscope slowly turning'. Picasso was there with 'his high whinnying Spanish giggle', as were Cezanne and Matisse, Hemingway and Fitzgerald. As Toklas put it - 'The geniuses came and talked to Gertrude Stein and the wives sat with me'. A light-hearted entertainment, this is in fact Gertrude Stein's own autobiography and a roll-call of all the extraordinary painters and writers she met between 1903 and 1932. Audacious, sardonic and characteristically self-confident, this is a definitive account by American in Paris.

Gertrude Stein (1874-1946), a writer of experimental prose, is one of the original American Modernists. Born in Pennsylvania, she lived most of her life in Paris with her partner, Alice B. Toklas. Experimental books like Three Lives (1909), Tender Buttons (1914), and The Making of Americans (1925) established her reputation as an avant-garde stylist, and The Autobiography of Alice B. Toklas made her an international celebrity. As an experimental writer she has been an inspiration to countless novelists and poets in our century, from Ernest Hemingway and Edith Sitwell in her own time to Jack Kerouac and Robert Duncan in ours.

If you enjoyed The Autobiography of Alice B. Toklas, you might like Virginia Woolf's Orlando, also available in Penguin Modern Classics.

'Buttonholes the reader with its informality, its unhurried rhythms, deadpan humour and acerbic remarks'

Frances Spalding, Sunday Times


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Product details

  • Paperback: 272 pages
  • Publisher: Penguin Classics; New Ed edition (26 April 2001)
  • Language: English
  • ISBN-10: 0141185368
  • ISBN-13: 978-0141185361
  • Product Dimensions: 12.9 x 1.6 x 19.8 cm
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Bestsellers Rank: 31,398 in Books (See Top 100 in Books)

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Review

"Largely to amuse herself, [ Gertrude Stein ] wrote The Autobiography of Alice B. Toklas in 1932...using as a sounding board her companion Miss Toklas, who had been with her for twenty-five years. It has been said that the writing takes on very much Miss Toklas' conversational style, and while this is true the style is still a variant of Miss Stein's conversation style. ...She usually insisted that writing is an entirely different thing from talking, and it is part of the miracle of this little scheme of objectification that she could by way of imitating Miss Toklas put in writing something of her own beautiful conversation. So that, aside from making a real present of her past, she created a figure of herself, established an identity a twin, a Doppelganger.... The book is full of the most lucid and shapely anecdotes, told in a purer and more closely fitting prose... than even Gide or Hemingway have ever commanded ...."
-- Donald Sutherland
..." The record of nearly thirty years of life in a fantastically changing Paris and else where -- a life passed in the most stimulating and important society."
-- Louis Bromfield
..." One of the richest, wittiest, and most irreverent [biographies] ever written."
-- William Troy

"From the Trade Paperback edition.


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Customer Reviews

Most Helpful Customer Reviews
21 of 22 people found the following review helpful
3.0 out of 5 stars Enjoyable, but with reservations 7 Nov 2009
Format:Paperback|Amazon Verified Purchase
An enjoyable read: the world of Stein and Toklas seemed to revolve round anyone who was anyone in the early 20th century art world, and the anecdotes about famous artists will doubtless appeal.

Ultimately, though, I found this book unsatisfying: we don't really get to know much about either Alice, Gertrude, their relationship or their friends. The name dropping - "Picasso called by for tea" "Man Ray came to photograph Gertrude Stein" etc - gets rather tedious, as does Toklas's hero worship of Stein (i.e. Stein's own consideration of herself as a genius).

I much preferred the later "Alice B. Toklas Cookbook", writted by Toklas herself after Stein's death: although containing recipes (most famously "Hascish Fudge") it is mainly an account of their life together in occupied France.
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5 of 5 people found the following review helpful
By A Customer
Format:Paperback
When the 'Autobiography of Alice B. Toklas' was first published in 1933 it became an instant best-seller. Written from the perspective of Alice, Stein's enigmatic bodyguard and typist, the pages are crammed with appearances from the pioneers of modernism. Half the fun lies in Gertrude's outrageous swipes at her literary rivals ("remarks are not literature", she tells Hemingway) and, of course, her matchless gift for self-aggrandisement. Gertrude herself was disappointed that this readable book should be the catalyst for international fame, rather than the experimental prose that she had been labouring over for years, but it did (and still does) provide an excellent introduction to the author's world.
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1 of 1 people found the following review helpful
4.0 out of 5 stars Anecdote - meander - anecdote - digression 21 Jan 2013
Format:Paperback
A book I loved and, at times, hated a little. That might be more an assessment of how Stein comes across. Written by Stein but from the point of view of the woman who shared her life in Paris it is, as is the nature of autobiography, self-obsessed. The tone is that of a woman leaning over a fence catching up with a neighbour and rattling off a long list of anecdotes of (famous) friends and associates, interrupted only by herself and her meanderings into other anecdotes from the past with other friends and some not so. Doesn't sound entertaining, does it?

But of course this is Stein and despite the endless boasting of what a genius and inspiration she is to 'the young writers' there is much to enjoy here. A portrait of the joys and rivalries of the likes of Picasso, Matisse, Hemingway, Sherwood Anderson (and many, many more, some lost to obscurity) before and after the Great War, it hits its stride when mentioning the personal detail of Stein and her partner's domestic set-up, as well as their involvement in relief work from 1916-18. Stein likely was an original. She eschewed much punctuation as well as the emotion behind words and in doing this did influence elements of modern American writing. Her conceit as the light-giver in her celebrated literary and artistic salons shows geniuses and lesser mortals all batting around her like moths. Her arrogance has her sitting on a podium between Jesus and Shakespeare and, if she did not find you interesting, she would not shy away from revealing it. Despite all this, this is an enjoyable read. It is not a masterpiece but has intrinsic value as a portrait of an inspirational time and place.
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