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Auto Da Fay (Paperback)

by Fay Weldon (Author)
4.0 out of 5 stars  See all reviews (1 customer review)

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Product details

  • Paperback: 384 pages
  • Publisher: Grove Press; Reprint edition (May 2004)
  • Language English
  • ISBN-10: 0802141420
  • ISBN-13: 978-0802141422
  • Product Dimensions: 20.6 x 14 x 2.8 cm
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)

Product Description

Amazon.co.uk Review

Auto Da Fay is the scriptwriter, novelist, journalist and pioneering feminist Fay Weldon's candid and enjoyably digressive autobiography. Concluding at the beginning of the 1960s with the birth of her second son and the production of her very first television play, it's primarily an account of her (often arduous) formative years. (Those in search of revelations about her time at the heart of the women's movement will, for the moment at least, have to rely on Big Women, her fictional account of that period.)

Born Franklin Birkinshaw in Barnt Green, Birmingham, in 1931, most of Weldon's childhood was spent in New Zealand. Her father, a philandering doctor, played only a minor, if biologically necessary, role in her existence. She was raised, along with her older sister Jane, by her formidable mother and her bohemian grandmother, a woman once on intimate terms with HG Wells, Rebecca West and Edith Nesbitt. (Weldon's family, it turns out, has an impressive literary pedigree; her grandfather, Edgar, uncle Selwyn and, for a brief while, her mother were all novelists.) Arriving in London just after the Second World War, her mother kept the brood together by working as a servant; the experience of living below stairs later helped Weldon to script the television drama Upstairs, Downstairs. After St Andrews University, Weldon worked in the Foreign Office until becoming pregnant. Defying conventions of the times, she remained a single parent. Following a stint as a consumer agony aunt for the Daily Mirror she drifted into advertising before in utter desperation entering into a crushingly awful marriage of financial (in)convenience. With cool, unwavering honesty she details, in the third person, the truly depressing experience of being hitched to a celibate, Masonic headmaster who encouraged her to work in a seedy West End night-club. She escaped, found true love and, working alongside poets such as Edwin Brock, David Wevill and Peter Porter, went on to pen such winning advertising slogans as "Go to Work on An Egg" and "Unzip a Banana" and began writing seriously. Riddled with Weldon's customary wayward and even mildly contradictory opinions, this frank, acerbic and witty memoir can be infuriating on occasions but is certainly never dull.--Travis Elborough --This text refers to the Hardcover edition.



About the Author

Fay Weldon was born in England and raised in New Zealand. She took degrees in Economics at the University of St Andrews in Scotland and after a decade of odd jobs and hard times began writing fiction. She is now well known as novelist, screenwriter and cultural journalist. --This text refers to the Hardcover edition.

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11 of 12 people found the following review helpful:
4.0 out of 5 stars Fascinating lady!, 15 Aug 2005
This review is from: Auto da Fay (Paperback)
Fay Weldon begins her autobiography with her birth,in Birmingham, England.She guides us through to her emmigration to New Zealand at a young age.This is an interesting episode because her family's migration was done the old way,via sea voyage.
She reveals her medical doctor father was, unfortunately,something of a dissapointment,being unreliable at inconvenient times,and by and large,not being there for his daughters.Fay being the younger of two daughters.Later on we learn that the son her father had with his second wife, grew up to be some big cheese in soft porn movies.It seems so many of her relatives and associates are notable for something or other. Her upbringing was largly female orientated. Her mother strikes as being somewhat stoic and conservative.There is a heart rending account of the young Fay's immature fascination with an older girl at school being misinterpreted as lesbianism by her disappoving mother.
The family( minus the father) moved back to the U.K when Fay was in her teens.
The many life changes and interesting associations this lady mentions in her autobiography are too numerous to mention.
Anybody who has devoured a Weldon novel, and wondered where her fascinating characters and insights come from ( Praxis & The Life & Loves Of A She-Devil for example)will gain a whole lot of insight from reading her autobiography.
Eventually, the book ends in the 1960's by which time, Fay Weldon was in her thirties.However, dont assume that this makes her autobiography hollow or sketchy,it ends at an appropriate point.

Being admirably candid,in the middle of the book,she relates the circumstances which led her to marrying an older gentleman, who, to her frustration, lacked any sexual interest in her whatsoever.She tells us how this unsuitable union led her to lose the plot somewhat, and how she temporarily descended into an unhealthy lifestyle of apathy and promiscuity- from which she proudly rescued herself, of course!She opted to write about herself in this chapter of her life, in third person.This demonstrating how far she has moved on since that dark period.
There is so much in this book.She has lived in haunted houses,seen loved ones tormented by mental illness, slept with her friends boyfriend,lost dear friends in nasty accidents,been a single mum with no money,and created many well known advertising slogans.However she does not give her writing career very much attention in this book.
The end is positive.You'll watch her emerge, very natrually, into a successful career woman,married to her true love,and finally into the accomplished author we know today.

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