- Paperback: 336 pages
- Publisher: Vintage Classics; New Ed edition (6 Feb 2003)
- Language English
- ISBN-10: 0099445085
- ISBN-13: 978-0099445081
- Product Dimensions: 13 x 2.6 x 21.2 cm
- Average Customer Review: 5.0 out of 5 stars See all reviews (2 customer reviews)
- Amazon Bestsellers Rank: 35,880 in Books (See Top 100 in Books)
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Product Description
The New Yorker
‘Williams has fashioned an always engaging, psychologically convincing work of fiction…a consistent and well-realized portrait’
Library Journal
‘A highly imaginative account of the life and times of Augustus…a brilliant novel’
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Customer Reviews
Most Helpful Customer Reviews
8 of 8 people found the following review helpful
Format:Paperback
I'm just going to tell you to do yourselves a favour and check this book out. Allan Masse, bow your head to the lesser known an appreciated John Williams. "Augustus: A Novel" is written in a very original way, using drafted letters, diaries, memoirs and even poems to tell the story making it a very easy read. You feel that you get to know each of the historical characters and they are written in a believable and stunningly truthful way, it is practically un-faulted. Its only fault is the title, which would have been better, titled as "Augustus and Julia."
Why?
Because the book is told in three parts, and each part has a theme. Where part one is about Octavius and his rise to become Augustus, part two and three revolves around mainly him and his daughter Julia, and it is Julia who dominates the eyes and excitement of the reader making her out to be the more interesting and certainly the more likeable of the two. Nonetheless, the father-daughter relationship between the two is quite touching and you can tell honestly that Julia means the world to her father. Other characters there to excite and delight you are Livia, Maecenas, Agrippa and various other people like Tiberius and Julia's partner-in-crime and ambitious lover Jullus Antonius who also draws your attention as the only living son of Mark Antony, falling in love with Caesar's daughter, Julia, in a non-typical Romeo and Juliet way.
Without a doubt, the best Augustus fiction I've read. If you want a good Roman book to read then I advise you to get this out of the library and give it a go.
Why?
Because the book is told in three parts, and each part has a theme. Where part one is about Octavius and his rise to become Augustus, part two and three revolves around mainly him and his daughter Julia, and it is Julia who dominates the eyes and excitement of the reader making her out to be the more interesting and certainly the more likeable of the two. Nonetheless, the father-daughter relationship between the two is quite touching and you can tell honestly that Julia means the world to her father. Other characters there to excite and delight you are Livia, Maecenas, Agrippa and various other people like Tiberius and Julia's partner-in-crime and ambitious lover Jullus Antonius who also draws your attention as the only living son of Mark Antony, falling in love with Caesar's daughter, Julia, in a non-typical Romeo and Juliet way.
Without a doubt, the best Augustus fiction I've read. If you want a good Roman book to read then I advise you to get this out of the library and give it a go.
Format:Paperback
This John Williams novel is a real literary treasure. Winner of the National Book Award for Fiction in 1973, this is the work of a writer whose skill with language has probably not been equaled since his death some ten plus years ago. "Augustus" is a personal history of the remarkable man who inherited from his uncle, Julius Caesar, a sense of mission to save the faltering Roman Republic and succeeded in making the city state into a well organized, stable and prosperous empire. The author argues, through fictionalized letters between Augustus, his family, friends and rivals, that the reluctant emperor, who preferred the title "First Citizen of Rome", made painful personal choices and sacrifices throughout his life, all in the interest in protecting the Roman state. The last chapter of the book, written as a letter to his last living old friend--Nicolas of Damascus--is Augustus' final reflection on his life. It is as poignant a swan song as you can find in literature and probably captures the man and his life as well as anyone has to date.
"Augustus" has been compared to the "Claudius" books of Robert Graves, which are quite fine as historical fiction. In my opinion, this work by Williams is even better in its language and scholarship and, overall, as a novel. Really one of the best books I read in some time.
"Augustus" has been compared to the "Claudius" books of Robert Graves, which are quite fine as historical fiction. In my opinion, this work by Williams is even better in its language and scholarship and, overall, as a novel. Really one of the best books I read in some time.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
22 reviews
60 of 61 people found the following review helpful
Many Suffered From Close Contact with Augustus - But Not Readers of this Work
29 Jan 2007
Format:Paperback
John Edward Williams won the 1973 National Book Award for 'Augustus' and deservedly so. This amazing piece of literature masquerading as historical fiction (and I like historical fiction) draws the reader into the world of Gaius Octavius, later to be Augustus, first emperor of Rome.
Williams tells his tale by the unusual technique of presenting letters, journal entries, and memoirs. By this method he allows the reader to gradually enter, indeed become immersed in, the world of Augustus, his family, friends, enemies, and most important, his Rome. 'Augustus' traces his rise from the vulnerable adopted son of Julius Caesar through a steady accretion of power as he becomes first a triumvir (with Mark Antony and the nonentity Lepidus), and then settles in as emperor of the world.
The historical record for Augustus's life has gaps that challenge an author and Williams grasps the challenge deftly, just as Augustus grasped power. We see Augustus as an aloof, cold and calculating politician whose assiduous pursuit and cautious exercise of power allows him to hold that power for over four decades, but always using that power for Rome, always for Rome, his Rome.
Yet many people suffer from their close contact with this man - his equally calculating wife Livia, for one, his dear friends Maecenas and Salvidienus, to name two more, but none more so than his daughter Julia. The last third or so of the book focuses on the break between Augustus and Julia. Williams presents an interesting and shocking explanation for Julia's exile - at least an explanation that Augustus believes or claims to.
The penultimate chapter draws Augustus's life to a close with a lengthy letter to Nicolaus of Damascus in which a dying Augustus bemoans his fate and the weight of authority he has had to bear - it is really most unattractive for one of the most powerful men in history to indulge in such self-centered despair, but it also rings true because Augustus spent his life denying himself so many pleasures in order to hold on to power for the good of Rome, as he convinced himself. In the end, Augustus saw himself as the embodiment of Rome - anything that threatened his power, threatened Rome. This is so well done that one finds oneself becoming angry with Augustus, who is after all just a character in this brilliant work of historical fiction.
'Augustus' is not an easy read. Prior knowledge of the historical era certainly aids the enjoyment and comprehension of the book. Ultimately, however, this remarkable work of historical fiction and literature deserves the highest recommendation.
Williams tells his tale by the unusual technique of presenting letters, journal entries, and memoirs. By this method he allows the reader to gradually enter, indeed become immersed in, the world of Augustus, his family, friends, enemies, and most important, his Rome. 'Augustus' traces his rise from the vulnerable adopted son of Julius Caesar through a steady accretion of power as he becomes first a triumvir (with Mark Antony and the nonentity Lepidus), and then settles in as emperor of the world.
The historical record for Augustus's life has gaps that challenge an author and Williams grasps the challenge deftly, just as Augustus grasped power. We see Augustus as an aloof, cold and calculating politician whose assiduous pursuit and cautious exercise of power allows him to hold that power for over four decades, but always using that power for Rome, always for Rome, his Rome.
Yet many people suffer from their close contact with this man - his equally calculating wife Livia, for one, his dear friends Maecenas and Salvidienus, to name two more, but none more so than his daughter Julia. The last third or so of the book focuses on the break between Augustus and Julia. Williams presents an interesting and shocking explanation for Julia's exile - at least an explanation that Augustus believes or claims to.
The penultimate chapter draws Augustus's life to a close with a lengthy letter to Nicolaus of Damascus in which a dying Augustus bemoans his fate and the weight of authority he has had to bear - it is really most unattractive for one of the most powerful men in history to indulge in such self-centered despair, but it also rings true because Augustus spent his life denying himself so many pleasures in order to hold on to power for the good of Rome, as he convinced himself. In the end, Augustus saw himself as the embodiment of Rome - anything that threatened his power, threatened Rome. This is so well done that one finds oneself becoming angry with Augustus, who is after all just a character in this brilliant work of historical fiction.
'Augustus' is not an easy read. Prior knowledge of the historical era certainly aids the enjoyment and comprehension of the book. Ultimately, however, this remarkable work of historical fiction and literature deserves the highest recommendation.
36 of 39 people found the following review helpful
Brilliant conception with a plot that drags in places
27 May 2005
Format:Paperback
For me, the greatest interest in this novel was the explanation of how Augustus came to power at such an early age. Like most educated people, I , too have read histories that cover this period in detail. And yet, descriptions of events that historians gloss over with one sentence statements are not really enlightening. Here's an example of such a description from a typical history book: "Augustus, using the power of his uncle's name and money, soon became a force to be reckoned with in Rome." Well, excuse me, but there is a lot left out of a statement like that. And history books are full of such examples. Precisely HOW could an eighteen year old kid persuade enough people to have confidence in him so that he could effectively challenge a military veteran and street fighter like Mark Antony? This is where John Williams shines. He gets into the interstices of history and demonstrates the human element at work in ways that can be understood. Step by step, we follow a callow youth as he becomes the most powerful man in the world.
The plot does tend toward some confusion as a result of the device of using correspondence to carry the story. This means that digressions in the plot must take place in order to make the letters, diaries, etc. seem realistic. However, once you're accustomed to this device, the story manages to maintain its own velocity...PROVIDED that you are interested enough and knowledgable enough about Octavian to want to know the kind of details that emerge. If you are like me, you are absolutely dying to know.
The plot does tend toward some confusion as a result of the device of using correspondence to carry the story. This means that digressions in the plot must take place in order to make the letters, diaries, etc. seem realistic. However, once you're accustomed to this device, the story manages to maintain its own velocity...PROVIDED that you are interested enough and knowledgable enough about Octavian to want to know the kind of details that emerge. If you are like me, you are absolutely dying to know.
25 of 26 people found the following review helpful
Good complement to "I, Claudius"
3 May 2005
Format:Paperback
This complements the better known "I, Claudius." Comparing the two has me wondering what's actually known about that era, and I will probably read more about it as a result.
Williams, for example, portrays Augustus' third wife Livia as maneuvering coldly and relentlessly, but within the bounds of propriety, to position her son Tiberius as Augustus' successor.
Graves, meanwhile, shows Livia in a darker light, responsible for numerous deaths in so doing while somehow maintaining her image of virtue. And he makes her the central character.
Williams does a better job than Graves at capturing Rome as Augustus found it - rotting and a republic in name only, controlled by a few families - and the Rome that Augustus fashioned, economically healthy, at peace, with the most powerful families held at bay, an orderly government that citizens of all classes could depend upon, and led by an emperor who himself led a plain life as a moral example. I didn't realize so many of the key names of Latin literature - Livy, Horace, Vergil - lived at that time and were intimates of Augustus.
"I, Claudius", seen through the eyes of Livia's grandson, perhaps does better at portraying the shocking and lurid decadence marking the beginning of the empire's decline. But "Augustus", starting earlier with Julius Caesar's assassination and Octavian's rise to power, does better with the broad sweep of Augustus' life and detailing this peak period of the Roman Empire, before the real decline began. It's more upbeat. Williams does a nice job using Julia to capture the tragic contradictions at the heart of the period.
The format, with the story being told through letters of various characters to each other, can be a bit disjointed. I think this is a product, however, of Williams' determination to cover all key events in Augustus' reign. It can be a bit tedious as many detailed non-fiction histories are, but Williams generally keeps the story moving. He has an interesting life and times to work with.
Williams, for example, portrays Augustus' third wife Livia as maneuvering coldly and relentlessly, but within the bounds of propriety, to position her son Tiberius as Augustus' successor.
Graves, meanwhile, shows Livia in a darker light, responsible for numerous deaths in so doing while somehow maintaining her image of virtue. And he makes her the central character.
Williams does a better job than Graves at capturing Rome as Augustus found it - rotting and a republic in name only, controlled by a few families - and the Rome that Augustus fashioned, economically healthy, at peace, with the most powerful families held at bay, an orderly government that citizens of all classes could depend upon, and led by an emperor who himself led a plain life as a moral example. I didn't realize so many of the key names of Latin literature - Livy, Horace, Vergil - lived at that time and were intimates of Augustus.
"I, Claudius", seen through the eyes of Livia's grandson, perhaps does better at portraying the shocking and lurid decadence marking the beginning of the empire's decline. But "Augustus", starting earlier with Julius Caesar's assassination and Octavian's rise to power, does better with the broad sweep of Augustus' life and detailing this peak period of the Roman Empire, before the real decline began. It's more upbeat. Williams does a nice job using Julia to capture the tragic contradictions at the heart of the period.
The format, with the story being told through letters of various characters to each other, can be a bit disjointed. I think this is a product, however, of Williams' determination to cover all key events in Augustus' reign. It can be a bit tedious as many detailed non-fiction histories are, but Williams generally keeps the story moving. He has an interesting life and times to work with.
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