Okay, the jury's still deliberating this one. This is either a work of French genius or complete Gallic madness.
So far, I've got this album down to about four real 'killer' tracks with the remainder falling around my feet in a confused/confusing heap. Don't get me wrong, I loved the last Cassius album, but this pushes things way further. And while this may seem commendable, over-long Pink Floyd guitar solos and the cheesiest soul-house vocals take a bit of figuring out.
New single 'The Sound of Violence' is a real gem - pumping disco house with a dynamite vocal hook.
You'll be getting a splash of Kraftwerk on the track 'Telephone Love' and even a bit of Prince (as well as those Dave Gilmour solos) on 'Nothing'.
But what the hell is the Ghostface Killa / Cassius team-up that is 'Thrilla' doing on here? The weediest hip-house I've had to suffer in many a year. Thematically, this track features a sly nod in Daft Punk's direction with its Neo-Classical riff at the intro, but then we're into a skippy, lightweight excursion back to 1989. Coupled with Ghostface's super-serious vocal delivery, this is just embarrasing - a definite lunge for the CD 'skip' button.
Penultimate track 'On' is pure Cassius combining the best elements from their previous album and twisting them just a little bit more into a manic fusion of chopped-up vocal samples and unpredictable beats.
The album's title track (coming at the close of this mixed bag) mixes down-tempo crunchy beats with Superfly wah-wah guitar, but even this suffers from the album's biggest failing - an over-dependency on 'live' instrumentation over sample trickery. Again, this is perhaps to be commended, but I think Cassius have gotten a little over-excited by their mate who can really wring those heart-rending notes from a guitar, and by the soul vocals more suited to the mid-90s Acid-Jazz-take-on-house...
So, not for everyone, but well worth a look if you fancy something that seeks to tear up the rule book. That's good isn't it?