20 of 21 people found the following review helpful:
4.0 out of 5 stars
Stagey but spellbinding!, 12 July 2008
I personally found this a spellbinding movie, though I understand why critics would object. The literary origins are retained through the artifice of a structure essential to conceal the twist in the plot. The downside is that the film is somewhat stagey and stylised, though the author conceals shocks brilliantly. You are somehow aware of the artifice throughout, the reasons for which become apparent at the end.
The country house scenes look very chocolate box, and could easily have been the start of a familiar romantic drama of the Camomile Lawn ilk, but all is thrown into disarray in rapid succession by the use of a taboo word, an act of witnessed passion, the violent rape of a young girl and a false accusation.
What follows is the unfolding drama and the story of the atonement, told in several chapters and centred around the character Briony at three ages - 13, 18 and 77. To give each credit, Saoirse Ronan, Romola Garai and Vanessa Redgrave each give a sparkling turn and look precisely like an older version of their younger selves. Ronan in particular makes a magical job of competing for screen time with the likes of McAvoy, Knightley, Cumberbatch, Kennedy and Walter - and frankly, wins hands down most of the time!
The finest set piece is however Dunkirk. There is a single, intricate shot weaving in and out of the huge and complex array of activity on the beach as McAvoy's Robbie and his two companions try to find their way around. This is masterly film-making and worth the price of the DVD on its own.
The denouement is left in the hands of Vanessa Redgrave, and what a smashing job she makes of it too. Fragile yet playful, wistful yet leaving no doubt of the sincerity of her regrets, this is a fine performance.
McEwan seems blissfully happy with the translation of his novel, and why not? It seems from what people say to have stuck closely to the script in the capable hands of Christopher Hampton. The story is opened out but remains very true to its historical mores and morality. If anything, this makes it even more claustrophobic. Perhaps Hampton could have listened less to McEwan and followed more closely his own instincts to create a vivid big screen vision of McEwan's novel, it could have achieved the golden 5 stars, but even so - pretty darned good!
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
Delightful, 28 Jun 2010
It is a delightful film, well paced, with a beautiful background, strong emotions and remarquable actors. I really enjoyed it and highly recommend it. I found it just as enjoyable as the book it was adapted from.
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5 of 5 people found the following review helpful:
4.0 out of 5 stars
Almost Great, 29 Jun 2008
Joe Wright's adaptation of Ian McEwan's beautiful novel is a passionately romantic account of how childhood feelings, betrayals and misunderstandings lead to the collapse of adult relationships. It is a film which has all many of the hallmarks of classic British movies; a hot summer in a country mansion; the ravages of war and class tension.
It is a lavishly directed film; the choice of shots superb. The close ups of Briony as she delivers her evidence without pause or hesitation; the views of the evacuation of Dunkirk shot in a beautiful warm summer's glow allowing the whole scenario a surrealsitic quality. The pace of the film and the changes in tempo are impressive. The music which is sentimental and romantic underscores the irony of the failures of love which the film reveals.
I enjoyed the quality of the acting this work, particularly in the claustrophobic country-house scenes at the start. The brevity of the adaptation did mean that some characters did feel rather lightweight and I missed the characterisation that the novel was able to develop.
The last scenes of the film do however leave a feeling of dissatisfaction; as an audience we have been asked to accept a premise only for it to be swept away- it's not that the ending doesn't work only that it makes you question the validity of all you have seen before.
The sense of doubt and uncertainty is annoying because this is a fine film .
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