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Asylum
 
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Asylum [Original recording reissued, Original recording remastered, Import]

Kiss Audio CD
2.8 out of 5 stars  See all reviews (6 customer reviews)

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Biography

Rock superstars KISS release their new album Sonic Boom on October 5, 2009. Featuring 11 brand new KISS anthems, Sonic Boom is an emphatic statement from one of rock’s most iconic bands. Says guitarist/vocalist Paul Stanley: “Sonic Boom is the perfect title for what we’re creating. It’s earth-shaking and deafening!” Adds bassist/vocalist Gene Simmons: “Sonic Boom is our confessional: when you look… Read more in Amazon's Kiss Store

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Product details

  • Audio CD (18 Jan 2006)
  • Number of Discs: 1
  • Format: Original recording reissued, Original recording remastered, Import
  • Label: Import Music Services
  • ASIN: B00000AF96
  • Other Editions: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
  • Average Customer Review: 2.8 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Bestsellers Rank: 70,470 in Music (See Top 100 in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
Listen  1. King Of The Mountain 4:20£0.69
Listen  2. Any Way You Slice It 4:02£0.69
Listen  3. Who Wants To Be Lonely 4:02£0.69
Listen  4. Trial By Fire 3:26£0.69
Listen  5. I'm Alive 3:46£0.69
Listen  6. Love's A Deadly Weapon 3:31£0.69
Listen  7. Tears Are Falling 3:55£0.69
Listen  8. Secretly Cruel 3:44£0.69
Listen  9. Radar For Love 4:01£0.69
Listen10. Uh! All Night 4:03£0.69


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Customer Reviews

Most Helpful Customer Reviews
5 of 5 people found the following review helpful
By A Customer
Format:Audio CD
'Asylum' saw Kiss moving comfortably into a market dominated by the big hair bands that they had themselves influenced.With a new guitarist in Bruce kulick they created,in my opinion, thier best work of the era.Songs like 'Tears are falling' and 'Who wants to be lonely'provided them with huge MTV hits,whilst other songs like 'Uh!all night' and 'I`m alive' showed that they could still compete with the new younger breed of rockers.The album still sounds fresh and the performances from the whole group are excellent.If you are looking for a classic from Kiss` lost years then 'Asylum' comes highly recommended.
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3 of 3 people found the following review helpful
By A Customer
Format:Audio CD
Buy it for the Paul Stanley songs. "Who wants to be lonely" and "Tears are falling" are gems.
Unfortunatly, Gene Simmons was incapable of creating anything worth listening to throughout the mid 80's to earlies 90's, and he proves it with his tedious offerings on this record.
However, Stanley always comes up with the goods, and his voice and songs makes any Kiss album worth buying!
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1 of 1 people found the following review helpful
Format:Audio CD
After the power-punch return to melodic metal rock with 1984's `Animalize', and the recruitment of yet another lead guitarist in Bruce Kulick (who would stay til they once more donned their make-up 12 years later), Kiss's 1985 album, `Asylum', proved a pretty lackluster offering.

Paul Stanley produced the album. But without the powerful drum sounds captured by producer Michael James Jackson on `Animalize' and `Creatures Of The Night', the original mix sounds very thin (though, the 1998 remaster gives it some much needed oomph). The band returned to co-writing with one another on much of it, but the results are generally weak and on the pop rock side of things. Even input on six out of the ten tracks from staple 80s and 90s hitmaker, Desmond Child, fails to produce results. Paul Stanley's `Tears Are Falling' is the only standout. The opening `King of the Mountain' is reasonable, but would have sounded far better with heavier production. The rest are on the puerile side (`Uh! All Night' etc), sounding very much in the vein of the crop of weak-kneed 80s US pop metal hair bands at the time.

The over-riding sense you get from `Asylum' is that the contract required it and the band wasn't really committed.
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