This is the second novel I've read in the last several months in which the protagonist is a precociously clever young teenage boy whose main outlet is the secret creation of a comic book/graphic novel. Evan Kuhlman's "Wolf Boy" is an excellent --sometimes painful, sometimes funny -- portrait of a 13-year-old whose big brother has died and whose parents are drifting apart. Here, the titular "Fanboy" is a 15-year-old whose parents are already divorced and has exactly one friend. He's kind of a classic sophomore smart geek loner -- the kind one could well imagine going TCM on everyone if he weren't too smart for that (although he does fantasize about just such a scenario and keeps a list of people he's like to see dead).
Fanboy's into superhero comics and his schoolwork, hates the school jocks (although his one friend is a lacrosse player), and pines for the school beauties. At home, he resents his pregnant mother and tries his best to ignore his "step-fascist", hiding out in his basement room as much as possible, devoting endless hours to his secret project. His fairly miserable balance is upset when a reckless classmate (aka "Goth Girl"), semi-befriends him. This leads to great confusion for him, as he struggles to say the right thing to the ultra-sarcastic, whip-smart, defensive girl, who challenges his notions about how to get through high-school. Lurking in the background to all this is an impending comic book convention where Fanboy plans to show his masterwork to Brian Michael Bendis (a prominent real-life comic creator). This meeting, he assumes, will be the catalyst for his rise to fame as a creative genius and will herald end his current misanthropic lifestyle.
The story is narrated entirely from Fanboy's snide and often whiny perspective, and so I found myself waiting for the other shoe to drop. His dislike of pretty much everyone is so knee-jerk that the reader can't help but assume that at least some of his characterizations are teenage exaggerations and that things are a little more complex than he makes them out to be. So it comes as little surprise that the "step-facist", school jocks, and teen beauty queen all surprise him in various ways over the course of the story. Indeed, it's hard not to come away at the end of the book thinking that if Fanboy was just a little less close minded, he wouldn't be so miserable -- which is perhaps the point. Thus, Fanboy is an exercise in frustration for the adult reader because while he has legitimate issues (like his uprooting to this new neighborhood six years ago and some very real pummeling in gym class), his approach to them is often so immature that one has a hard time sympathizing.
I also had a hard time believing his "lonerness". In a high school of several thousand, it's hard to believe Fanboy wouldn't have fallen in with a few other geeks (and/or freaks) by now. His portrayal of the school is a population of 90% anonymous kids, 9.9% Neanderthal jocks, and himself, plus Goth Girl, who comes out of nowhere. Perhaps the point is that even if those people were there, he is incapable of connecting with them -- however, this seems like a rather exteme stretch given his friendship with the jock comicbook guy. This is a fairly minor quibble however, as the book is nicely paced and fairly entertaining for the most part. It should be noted that those not into comics may find themselves somewhat less interested in Fanboy's "adventures", especially as the genre is at the center of a number of conversations and plot points throughout the book. At a minimum, one should be aware of the difference between superhero and non-superhero (Daniel Clowes, Adrian Tomine, et al) comics genres. Ultimately, it's an effective story about self-esteem that should appeal to teenagers who like to read.