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Ask The Dust CD

Price: £9.96 & FREE Delivery in the UK on orders over £10. Details
Includes FREE MP3 version of this album.
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£9.96 & FREE Delivery in the UK on orders over £10. Details Only 2 left in stock (more on the way). Dispatched from and sold by Amazon. Gift-wrap available.

Amazon's Lorn Store


Image of album by Lorn


Image of Lorn


Lorn returns with a new full-length album, his debut on Ninja Tune, and it’s a huge stride forward since Nothing Else (released on Brainfeeder, June 2010). Listening back to his first album, Lorn says it now seems “cold and strict.” Ask The Dust, on the other hand, is “haunted, oily, smeared,” and with this description he captures something of the intensely felt, ... Read more in Amazon's Lorn Store

Visit Amazon's Lorn Store
for 3 albums, 3 photos, discussions, and more.

Frequently Bought Together

Ask The Dust + Nothing Else
Price For Both: £18.25

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Product details

  • Audio CD (18 Jun. 2012)
  • Number of Discs: 1
  • Format: CD
  • Label: Ninja Tune
  • ASIN: B007IZ66NK
  • Other Editions: Vinyl  |  MP3 Download
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 134,305 in Music (See Top 100 in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song Title Time Price
Listen  1. Mercy 2:18£0.99  Buy MP3 
Listen  2. Ghosst 4:12£0.99  Buy MP3 
Listen  3. Weigh Me Down 3:41£0.99  Buy MP3 
Listen  4. This0:59£0.99  Buy MP3 
Listen  5. Diamond 5:32£0.99  Buy MP3 
Listen  6. Everything Is Violence 3:47£0.99  Buy MP3 
Listen  7. The Well 6:32£0.99  Buy MP3 
Listen  8. The Gun 3:16£0.99  Buy MP3 
Listen  9. Dead Dogs 4:11£0.99  Buy MP3 
Listen10. Chhurch 3:22£0.99  Buy MP3 
Listen11. I Better 2:52£0.99  Buy MP3 
Listen12. Ghosst(s) 4:20£0.99  Buy MP3 

Product Description

Product Description

Milwaukee-based producer Lorn was the first non-LA based (or related) artist to sign to Flying Lotus' Brainfeeder label / collective, where he released his first album, 'Nothing Else'.

Ask The Dust is Lorn s sophomore album and his first release on Ninja Tune which Lorn describes as haunted, oily, smeared, as opposed to the cold and strict(ness) of 'Nothing Else'.

'Ask The Dust' is named after the 1939 proto-Beat classic novel of the same name by John Fante. The album sees Lorn s music developing a more human energy - in particular, the use of his own singing voice (a process which began on the last track of 'Nothing Else', 'What's The Use'), which has added a new dimension to his often crunching and brutal but never less than beautiful electronic music.

BBC Review

Lorn celebrates his switch from LA’s Brainfeeder label to its kindred UK spirit, Ninja Tune, with his follow-up to 2010’s Nothing Else, a landmark album of twisted electronics and cracked melodies. That album, Lorn’s full debut, saw him gain the support of fellow sonic samurai Amon Tobin, who he recently supported on the stunning ISAM tour, and earned him a flurry of praise.

It’s clear on Ask the Dust that Lorn, the musical mask for Milwaukee’s Marcos Ortega, has retained his love for melodies. But they remain so strained and squeezed by the oppressive beats and dark ambience that surround them that each melody is forced to dig its fingernails into the aural grit and cling on. It’s this mixture of strength and fragility that Lorn has made his trademark and it’s heartening to hear that, while this is no rehash of past glories, he can still create music that is as strong as it is sensitive.

The Well displays this talent, as distorted choral blasts and corroded bass and beats are joined by gentle interludes of piano and a simple vocal snatch that provides a tangible emotional pull. The grinding bass of album standout Ghosst is more of a sensory assault but still retains a soft, yielding core.

Ortega graces various tracks with his own heavily treated vocals, a trick employed briefly on his previous album but used more liberally on this occasion. Weigh Me Down opens with a contorted vocal hook, which is joined by fidgeting beats and metallic yet somehow emotive chords. A further layer of discernible lyrics is disarming on first listen though.

The vocal elements of the growling Diamond and neon-lit ballad The Gun are what play the greatest role in setting Ask the Dust apart from Nothing Else. Overall, however, both albums share the same darkly menacing tones; this is another ride that’s far from easy but is just as rewarding at times.

Less gritty, less grimy, and more digital in its overall sound but no less inventive than its predecessor, Lorn has thrown down another musical challenge that’s well worth rising to.

--Ian Roullier

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Customer Reviews

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Most Helpful Customer Reviews

5 of 6 people found the following review helpful By The Wolf TOP 100 REVIEWERVINE VOICE on 1 July 2012
Format: Audio CD
Lorn (it seems we may now call him Marcos Ortega) emerges from the
shadows once more with a fine second album 'Ask The Dust'. His 2010
debut 'Nothing Else' received a good deal of airplay in The Wolfcave
and caused substantial amounts of dust and plaster to fall from our
ceiling (Scatty and Gritz - the cubs - said "play it loud Dad", so
I did!) Having found a new home with Ninja Tune Mr Ortega seems to
have broadened his sound palette with the ten tracks on offer. The
huge, grinding beats and uncompromising mood of seriousness are still
present and correct but tempered by greater evidence of light and shade
and openness of texture. His voice, albeit highly deconstructed and
distorted, also makes its presence felt more substantially than of yore.

Things kick of simply enough with opening number 'Mercy', a fairly
restrained introduction offsetting some nicely spooky synth doodles
against a slamming foursquare snare and bass drum percussion loop
but with second track 'Ghosst' the full force of Mr Ortega's dark
imagination is let loose with fire and fury. Its a great lumbering
beast of a composition, staggering across a burned and blasted
landscape with scant regard for whatever might step in its way.
'Weigh Me Down' and 'Diamond', with their quasi-orchestral Gothic
arrangements, however, both mine more complex sonic territory and
'The Well' is almost playful in comparison with its staccato choral
decorations and employment of more tangible melodic elements. The
cinematic ebb and flow of 'Everything Is Violence' crackles with
malevolent electricity and final track 'Ghosst(s)' is a veritable
nightmare landscape where a spectral voice wanders, lost and alone,
through the gathering gloom. It's all wonderfully atmospheric stuff.

Three cheers for Lorn says I! Looks like our ceiling's in trouble again.

Highly Recommended.
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0 of 1 people found the following review helpful By W P Collins on 8 Aug. 2013
Format: Audio CD Verified Purchase
I enjoyed the Lorn's other album Nothing Else and this is pretty close to that. Unlike anything I've heard before.
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Most Helpful Customer Reviews on (beta) 13 reviews
4 of 4 people found the following review helpful
Beautiful & Dark (One of 2012's Best) 17 Nov. 2012
By Travis Slavin - Published on
Format: Vinyl Verified Purchase
Lorn does it again with Ask the Dust. He just can't be stopped. From hard hitting songs like Chhurch and Ghosst to slow brooding works like Diamond...This album has it all for fans of dark Electronic music.

I'll make it short and sweet (and I think my title said a lot already). This is in my top 5 albums this year. Just a great work. From the beautiful album art to the morbid music it never disappoints.

I bought the LPs and I'm very glad I did. I've framed the art (reminded me of an Escher piece) and the marbled Grey & Black vinyl is fantastic.
3 of 3 people found the following review helpful
of a distant world 5 Aug. 2012
By crescendoyear - Published on
Verified Purchase
Lorn is one deep, dark, mystifying listen. If you're looking for an album experience that will take you away to another place entirely, then do not skip this. These songs are massive, eerie, emotional and beautiful all at once. I'd say the arrangements are pretty minimalist with not too much going on at one time, and this is an excellent thing in the case of Lorn. The electronics are crisp and buzzy at times, smoother other times, and hooks abound. The album, while not likely to be called conventional, is still pretty accessible and catchy. Vocals make an appearance on a few songs and are a nice touch. Every single track is worthy, but currently my favorites are 10, 3, 1, 2, 6, 12, 5 and 8.
5 of 6 people found the following review helpful
Deep beats with a deeper voice 9 July 2012
By Curtis B. - Published on
There is something about Lorn I can't quite put my finger on. I can't say his music is all that dynamic, he isn't the type to add layer after layer. Typically, as the song starts is very similar to how it ends. The thing is, what he lays down just flat out sounds good regardless of the amount of layers or the level of creativity.

Lorn makes music to make your head nod. He makes music that puts an angry face on you no matter what you are doing. Not that this is angry music, it just makes you feel like a bad-ass when you listen to it. I am sure that sounds kind of cheesy, but really, listen to this and try not to make that stank face while you nod your head back and forth.

The best tracks here are the tracks with vocals. I assume they are Lorn's vocals and they are not at all sung but it's not really talking either, I guess it's somewhere in-between, but it works very well. He has a voice that is as deep and dark as his music is and it's honestly something that sets him apart from any of his other contemporaries, whoever they are.

On Weigh Me Down he has a repeated vocal sample that borders on catchy and it's flanked by his trademarked hard, but slow, bass. He kicks in a few lines of vocals and the combo of everything makes it the best track on the album. The Well is the one track that does have a build up and a large amount of layering. The end of the track becomes welled up (forgive the pun) with a wall of sound and hummed vocal track.

Overall Lorn isn't maybe doing a ton of original things, but he is doing enough unique things that he sounds different than anything else I can think of. It's dark hip-hop on some level, deep dubstep on another and it even goes to some catchy sounds here and there. If you want something that isn't afraid to be hard for the sake of being hard, but still have a gentle side at the same time, Lorn is your man.
1 of 1 people found the following review helpful
great chill music 9 Dec. 2012
By Jason - Published on
Verified Purchase
I found Lorn's music on the soundtrack to the game 'Sleeping Dogs'. After checking out more songs, I had to buy this album. Very different, and entertaining. I highly recommend checking out the videos for some of the songs on this album, you won't be disappointed!
Ask my Dad 2 Nov. 2014
By owl14 - Published on
Verified Purchase
Lorn is definitely a unique artist. Heavy and dark are two words I pull from his work and I think it fits nicely. He's either blasting us with weighty / gritty synth and percussion or lulling us with some amazing melody that is usually tucked in very nicely with the grit. His tracks never feel repetitive which I feel holds him above others and "Ask the Dusk" is a perfect example of this. Please continue on Lorn, I'll be listening. I also recommend checking his bandcamp.

Favorite Tracks:
Dead Dogs
Weigh Me Down
The Gun
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