|
Amazon.co.uk Currency Converter
Amazon.co.uk allows you to pay for your items in your local currency. Restrictions apply. Learn More. |
Product details
|
|
Tags Customers Associate with This Product(What's this?)Click on a tag to find related items, discussions, and people.
|
So, what is it like? Well, there are the trademark big, lush, sombre strings, some fairly cool bleeps courtesy of Rupert Parkes (Photek) and some quite nice crooning from a number of mega rock stars (eg Bono). Standout track is the fabulous "Wake up in New York", which also has a truly phenomenal acoustic guitar sound on it, complete with creaks. The vocal isn't bad either (!) Other things that stick in the mind include a truly bizarre German expressionist piece he is probably wishing didn't make the cut. Anyone who was at The Barbican show earlier this year will know what I'm talking about.
Overall the album has the gorgeous quality we have come to expect from Armstrong in recent years, having been recorded and mixed as usual by the best team on the planet (Geoff Foster at AIR studios), and will not dissapoint film music heads on that score.
It is good to see Armstrong continuing to make his own music while managing to maintain a presence in the vipers nest that is the Hollywood film music business. He is obviously onto something here: there is a real interest in this kind of intelligent music that bridges the Classical and dance music worlds, but apart from Armstrong and in a slightly darker way Max Richter, there are very few thoughtful composers working that seam.
I don't think I've ever quite heard anything like it- that's not true, elements of it I have, but not the combination on one CD. It's something like Massive Attack (not suprisingly) verses Preisner or Arvo Part's 'Miserere' (two melancholically beautiful classical CDs) with a bit of slow rock vocals thrown in for good measure. It's numbing.
The dramatic opening track is the only track that can become wearing- the trip hoppy acidic synthesisers don't mix as well on this track as I think Armstrong believed they might- but elsewhere he gets it perfect. The combination of the sweeping orchestra and gentle hidden trip hop is best exemplified on Photek's contribution track "Hymn 2" -this and the Choral Ending remind me particularly of the two aforesaid classical CDs.
Most of the tracks are instrumental, and fare much better than the vocal led tracks. Bono's contribution to "Stay" brings it slightly beyond a sickly sweet poppy vocal track, but only just. All the tracks are intensely emotional, what you'd expect from Armstrong, and the best track has to be "Starless II" a downtempo, slightly electronic song with a great sample that will have you pressing the repeat button for along time after purchase.
Never heard of Craig Armstrong ? Read more
Hmmm... another free Ministry CD, some useless tracks.... drifting over my head....
WOAH! Read more
If I ever met you I'd shake you by the hand and simply say thank you for providing us with such a beautiful work of art. Read more
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
|
|
|