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Arts and Crafts Houses: By Philip Webb, William Lethaby and Edwin Lutyens: Red House, Bexleyheath, Kent, 1859. Melsetter House, Orkney, Scotland, 1898. Goddards, Abinger Common, Surrey, 1900. Volume 1 (Architecture 3s Series)
 
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Arts and Crafts Houses: By Philip Webb, William Lethaby and Edwin Lutyens: Red House, Bexleyheath, Kent, 1859. Melsetter House, Orkney, Scotland, 1898. Goddards, Abinger Common, Surrey, 1900. Volume 1 (Architecture 3s Series) [Hardcover]

Edward Hollamby , etc. , Trevor Garnham , Brian Edwards , Beth Dunlop
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Product details

  • Hardcover: 184 pages
  • Publisher: Phaidon Press Ltd (July 1999)
  • Language English
  • ISBN-10: 0714838756
  • ISBN-13: 978-0714838755
  • Product Dimensions: 30 x 30 x 2.4 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 719,105 in Books (See Top 100 in Books)
  • See Complete Table of Contents

Product Description

Product Description

Part of a series which aims to place noteworthy buildings within their historical context, this volume considers Philip Webb's Red House; William Lethaby's Melsetter House; and Edward Lutyen's Goddards. It includes specially produced technical drawings which explain how the buildings were detailed and put together. The text explains why the three houses are all studies in Arts and Crafts architecture, with the Red House being a seminal building from which the other two take much inspiration. It considers how although the three buildings vary in setting, they share obvious common themes, and that by studying them together, the larger content of Arts and Crafts architecture can be deciphered.

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8 of 8 people found the following review helpful
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These are three of the major works of the Arts and Crafts Movement beginning with the fabulous Red House which brought together many of William Morris' ideas in shaping this movement. Philip Webb worked with Morris to create this resplendent design, inspired by the earlier neo-Gothic movement, but pointing the direction to a new architecture. There are many fine color photos as well as key details of the house that give you a very good impression of this seminal work in the English Freestyle.

Lethaby and Lutyens carried the movement forward. They, along with C.F.A. Voysey, were the leading figures in the movement. The Melsetter House, by Lethaby, is a tour-de-force. It is stripped of most of the Neo-Gothic trappings, offering a more refined version of the English Manor House of the late 19th century. The site plan shows the beautiful configuration that Lethaby came up with to anchor the house on the large site with its radiating gardens. There are many beautifully detailed drawings, including molding profiles of the enormous fireplaces, which graced this mansion. But probably the most evocative photos and drawings are those of the chapel which was an extension of the main house.

Lutyens was a very eclectic architect, drawing on many classical themes as well as Neo-Gothic themes. Goddards represents a closer adherance to the Arts and Crafts Style, but in the introduction the author gives the reader a wide sampling of Lutyens' style. Goddards has elements of timber architecture and is more earthy in its appearance. The skewed wings open up the courtyard to the countryside beyond, and Lutyens' richly detailed chimneys rise as strong tower elements in the otherwise horizontal house. Lots of wonderful sections and detail drawings to give the reader a full impression of this manor house.

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19 of 20 people found the following review helpful
By A Customer
A Beautifully produced book, with predominently black and white photography. Original architectects drawings are suplimented by contemporary line drawings of architectural details elevations and plans. Fantastic value and very well designed. Part of a larger series all simularly priced.
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Amazon.com:  2 reviews
29 of 29 people found the following review helpful
A Steal at Twice the Price! 27 Nov 1999
By M. Grotzky - Published on Amazon.com
This book, like Arts and Crafts Houses II, covers only three houses, in this case William Morris's Red House (designed by Phillip Webb), William Richard Lethaby's Melsetter House, and Sir Edward Luteyns' Goddards, but it covers them beautifully and thoroughly. There are site plans, floor plans, elevations, beautiful black and white photos and stunning color photos, significant introductory essays, and lists of references. This is a beautiful book at an amazing price.
3 of 3 people found the following review helpful
The origins of the Arts and Crafts movement 25 Feb 2004
By James Ferguson - Published on Amazon.com
These are three of the major works of the Arts and Crafts Movement beginning with the fabulous Red House which brought together many of William Morris' ideas in shaping this movement. Philip Webb worked with Morris to create this resplendent design, inspired by the earlier neo-Gothic movement, but pointing the direction to a new architecture. There are many fine color photos as well as key details of the house that give you a very good impression of this seminal work in the English Freestyle.

Lethaby and Lutyens carried the movement forward. They, along with C.F.A. Voysey, were the leading figures in the Arts and Crafts Movement, and shown here are their key works. The Melsetter House is a tour-de-force, stripped of most of the Neo-Gothic trappings, this house offers a more refined version of the English Manor House of the late 19th century. The site plan shows the beautiful configuration that Lethaby came up with to anchor the house on the large site with its radiating gardens. There are many beautifully detailed drawings, including molding profiles of the enormous fireplaces, which graced this mansion. But probably the most evocative photos and drawings are those of the chapel which was an extension of the main house.

Lutyens was a very eclectic architect, drawing on many classical themes as well as Neo-Gothic themes. Goddards represents a closer adherance to the Arts and Crafts Style, but in the introduction the author gives the reader a wide sampling of Lutyens' style. Goddards has elements of timber architecture and is more earthy in its appearance. The skewed wings open up the courtyard to the countryside beyond, and Lutyen's richly detailed chimneys rise as strong tower elements in the otherwise horizontal house. Lots of wonderful sections and detail drawings to give the reader a full impression of this manor house.

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