For many of us of a certain age, the release of AOTB on DVD has brought some powerful but half forgotten childhood memories to the surface. It really did surprise me how well I remembered some of the episodes, despite having watched them only once three decades ago. That is in itself a great tribute to the story telling. What I did not remember so well - because I was too young to appreciate it fully at the time - was how subtle and literate much of the writing was. The Seventies really was the Golden Age of British Television writing. There is nothing of the same quality here today - especially in "children's television", which was how AOTB was categorised. It was in fact a very grown up version of history, avoiding on the one hand the fairy tale fantasy of Arthurian Romance, and, on the other, the equally unrealistic ultra-grunge that undermines some recent versions. This Arthur is indeed a hero, but his heroism lies in the fact that, when he decides to do the right thing, there is a real possibility that he might have done the opposite: if he spares someone, it means something precisely because the initial instinct of everyone involved was to kill that person. This Dark Ages mindset is wholly credible. Equally credible is the look of the thing. Oliver Tobias, Michael Gothard, Jack Watson, and, of course - compulsory in any Seventies television series - Brian Blessed all look like hardened warriors who could have persuaded other men to follow them. A very strong guest cast includes Tom Baker, the lovely Catherine Schell, Alfie Bass, a superb Clive Revill, Dave Proswe, a young Sally "Tiswas" James, Gila von Weitersahausen, Bernard Bresslaw, and the future Sir Michael Gambon - the last two of whom seem to be sharing the same blond wig! There are flaws - budgetary constraints are obvious, not least when Arthur raises an army that totals nine horsemen, but despite, or perhaps because of them, one soon finds oneself so deep in Arthur's world that one cannot help thinking, "This is how it could have been". Everyone involved should be proud of themselves and it would be great if a younger generation could be introduced to this superb example of British television at its best.