The Artemis Qt. didn't cross my path until a few years ago, but the Berlin-based ensemble began in 1989, modeling itself, according to their website, on the Emerson, Juilliard, and Alban Berg Quartets. They approach Beethoven with the swiftness and efficiency of the Emersons, though not to such an extreme. At the same time they strive for the traditional warmth and intense expression that the Alban Berg has mastered. The two influences don't contradict each other, as this excellent CD of Op. 95 and the first Razumovsky demonstrates.
If this is part of an unfolding cycle, it was smart of the Artemis to program lesser known quartets with popular ones. Nobody is going to buy this recording for the "Serioso" quartet, one of Beethoven's most compact and earnest works in the genre. But it's the real star of the program, played with concentration and dark purpose throughout its short length, while avoiding the hectic race of the Emerson's version or the ugly slashing attacks of the Takacs. Expect a rather merciless intensity, though.
There's daunting competition in the Razumovsky quartets, but the Artemis hold their own. The Scherzo of Op. 59 no. 1 is handled with imagination and variety -- each return of the theme is another opportunity for invention. The Adagio is a bit rushed and loses the last ounce of expressive depth, but most modern performers have the same reluctance to wear their hearts on their sleeves. The finale has just the right blend of folk dance and virtuoso energy; it, too, is very successful.
In all, I'd recommend this CD to any lover of Beethoven's quartets no matter how many old favorites they already own. The recorded sound is dramatic and larger than life, with a good deal of hall resonance (only bothersome during long puases). I fervently hope that the Artemis get to complete their cycle over the next few years.