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Product Description
Product Description
This comprehensive and authoritative study of medieval visual arts in Europe covers the period from Early Christian and Byzantine, through 'Barbarian', Carolingian and Ottonian, to Romanesque and Gothic. Architecture, painting, sculpture and the decorative arts are all vividly discussed and richly illustrated. Benton covers topics ranging from great cathedrals, monasteries and churches to alterpieces, reliquaries, gargoyles and carvings. Of particular interest are sections on secular and ecclesiastical clothing, armour, textiles, domestic architecture and the medieval social structure. The author also describes the techniques used by medieval artists in fresco and mural painting, enamelling, manuscript illumination, stained glass production and tapestry weaving.
About the Author
Janetta Rebold Benton is Professor of Art History at Pace University. She is a well-known lecturer on medieval art, and has written widely on the subject. Among her previous books are The Medieval Menagerie: Animals in the Art of the Middle Ages, Holy Terrors: Gargoyles on Medieval Buildings and Arts and Culture.
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Customer Reviews
Most Helpful Customer Reviews
3 of 3 people found the following review helpful
Format:Paperback
I can recommend this book on Medieval Art and Architecture. There are many good explanations and the author concentrates on certain buildings/pieces as well as mentioning other examples of the same type. The only detail I believe this book could improve is the quality of the images included. There are some good colour pictures, but often the photographs are in a grainy black and white. Absolutely a fine text, as long as you can view the objects discussed on the Internet in parallel.
Format:Paperback|Amazon Verified Purchase
I borrowed this book from the library and found it interesting and informative. It was a good grounding in this subject including vocabulary, but leaving plenty of scope to research further if and when I so wish. I loved the illustrations. Personally I find he mostly black and white images easier to read from the point of view of design.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
2 reviews
10 of 10 people found the following review helpful
a very nice introduction
14 May 2007
Format:Paperback
This book is an excellent introduction to Medieval art, covering temple architecture, sculpture, stained glass, reliquaries, illuminated manuscripts, icons and early paintings, tapestries, armor, castles, houses. The only things I can imagine that she might have included are coins and jewelry, but even omitting them this is an unusually complete coverage.
Under each heading, she examines 3-4 good examples of the subject, and in many cases she concludes by listing all/many other notable examples. Of course she can't go into detail on every Gothic church in France, but she goes over the most famous ones, and then provides a good, long list of others.
I happily recommend this to anyone travelling in France, as I was when I read it, because you'll have the opportunity to see many examples of Medieval art. I can also recommend this to students because the author rarely indulges in excessive verbiage, she writes fairly simply and straightforwardly.
Along with this, if you're interested in the Middle Ages, let me recommend two books: Medieval Foundations of the Western Intellectual Tradition (Yale Intellectual History of the West Se) and The Age of Reform, 1250-1550: An Intellectual and Religious History of Late Medieval and Reformation Europe.
Under each heading, she examines 3-4 good examples of the subject, and in many cases she concludes by listing all/many other notable examples. Of course she can't go into detail on every Gothic church in France, but she goes over the most famous ones, and then provides a good, long list of others.
I happily recommend this to anyone travelling in France, as I was when I read it, because you'll have the opportunity to see many examples of Medieval art. I can also recommend this to students because the author rarely indulges in excessive verbiage, she writes fairly simply and straightforwardly.
Along with this, if you're interested in the Middle Ages, let me recommend two books: Medieval Foundations of the Western Intellectual Tradition (Yale Intellectual History of the West Se) and The Age of Reform, 1250-1550: An Intellectual and Religious History of Late Medieval and Reformation Europe.
a helpful handbook
2 Jan 2012
Amazon Verified Purchase
This is a generally helpful handbook written in a style that I would describe as "conversational erudite." I do not recommend Art of the Middle Ages for beginners, as it assumes some prior knowledge. AotMA is probably best suited for readers already equipped with a historical sensibility.
The main problem, however, is that the subject matter is too vast and geographically diverse to be covered in a handbook, at least, this one. The so-called Medieval Era, conventionally understood, runs for over a 1,000 years and stretches from the British Isles east, and across Europe to Asia Minor and North Africa. Over this time period and across duchies, dioceses, kingdoms and empires, Medieval Art and Architecture took on a wide variety of expressions and forms, and these don't appear in Dr. Benton's treatment. Perhaps that is why this book is showing up at discounters and remainder houses in 2010.
The bibliography, however, IS excellent, and readers questing for more specific and synthetic historical treatments will benefit form consulting it and pursuing its titles.
The main problem, however, is that the subject matter is too vast and geographically diverse to be covered in a handbook, at least, this one. The so-called Medieval Era, conventionally understood, runs for over a 1,000 years and stretches from the British Isles east, and across Europe to Asia Minor and North Africa. Over this time period and across duchies, dioceses, kingdoms and empires, Medieval Art and Architecture took on a wide variety of expressions and forms, and these don't appear in Dr. Benton's treatment. Perhaps that is why this book is showing up at discounters and remainder houses in 2010.
The bibliography, however, IS excellent, and readers questing for more specific and synthetic historical treatments will benefit form consulting it and pursuing its titles.
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