Art history and its methods is a difficult book to read, especially for someone who has little grasp of the technical terms. I read the book, hoping it would give further my knowledge of art history, as I am applying to study that subject next year. Eric Fernie's comments were helpful, as the extracts from art critics, like Vasari and Wolfflin, were sometimes challenging to read. However the later critics become increasingly painless when reading their extracts, such as Hans Belting and Griselda Pollock, though the texts still provoke creative thinking.
The book also has an extremely useful glossary of terms, in relatively straightfoward easy to understand definitions. This is a hard book to read all the way through, but I would recommend it to readers who have prior knowledge to the world of art history as it can be a useful reference book. For readers, who are new to the subject, like myself, I think starting with a less problematic book in terms of technical terms would be a better choice, such as the Story of Art, by E.H Gombrich, which I read shortly after finishing this book and was pleasantly surprised at how well he constructed his points without becoming stuck in technical detail.