- Paperback: 320 pages
- Publisher: Oxford Paperbacks (10 April 1997)
- Language English
- ISBN-10: 0192842064
- ISBN-13: 978-0192842060
- Product Dimensions: 23.4 x 16.8 x 2 cm
- Amazon Bestsellers Rank: 223,664 in Books (See Top 100 in Books)
- See Complete Table of Contents
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"Thoughtful and persuasive. I like the thematic organization."--Richard Wrigley, Brookes University
Product Description
Hogarth's pugnaciously xenophobic `Gates of Calais', Giambattista Tiepolo's grandiose murals at Wurzburg, Goya's satirical engravings, Los Caprichos, and Canova's chastely classical sculptures could hardly be more different but all are aspects of the same period. In an era of unprecedented change - rapid urbanization, economic growth, political revolution - artists were in the business of finding new ways of making art, new ways of selling art, and new ways of talking about art. Matthew Craske creates a totally new and vivid picture of eighteenth- and early nineteenth-century art in Europe, taking a critical view of such conventional categorizations as the `Rococo', the `Neo-Classical', and the `Romantic'. He engages with crucial thematic issues such as changes in `taste' and `manners' and the impact of enlightenment notions of progress, and at the same time goes well beyond the usual geographical limits of surveys to take in St Petersburg, Copenhagen, Warsaw, and Madrid. The result is a refreshingly holistic survey which sets the art of the period firmly in its social history.
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First Sentence
Those late eighteenth- and early nineteenth-century art commentators who penned their earnest complaints concerning the debasement of art at the hands of 'the public' assumed that the issues they addressed were of great public concern. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
Those late eighteenth- and early nineteenth-century art commentators who penned their earnest complaints concerning the debasement of art at the hands of 'the public' assumed that the issues they addressed were of great public concern. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Amazon.com:
3.3 out of 5 stars (3 customer reviews)
11 of 11 people found the following review helpful:
5.0 out of 5 stars
An excellent art history book, 20 Jun 2000
By A Customer - Published on Amazon.com
This review is from: Art in Europe 1700-1830: A History of the Visual Arts in an Era of Unprecedented Urban Economic Growth (Oxford History of Art) (Paperback)
I bought this for an art history course in college. The book has many high quality illustrations and half of them are in color. The book also features many details of the works presented in it. There are also comments about what was happening in the artists' lives when they were painting the works shown. The book also includes the political events that occured during the 18th and early 19th centuries. There is even a timeline in the back which shows what was happening in the art world and in the political world at the same time. The book focuses on the Rococo, Neo-Classical, and Romantic movements in painting and sculpture. There is no mention of architecture. This is a great book to have if you like art history.
0 of 2 people found the following review helpful:
1.0 out of 5 stars
Academic indulgence, 17 Jun 2009
By Tom S - Published on Amazon.com
This review is from: Art in Europe 1700-1830: A History of the Visual Arts in an Era of Unprecedented Urban Economic Growth (Oxford History of Art) (Paperback)
Somehow Craske has managed to find the most bland and lifeless art from this period in art history. He does love his caricatures and monkey paintings. Had I no experience of the subject other than this book I probably would not dig any deeper; thankfully that is not the case.
2 of 6 people found the following review helpful:
4.0 out of 5 stars
Good Historical Overview, 25 Jan 2003
By Ilania Abileah - Published on Amazon.com
This review is from: Art in Europe 1700-1830: A History of the Visual Arts in an Era of Unprecedented Urban Economic Growth (Oxford History of Art) (Paperback)
A good addition to your Art Book Library. Good analysis of art in the 18th and early 19th centuries, in conjunction with world events.
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