- Hardcover: 304 pages
- Publisher: University of Chicago Press (14 Feb 2003)
- Language English
- ISBN-10: 0226266540
- ISBN-13: 978-0226266541
- Product Dimensions: 2.6 x 1.9 x 0.3 cm
- Amazon Bestsellers Rank: 1,756,661 in Books (See Top 100 in Books)
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Review
"Hopper and O'Keeffe had quite different lives and careers, yet both artists represented and participated in the breakdown of Victorian morals and manners. Vivien Green Fryd sheds new light on how the style and iconography of their art registered the pressures, joys, and disappointments both artists experienced in their relationships with their respective spouses. This pairing proves surprisingly useful and offers many insights into the artists' lives, art, and social concerns about marriage at the time." - Cecile Whiting, author of A Taste for Pop: Pop Art, Gender, and Consumer Culture
Product Description
Between the two world wars, middle-class America experienced a "marriage crisis" that filled the pages of the popular press. Divorce rates were rising, birthrates falling, and women were entering the increasingly industrialized and urbanized workforce in larger numbers than ever before, while Victorian morals and manners began to break down in the wake of the first sexual revolution. Vivien Green Fryd argues that this crisis played a crucial role in the lives and works of two of America's most familiar and beloved artists, Georgia O'Keeffe (1887-1986) and Edward Hopper (1882-1967). Combining biographical study of their marriages with formal and iconographical analysis of their works, Fryd shows how both artists expressed the pleasures and perils of their relationships in their paintings. Hopper's many representations of Victorian homes in sunny, tranquil landscapes, for instance, take on new meanings when viewed in the context of the artist's own tumultuous marriage with Jo and the wide-spread middle-class fears that the new urban, multidwelling homes would contribute to the break down of the family. Fryd also persuasively interprets the many paintings of skulls and crosses that O'Keeffe produced in New Mexico as embodying themes of death and rebirth in response to her husband Alfred Stieglitz's long-term affair with Dorothy Norman. "Art and the Crisis of Marriage" provide both a penetrating appraisal of the interconnectedness between Georgia O'Keeffe and Edward Hopper's lives and works, as well as a vivid portrait of how new understandings of family, gender and sexuality transformed American society between the wars in ways that continue to shape it today.
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First Sentence
Art and the Crisis of Marriage looks at marriage through the window opened on that institution by the marital relationships and works of two of America's most familiar and beloved twentieth-century artists: Georgia O'Keeffe (1887-1986) and Edward Hopper (1882-1967). Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
Art and the Crisis of Marriage looks at marriage through the window opened on that institution by the marital relationships and works of two of America's most familiar and beloved twentieth-century artists: Georgia O'Keeffe (1887-1986) and Edward Hopper (1882-1967). Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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