I was almost put off watching this film by the very fact that it seems to have appeared from nowhere. I hadn't read anything about it and had not heard any rumours about it being made. Like a US stealth bomber it seems to have slipped under the radar. But I have to say, when it finally arrived, just like a stealth bomber, it delivered an unexpected bang.
This is a gem of a film. True, at heart, it's one of those soppy love stories. But like Tristan & Isolde before it (2005 20th Century Fox / Scott Free) it is a magical tale that transports you with ease into a world of rich textures, and just like the myriad facets of a gem, mesmerizes you with its tones and depth.
The cinematography is magical and owes I think not a little to Ridley Scott's Kingdom Of Heaven. Infact many of the scenes shot in the Holy Land could easily have been liften wholesale from that blockbuster of a movie. I don't mean here to suggest that Arn is in anyway a copy of the former, but like Kingdom, this film is a visual feast all be it on a much smaller, cosier scale.
The film skips constantly back and forth between a snow-laden Northern Europe and a sun-scorched Holy Land, and whilst this gets a little disorientating at times, and one often wishes the film would slow down to ponder a little longer on a particular storyline, it does mean that there is very little padding throughout the length of the film. If I have a complaint at all, it is that this two hour ten minute film feels rushed - there is too much story and just not enought time, which is to be expected when a film tries to deal with three novels in one go. This is a big budget movie that works well on so many levels, but would have been so much better had it been two or even three films. But that is a minor quibble. If you like your historic dramas to be rich in detail, beutifully fimed and impecably acted, then this film is worth a watch.