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Harris paints a compelling portrait of modern Russia, particularly Moscow but at the same time introduces some fascinating theories and ideas about the political direction Russia is taking and the burden of the past it drags behind it. The result is that you are simultaneously gripped by an exciting piece of fiction but also slightly horrified at how true to life much of this could be.
That said, you don't need any knowledge of the subject to enjoy this book (though concentrating on the many Russian names is vital!). As with Harris' other excellent thriller Fatherland, I found myself instantly empathising with the characters of Archangel, namely 'maverick' academic Fluke Kelso (in Moscow to attend a conference about the newly opened Soviet archives), and desperately willed him on in his quest to find out whether Stalin's secret notebook does indeed exist.
However, Harris cleverly shows the many sides to the effects of Kelso's investigations, and also draws a sympathetic picture of the long-suffering Russian police chief Suvorin, who too suspects there are many secrets buried in Russia's history but knows unearthing them may have a much greater impact than that of a 'scoop'.
As the plot moved on I was compelled to rush through the always evocative descriptions of 'New Russia' to get to its conclusion. Archangel is exciting, fast-paced, eerie as well as sad. A fantastic book.
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