- Hardcover: 180 pages
- Publisher: Abbeville Press Inc.,U.S.; 1st English Ed edition (24 May 2001)
- Language English
- ISBN-10: 0789207109
- ISBN-13: 978-0789207104
- Product Dimensions: 24.2 x 17.1 x 2.3 cm
- Amazon Bestsellers Rank: 2,178,532 in Books (See Top 100 in Books)
- See Complete Table of Contents
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More About the Author
Product Description
Product Description
One of the world's major forms of writing, Arabic script is the language of the Koran and it became widespread as a result of Islamic conquests of much of the world. The Koran places great importance on writing, and in the first verse of the holy book, reading and writing with the calamus, or reed pen, are praised as the source of all knowledge and all spiritual or scientific paths of change. For this reason the Islamic world is known for its reverence for books, as well as its love of writing. Eventually Arabic script gave rise to calligraphic art, which became an art form of astonishing beauty. More highly regarded than painting, Arabic calligraphy is approached aesthetically like music, with its own rules of composition, rhythm, and harmony. This enlightening book helps us discover an alphabet that throughout the centuries has been linked to the secular and religious worlds of Islam. The text explains the history and meaning of each letter, as well as its philosophical, theological, and cultural significance, and 300 two-color and black-and-white pictures illustrate the letters, their variants, and calligraphic adaptations. An ideal book for linguists, graphic designers, and collectors of Islamic art, Arabic Script will also prove handy for travelers who wish to become familiar with the rudiments of the alphabet.
About the Author
Gabriele Mandel Khan has studied Islamic art and culture for many years. He is an official of the Jerrahi-Halveti Sufi Brotherhood in Italy and a member of the Cambridge Islamic Academy. He has published many works on Islamic history and culture and is also a well-known calligrapher, engraver, and ceramist.
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8 reviews
15 of 15 people found the following review helpful
An insight to Arabic culture through its calligraphy
5 Jan 2002
Format:Hardcover
This richly illustrated volume on Arabic calligraphy is truly a feast for the eyes. The book begins with a brief introduction on the evolution of the Arabic script from its pre-Islamic origins to its blossoming into the many calligraphic forms we see today. Examples of the script throughout its development are provided, from early Nabatean scripts to modern attempts at introducing capital letters. Particularly interesting is the letter from the prophet Muhammad to Mundar ibn Saui (the script used by Muhammad is a bit different than contemporary Arabic script). In the next section, each letter is individually given at least a two-page discourse on various calligraphic forms, the symbology associated with the letter, its current use, how the letter relates to the Qur'an, and pronunciation of the letter (e.g. the Arabic letter 'shin' is used as an abbreviation for path and to Sufi mystics 'shin' symbolizes personal destiny). The final section shows examples of texts, manuscripts, and other sources depicting the wide range of calligraphic styles. Examples include excerpts from Qur'ans, from medieval-era scientific treatises, from talismans, and from other sources dating from antiquity to the present. The glossary at the end of the book, though too brief, is quite helpful.
This book is more about the artistry that is inherent in the Arabic script rather than on teaching the reader how to write Arabic letters - and you don't need to know Arabic to fully appreciate the artistry. Khan's work will be a welcome addition to the library of anyone interested in Islamic art, culture, or the Arabic language.
13 of 14 people found the following review helpful
WOW !! What a great book...
10 Aug 2001
Format:Hardcover|Amazon Verified Purchase
This book is well thought out. Extremely informative. It has lots and lots of pictures. The best part is for those of us who are trying to teach ourselves Arabic Calligraphy, and are somewhat limited in reading Arabic. The author gives full details on the calligraphy along with dates, english translation, etc. There is no guess work, the author assumes you don't have any Arabic so, if you don't have an arabic teacher, this is the book. Informative, easy to read and full, full of detailed information, the author was very generous with pictures.
I know you will enjoy it.
Definitely a good buy.
11 of 13 people found the following review helpful
Disappointing
19 April 2003
Format:Hardcover
I'm afraid I must start by saying I haven't read the English edition, but the Italian original. I approached it with high expectations, which were dashed.
Why did I find it disappointing? Perhaps I was expecting a bit more content; instead the book had the feel of a book thrown together to create a book. This is even more true of his companion volume, 'L'alfabeto ebreico'.
The illustrations seem too small to provide a useful guide to the caligrapher, and tend to concentrate - like to many books on Arabic calligraphy - on the illumination to the detriment of the calligraphy itself. The book also relies too heavily on Arabic typography, which isn't really the same as calligraphy, and which so often breaks the canons of calligraphy, with the result of seeming both ugly and hard to read.
I'd like to have know far more on the tradition of calligraphy and the calligraphers themselves; a more focused investigation of the styles used and how they've developed; a useful bibliography.
All in all, disappointing.
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