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The wave of protests that started this year in Tunisia, Egypt, Yemen, Libya, and other countries have made it clear just how much the Middle East is searching for a new identity. Young designers in the region are playing a part in this movement by increasingly emancipating themselves creatively. In their work, they are charting their own compelling course between local visual convention and a modern international style. Arabesque 2 documents the potential of this current creative emancipation in the Arab world and Iran. The book features examples of recent innovative and groundbreaking design work that is inspired by the richness of the region s visual culture. Given the important role of calligraphy in the Middle East, Arabesque 2 focuses on typography. The book presents a wide range of Arabic fonts and typefaces inspired by traditional calligraphy. These are accompanied by a rich selection of applications. Select examples of design and graffiti serve as powerful demonstrations of how text can be used illustratively. This work is particularly relevant to those creating street art and poster design. Arabesque 2 also features graphic design, logos, editorial design, and illustration by young designers and activists from Egypt, Iran, Saudi Arabia, Jordan, Lebanon, and the United Arab Emirates. Regardless of the location and nationality of their creators, all of the examples included in the book combine modern design with the traditional, letter-based canon of Arab forms in striking ways. The book s preface is written by John Martin, co-founder of Art Dubai. Additional texts and interviews describe the environments in which the featured designers and artists work. Editors Ben Wittner and Sascha Thoma round out Arabesque 2 with a CD-ROM that features four typefaces related to its themes. For exclusive previews inside and excerpts from this book, go to www.gestalten.com
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1 of 2 people found the following review helpful
very very modern
27 April 2012
Format:Paperback|Amazon Verified Purchase
I bought this book hoping for lots of examples of middle eastern design to inspire quilts -- tiles, fabrics, embroideries, architectural design, etc. That's not what this is (despite the cover art, which is beautiful and suggests such a thing). There are many many examples of typefaces for Arabic which might be useful to some people. The designs for signs, websites, graffiti, and advertising are, to my eye, rather junky, images that I would rather not gaze at for very long. Lots of scribbling, images on top one another (I suppose this is stylish), and cartoon-like art. It wasn't what I was hoping for and I will discard this book in the next trip to Goodwill.
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