After their seven year recording hiatus designed to get them out of their contract with Virgin Records, XTC returned with a vengeance, producing two fine and very different albums-- "Apple Venus" and "Wasp Star", originally intended to be released as a double album but split for marketing concerns. Additionally, for each album, a collection of demos ("Homespun" and "Homegrown" respectively) was released. After five years, rights to the material reverted back to the band, and they chose to re-release them together as originally intended, in a boxed set with all four releases contained within.
The albums are about as different as can be-- XTC, reduced to just principle songwriter and guitarist Andy Partridge and bassist Colin Moulding with the departure of Dave Gregory (who apparently was unhappy with the direction the group was taking), produced an album of acoustic guitars and orchestral arrangements ("Apple Venus") followed by a stripped down electric rock record ("Wasp Star"). I'll consider each briefly below (I've reviewed each of the four records in detail under their individual listings).
"Apple Venus" ends up being in my assessment the better of the two-- I tend to prefer my XTC overarranged, and what they managed was not so much a rock band plus orchestra but rather an integrated and natural feel. Listening to "Homespun", I suspect this is because the orchestra concept was around from the beginning-- opener "River of Orchids", which is nearly all orchestra, appears this way on the demo as well (albeit with synths). The album proves remarkably diverse, from the apathetic "Your Dictionary" (Partridge exorcising the ghosts of his divorce), moody and contemplative ("I Can't Own Her"), near-baroque ("Knights in Shining Karma") to quirky electric faux-orchestral (Moulding's "Fruit Nut") and ends up being one of the strongest records in the band's catalog. "Homespun", while proving to be interesting, often times sounds virtually identical to the final takes and is the kind of thing only a diehard could love (on the other hand, if you're not, why would you be looking here?).
"Wasp Star" seems to suffer mostly from the missing presence of Dave Gregory-- while it's quite an enjoyable record in its own right, you can hear in a number of places where it would really have benefitted from Gregory ("The Wheel and the Maypole"). Partridge's pieces end up being primarily riff based rock, though often quite good riff based rock (sharp pop "Stupidly Happy", fractured country blues "Wounded Horse"), whereas Moulding tends towards more experimental stuff (quirky "Standing in For Joe"), but some of the material just isn't as memorable as the others ("You and the Clouds Will Still Be Beautiful") and while it's all quite listenable, it's not all the kind of stuff you'd get excited about. "Homegrown" as a demo recording ends up being in its own way more interesting than the album-- several pieces are presented in multiple demos ("I'm the Man Who Murdered Love", "Standing in For Joe") and some are dramatically different then their final album version ("Some Lovely" which became "My Brown Guitar") and this provides a superb portrait of the band's creative process.
All of this is packaged in a white box with each disc help in its own slip case and extensive liner notes by Partridge and Moulding. But if you've already got the album, there's not much in the way of value here except for the ability to download two new tracks from XTC's website with this purchase, one from each songwriter. Partridge's "Spiral" is an exciting and explosive electric rock piece, a praise of vinyl that comes off as pure ecstacy and is among the best of his compositions. Moulding's "Say It" is a lovely crooned ballad more in the form of "Apple Venus" that in my assessment is the best piece released by him since his contributions on "Oranges & Lemons".
IF you've already got the albums in here, it's kind of hard to rationalize the purchase, but if you don't, the set is lovely and the music within (including the downloads) is fantastic. It's just a shame they didn't include the instrumental versions of the albums that were recently released.