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Product Description
Product Description
In an engaging, fast-paced, up-close-and-personal narrative, Appetite for Self-Destruction recounts the music industry's wild 30-year ride through the digital age. Based on interviews with over 200 music industry sources-from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning-as well as assiduous research in legal documents, unpublished memoirs, Billboard reports, and so on, Steve Knopper, a regular contributor to Rolling Stone, offers a contemporary history of big music that is more comprehensive and entertaining than any other book out there. From the birth of the compact disk, through the explosion of CD sales in the 80s and 90s, the emergence of Napster, and the secret talks that led to ITunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the board rooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen.
About the Author
Steve Knopper is a writer and journalist who is currently Contributing Editor at Rolling Stone. He has also written for publications such as Wired, Esquire, Entertainment Weekly, Chicago, New York, the Chicago Tribune, Newsday, Details, Spin and Continental and has written or edited four books, including The Complete Idiot's Guide to Starting a Band and Moon Colorado. He lives in Denver, Colorado.
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Customer Reviews
Most Helpful Customer Reviews
3 of 3 people found the following review helpful
Format:Paperback
For anyone who has worked in the music industry this is an essential read. All of those figures we've grown up with named and in some cases shamed. Since reading this I've bought it for several friends in the industry all of whom agree it's a great read.
3 of 3 people found the following review helpful
Format:Paperback
For anyone with an interest in music or the music business this is essential reading. It gives insights to how the business was structured and why it's in so much trouble today.
With chapters focusing on key points in the life of the music industry it provides amazing revelations on what has happened - Napster, Michael Jackson and other events - and finishes by looking at where the business is heading.
With chapters focusing on key points in the life of the music industry it provides amazing revelations on what has happened - Napster, Michael Jackson and other events - and finishes by looking at where the business is heading.
2 of 2 people found the following review helpful
Format:Paperback
When I was a kid the music business was really simple. Labels discovered artists, artist made music, shops sold music, we bought music.
Things have gotten complicated in the last 15 years and if you'd like to get a handle on why this book sheds a lot of light.
Steve Knopper does a fantastic job of recasting the recent history of music as a page-turner whodunit of epic proportions. `Epic' referring to epic greed (with a complimentary side order of monumental stupidity). The `who' of course are the major labels (and the RIAA) and the `it' that they `dun' is killed the record industry.
Anytime any new technology appears from CDs & DAT to mp3 players and, yes, of course, Napster, they try to sue it or kill it. Examples abound. Here's a few of my favourites.
1981-82. After a presentation to executives what they could expect from the new CD technology, they throw it open for questions. Jay Lasker, head of ABC-Paramount records asks why his cable TV picture is sometimes cloudy.(What the...?)
2007. Doug Morris CEO of Universal Music Group explains in an interview with Wired magazine why the majors were blindsided by the digital revolution.
"There's no one in the record company that's a technologist...It's like if you were suddenly asked to operate on your dog to remove his kidney. What would you do?"
The interviewer replies,
"Personally I would hire a vet".
The sad thing is that Universal did have amazingly talented technologists, like Albhy Galuten, working for them already. They were just overlooked and ignored. They should have been easy to spot. They were the ones wearing Napster T-shirts.
Speaking of Napster the book makes it clear that the labels had their chance to buy it or make a deal with it. As one artist manager said later, in Napster there were 30 million music users in one place on the net, ready to be sold music, advertising whatever. But the industry killed Napster, Grokster and every other -Ster including a few they created themselves.
Eventually they were left with only one option.
Steve Jobs struck a deal whereby he would get 22 cents on every one of their songs in return for the labels making 0 cents on everyone of Steve's iPods. And because the labels had already killed off the bricks and mortar record stores and the only real record store in town was (you guessed it) Steve J's online emporium.
The examples of greed are too numerous to mention but on fact above all others should make every self-respecting musician want to grab a handful of dirt to throw on Sony's (et al) coffin. When CDs replaced vinyl the retail price jumped $8. Artist's royalties increased by 6 cents.
If you're trying to make a living in the music business and any of the above is a surprise to you then you need to buy this book.
By the way...
I can't help feeling that some of the more negative reviews of this book are because they were expecting this to be something it's plainly not. This is a book about why things went wrong and are doomed to go wronger still. If you want to know where things are heading (and the future is bright, unless your surname is Warner) then you need to check out The Future of Music: Manifesto for the Digital Music Revolution
Things have gotten complicated in the last 15 years and if you'd like to get a handle on why this book sheds a lot of light.
Steve Knopper does a fantastic job of recasting the recent history of music as a page-turner whodunit of epic proportions. `Epic' referring to epic greed (with a complimentary side order of monumental stupidity). The `who' of course are the major labels (and the RIAA) and the `it' that they `dun' is killed the record industry.
Anytime any new technology appears from CDs & DAT to mp3 players and, yes, of course, Napster, they try to sue it or kill it. Examples abound. Here's a few of my favourites.
1981-82. After a presentation to executives what they could expect from the new CD technology, they throw it open for questions. Jay Lasker, head of ABC-Paramount records asks why his cable TV picture is sometimes cloudy.(What the...?)
2007. Doug Morris CEO of Universal Music Group explains in an interview with Wired magazine why the majors were blindsided by the digital revolution.
"There's no one in the record company that's a technologist...It's like if you were suddenly asked to operate on your dog to remove his kidney. What would you do?"
The interviewer replies,
"Personally I would hire a vet".
The sad thing is that Universal did have amazingly talented technologists, like Albhy Galuten, working for them already. They were just overlooked and ignored. They should have been easy to spot. They were the ones wearing Napster T-shirts.
Speaking of Napster the book makes it clear that the labels had their chance to buy it or make a deal with it. As one artist manager said later, in Napster there were 30 million music users in one place on the net, ready to be sold music, advertising whatever. But the industry killed Napster, Grokster and every other -Ster including a few they created themselves.
Eventually they were left with only one option.
Steve Jobs struck a deal whereby he would get 22 cents on every one of their songs in return for the labels making 0 cents on everyone of Steve's iPods. And because the labels had already killed off the bricks and mortar record stores and the only real record store in town was (you guessed it) Steve J's online emporium.
The examples of greed are too numerous to mention but on fact above all others should make every self-respecting musician want to grab a handful of dirt to throw on Sony's (et al) coffin. When CDs replaced vinyl the retail price jumped $8. Artist's royalties increased by 6 cents.
If you're trying to make a living in the music business and any of the above is a surprise to you then you need to buy this book.
By the way...
I can't help feeling that some of the more negative reviews of this book are because they were expecting this to be something it's plainly not. This is a book about why things went wrong and are doomed to go wronger still. If you want to know where things are heading (and the future is bright, unless your surname is Warner) then you need to check out The Future of Music: Manifesto for the Digital Music Revolution
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Most Recent Customer Reviews
Powershift!!
Having spent a lot of my life either working in some capacity in the "Biz"...and or spending my hard earned cash supporting the "Biz"... Read more
Published 9 months ago by T. Satchwell
Well researched, but my brain hurts
This book was very readable and I got through it in a few days, but...the facts were just too much. It was a ticker tape of facts, much of it concentrating on the early days of... Read more
Published 16 months ago by balvenie
How the music industry works!
This Book is amazing!
Forced to read for college, and I feel I now have a secret insite to the music industry and its foundations!
Forced to read for college, and I feel I now have a secret insite to the music industry and its foundations!
Published 19 months ago by Tara_mc
70% prologue, 20% meat, 10% speculation
The author spends an awful lot of time recounting the rise and fall of record companies and A&R men (many of whom were shysters, parasites and gangsters) from the death of disco to... Read more
Published on 3 Feb 2010 by Lenny
Ripped off?
If you ever felt sorry for the poor record companies being ripped of by CD copiers and illegal downloaders this book will show another side. Read more
Published on 9 Dec 2009 by Mr. K. G. Charmer
Uninsightful, mediocre book saved by interesting subject matter
It's a short book that reads like five or six magazine articles sellotaped together. It's not well written and it's out of date as it only goes up to mid 2008 (as far as it's... Read more
Published on 8 Jun 2009 by BS on parade
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