Apocalypse Now Redux [VHS] [1979]

I had a beef with the picture of the original DVD release, but it was not the fault of the distributor. Originally shown in cinemas at 2.35:1, any print intended for viewing at home had, at the time, been cropped to 2.00:1 at the insistance of cinematographer Vittorio Storaro. Most scenes were still fine, but nothing could beat the original ratio and to this day I've never understood his decision. I had seen a portion of this in the full widescreen ratio of 2.35:1 on ZDF TV. "Ich liebe die smell der naplam im morgen", anyone?

Anyway, this Blu-ray release finally addresses this issue with the full 2.35:1 theatrical ratio, for both versions of the film, and in 1080p high definition. The picture is a little hazy in places, like some other Optimum releases gone by, but this only affects the film in a few scenes so isn't majorly offputting.

The sound is in 5.1 DTS-HD Master Audio, for which I got the 5.1 DTS version and aside from gunfire and explosions, this film is just oozing with atmosphere. That's all you need to know.

The extensive extras, spread across all three discs, include (at least within Amazon's 1000-word limit):

* Hearts of Darkness: A Filmmaker's Apocalypse (1:35:59): Probably the ultimate documentary. If you know the film, you know the documentary. Released in 1991, this gathered so much interest that it even found its way onto a separate release on video, and later on DVD. After Francis Ford Coppola began, in February 1976, what became an overlong 16-month shoot based on Joseph Conrad's novel, Heart of Darkness, a documentary that sums up the director's own sufferings also became essential viewing, pin-pointing his frustrations with the actors, locations and logistics. Footage by his own wife, Eleanor Coppola, is also included here, as she recorded a series of private conversations with her husband without his knowledge, originally intended for use as reference for her own production diary.

One of the darkest obstacles came when Martin Sheen had a heart-attack while filming and ended up in hospital, causing them to bring his brother, Joe Estevez, out to film some shots from behind of Willard, with Coppola telling the studio that Sheen only had to go for treatment due to "heat exhaustion", for fear of production being shut down.

* John Milius script excerpt with Francis Ford Coppola notes: A series of pages from the script with Coppola's own notes scrawled on it. It does make for a really impressive addition, but unfortunately there's no way to zoom in on them so get your nose pressed up against the screen.

* Storyboard collection (11:14): Does what it says on the tin, and for an extra that runs longer than 11 minutes, with each storyboard image lasting around 3 seconds, that's a great deal of images here. I'll let you count them.

* Marketing archive: Here we get the 1979 Theatrical Trailer (3:56, 2.35:1), five 1979 radio spots (2:05), 1979 Theatrical program (again, you'll have to squint), Lobby card and press kit photos and Poster Gallery.

* An interview with John Milius (49:45): A new segment, recorded last year, between Milius and Coppola.

* A conversation with Martin Sheen and Franciss Ford Coppola (59:26): recorded at the same time and in the same building.

* Fred Roos: Casting Apocalypse (11:43): This is a very intriguing extra, showing how Coppola and Roos audition people by getting them all together in one room to see how they play off each other, rather than seeing them one at a time.

* The Mercury Theatre on the air: Heart of Darkness - Nov 6th, 1938 (36:34): One of the episodes from the show created by Orson Welles in the 1930s.

* The Hollow Men (16:56): Brando's reading of the T.S. Eliot poem from the film.

* Monkey Sampan deleted scene (2:51): Blimey, there was something cut out that *wasn't* put back?! Seriously, this does make for an intriguing addition.

* Deleted and extended scenes (26:08): Twelve more scenes. Not sure why the above one wasn't included in with this but they're worth a look without going on too long. Well, most of them don't go on too long, except for a new one between Kurtz and Willard... as if we really needed that.

* The Birth of 5.1 Sound (5:51): Walter Murch, re-recording mixer, starts off in this piece by saying that the film was only ever going to be shown in one cinema in the U.S. and would be played for ten years, so it's less like the average movie and more like a landmark. Iaon Allen from Dolby Labs then goes on to tell us how we got from Mono, through Quad-surround and on to 5.1 sound.

* Ghost helicopter flyover (3:55): A piece about the disembodied helicopter at the start which uses all five speakers but is never seen initially.

* Apocalypse Now: The synthesiser soundtrack by Bob Moog: An article by electronic music pioneer Bob Moog, which originally appeared in the January 1980 issue of Contemporary Keyboard magazine, which is now known as Keyboard. Thankfully, in this case, the printed word is very easy to read.

* A Million Feet of Film: The Editing of Apocalypse Now (17:55): A featurette about the fact there was way too much footage shot than the average film.

* The Music of Apocalypse Now (14:44): I didn't realise that music of The Doors was due to feature in the majority of this film, but that's just one interesting fact about this featurette.

* PBR Streetgang (4:07): Chat from all those who were all on the PBR boat: Laurence Fishburne, Frederic Forrest, Albert Hall and Sam Bottoms.

* The Colour Palette of Apocalypse Now (4:05): A look at the Technicolor process used to give the film its lush, vivid tones.

* Audio commentary: From Director Francis Ford Coppola. This is the sole extra on disc one.

Film 8/10
Picture: 9/10
Sound: 10/10
Extras: 10/10

Normally I start with a review of the movie itself, but Apocalypse Now has been reviewed a million times and I imagine the majority of people reading this already know if they like it or not. For me, it is my favourite war movie that just got better with the Redux version, and this is the icing on the cake.

Anyway, onto what most people will be interested in, the Bluray stuff.

The original and the Redux versions are both included on disc 1, and both look very good, not perfect, but probably as good as they can get. Colours are vibrant and blacks are solid - which is exactly what you want when you think of the infamous/famous Brando scene. At times the image is a bit soft, but that is a trait many films made in the 70's share and in no way does it reflect a lazy or poor transfer. There is some minor print damage here and there which you'll see as black and white flecks. It's a minor trifle to be honest though, the detail in the film is very good, with just the right amount of grain. The Master Audio track also deserves a mention as it is superb, a standout bluray soundtrack if ever I heard it.

Spread over the other 2 discs we have everything we could ask for really. The Heart of darkness documentary, new video interviews with Coppola and Sheen, original screen tests, additional deleted scenes, 200 storyboard drawings, a look at Apocalypse Nows then revolutionary 5.1 soundtrack, and loads more.

The boxset includes 5 exclusive artcards, a collectible booklet and a copy of the original 1979 theatrical program, very cool. The discs have their own fold out cardboard case, and it's all held together in a hard cardboard box (like the Alien anthology), so it feels feels well made, and looks great.

Without a doubt, this is the best version of Apocalypse Now available. Both versions of the film, the best extras with the best picture and sound quality. If you have any interest in this film then make your purhcase as soon as you can.

I would like to concentrate on the audio side of the Movie rather than the movie itself, which has to be fair not gone without positive reviews.

Apocalypse Now
This was the first Blockbuster movie to use separate channels for surround channels and the subwoofer.

This 5.1 format is now the way that virtually all film soundtracks and recorded.
Coppolas' fanatical attention to detail and the huge amount of time put into the editing of the soundtrack ensures it is still one of the best tests for any surround system 30 years after it was released.

Here are some of the details that any quality surround system should reproduce.

The Ghost Helicopter Flyover
At the start of the film before the picture appears the soundtrack makes full use of the stereo rear channels. The helicopter should pan smoothly across the back of the room and then across the full width of the front of the room.

A surround system should reproduce this with smooth, even pans all around the room with no hot spots or gaps - and without making you aware of any speakers.

As the intro builds to a crescendo, listen for the buildup of layers from the synthesized helicopter, the Doors soundtrack and the sounds of Saigon and the ceiling fan.

Wagner's Ride of the Valkyries
This classic piece of film shows the "air cavalry" playing music from their helicopters to terrify their intended victims. On most systems the sound of the orchestra is heard as part of the musical score rather than being clearly audible as a screechy, Public Address system being played from the helicopters.

Meet the Tiger
The use of surround sound is incredibly effective on this clip as the sounds of the jungle completely envelop you. It's critical that you're not aware of any of the speakers in your room or the illusion of "being there" will be shattered.

If you want to scare the life out of your friends this is also a great clip to use!

The B52 Raid
Arc light was the name given to the use of "strategic" B52 bombing in Vietnam. the sound pans between the rear channels - its coming from above rather than jumbled in with the front soundstage.

This film on Bluray with its DTS HD Master Audio soundtrack should be in every movie buffs collection, and for me to be lucky enough to play this film on our super Steinway Model M cinema system, is just the icing on the cake.