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| Disc: 1 | |||
|---|---|---|---|
| 1. The French Open | |||
| 2. Cassius | |||
| 3. Red Socks Pugie | |||
| 4. Olympic Airways | |||
| 5. Electric Bloom | |||
| 6. Balloons | |||
| 7. Heavy Water | |||
| 8. Two Steps, Twice | |||
| 9. Big Big Love (Fig.2) | |||
| 10. Like Swimming | |||
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| Disc: 2 | |||
| 1. .Hummer | |||
| 2. .Astronauts `N All | |||
| 3. Mathletics | |||
| 4. .Big Big Love (Fig.1 | |||
| 5. .XXXXX (Live at Liars Club, Nottingham, Feb 10t)h | |||
| 6. .The French Open (Live at Liars Club, Nottingham, Feb 10th) | |||
| 7. .Balloons (Live at Liars Club, Nottingham, Feb 10th) | |||
| 8. Two Steps Twice( Live at Liars Club, Nottingham, Feb 10th) | |||
| 9. .Mathletics (Live at Liars Club, Nottingham, Feb 10th) | |||
First they christened themselves Foals. It was a nod to Yannis' surname, which means "little lover of horses" in Greek. "I like Foals because it's a nice word and it doesn't give away what the band is about," he explains. "It sounds fresh and new."
Then they installed themselves in a tiny rehearsal room and started bouncing ideas off one another. Tensions ran high. "I was shocked by how critical every one was of each other," says Edwin. "We've always been very self-critical," expands Yannis. "There was an almost dangerous amount of criticism." If the high-pressure atmosphere strained intra-band relations, they quickly identified a winning formula: driving percussion high in the mix, guitars played above the 12th fret, no chords and splashes of synth colour. The result was pristine, perfectly formed dance rock such as Balloons, Hummer and Two Steps Twice.
Live, Foals don't so much fizz with energy as explode like a well-shaken bottle of champagne. "It's like we're all battling for supremacy on stage," says Edwin. The dance-inflected beats have seen them rock venues ranging from the kitchen at a house party to London warehouse parties.
The sometimes surreal lyrical imagery is complimented by Foals' artwork, all of which is created by the "sixth member of the band", Tinhead. "He creates something visual that matches what we want the music to sound like," says Yannis. "There are all these weird lines, humming birds and bright colours.
But what about Andy Roddick?
"I read a book by David Foster Wallace called Infinite Jest," says Yannis. "It's about drugs and tennis. I'm fascinated with tennis. I like Roddick because he's an all American hero; he could be out of The Great Gatsby. He's got the fastest serve ever. It's beautiful. It's like ballet. It's so clinical. I'm more into Andy Roddick than any musician. I based the lyrics for our song The French Open on the Andy Roddick/Lacost advert."
"No, we don't understand his obsession with Roddick either," says Edwin.
A strange story then. But already a fascinating one. And it's only just started.
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