X-Ray Spex only released one album, 'Germ Free Adolescents', and it's repackaged here with some fluff that you don't need, at the price of a single album. The first sixteen tracks on disc one comprise the album, although for no reason at all the track listing has been moved around. Ignore the demo and live material and you have one of the most consistent of the wave of punk albums to emerge at the time. The group were unusual in that they had two saxphone players (plus the obligatory grinding guitars), and a lead singer who was a woman, a plain-looking woman with braces and an impressively bratty set of pipes. Poly Styrene had already had a microscopic career as a teen-pop-reggae act, releasing a single before punk happened, and the group's songwriting is much more sophisticated and pop-friendly than one might imagine. Nonetheless, they avoided accusations of being sell-outs through a mixture of charm and brassiness.
Essentially the original album compiled the group's singles, plus b-sides, with six extra tracks. Indeed, 'Germ Free Adolescents' contained the group's entire professionally-recorded output (the only tracks not released on a single were 'Genetic Engineering', 'Obsessed with You', 'Artificial', 'I Live off You', 'I Can't Do Anything' and 'Plastic Bag'), which makes this anthology an odd marketing decision. All the tracks are of a high standard, and mixing up the track order avoids the slight slump which affected the original album, which was about ten minutes too long. The between-song links - Styrene shouts out the song titles - give it the feel of a continuous live show, which is nice.
The title track is a high point, an odd ballad which encapsulates the album's twin themes, consumerism and cleanliness (!), with a reference to Gibb's SR toothpaste, which probably means that Unilever gets half the record's royalties. 'Oh Bondage Up Yours' was the famous single but it's actually not as good as some of the album tracks, including the sad-sounding 'Plastic Bag', the bouncy 'Dayglo' and 'Obsessed with You', which has dated very well. The title track and the slightly annoying 'Warrior in Woolworths' slow things down, and although nothing stands out as well as some of the stuff on the Sex Pistols' debut, and there's no attempt at making deep political points, man, it's much of a piece and remains my favourite of the early pop-punk albums.