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| Disc: 1 | |||
|---|---|---|---|
| 1. Tally Ho | |||
| 2. Platypus | |||
| 3. Billy Two | |||
| 4. Thumbs Off | |||
| 5. Anything Could Happen | |||
| 6. Sad Eyed Lady | |||
| 7. Point That Thing Somewhere Else | |||
| 8. Fish | |||
| 9. Flowers | |||
| 10. Side On | |||
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| Disc: 2 | |||
| 1. Drawing To A Hole | |||
| 2. I Wait Around | |||
| 3. The Blue | |||
| 4. Someone | |||
| 5. Big Soft Punch | |||
| 6. Diamond Shine | |||
| 7. Big Cat | |||
| 8. Outside The Cage | |||
| 9. Safe In The Rain | |||
| 10. Secret Place | |||
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The difficulty in reviewing something like Anthology lies in the fact that the article can look at multiple qualities of the package. Does The Clean even deserve to have a lavish two-CD, 46-song set devoted to it? (yes, definitely) If so, did the record label(s) involved do a good job with it, making sure the tracklist gives a thorough look into the world of The Clean? (absolutely) Are the songs any good? (yes, they're tremendous)
So with the quick answers behind us, let's move forward. I truly fell in love with this band all over again upon many listens to Anthology. In a way, that's a sure sign of this compilation's success, as die-hard fans won't need any more convincing. This set seeks to convince newcomers that there's value in knowing who this band is, and it makes its case with a two-hour-plus set. But enough talking around the music.
The Clean were and are unlikely masters of scrappy, simple and energetic pop music. Songs like "Tally Ho" and "Billy Two" set the pace for much of their early work. Simple, three-chord songs with wonderfully child-like melodies that seem incapable of aging or dating themselves predominate disc one of Anthology. But thrown in among all the beat-up sugar, transcendent tracks like "Point That Thing Somewhere Else" and "Fish" elevate the songs around it, bringing out the details even in the simplest pop numbers like "Beatnik." Other tracks, like "Side On" and a live rendition of "Quickstep," showcase the band's apparent fascination with edgy drones reminiscent of early tracks by The Fall. All this adds up to a completely unique sound that, despite the disparities in styles, bring the whole disc together.
Disc two compiles, for the first time, all of their material from 1988 onward (save for their latest LP, Getaway), after they had reformed from their hiatus. The only palpable difference is a more mature sonic vocabulary, better recording quality and a hair less innocent energy, but clearly The Clean will always be The Clean. Songs like "Big Soft Punch" call to mind an updated "Billy Two," but without any sort of nostalgia for the past. "Outside The Cage" mixes a keyboard-driven drone with gorgeously upbeat vocals in a way that shows The Clean have not stopped growing. New sounds and themes show a constant evolution on disc two, making it a far more diverse document than the first.
The people at Flying Nun and Merge were right in keeping the liner notes almost entirely nostalgia-free, allowing the music to speak for itself. While it can (sometimes) be great to read gushing prose about a newly reissued album or thoughtful essays on the history of a band to accompany an anthology, the preciousness that adds can give too much of a museum-like quality to the music. Here, the liner notes include wonderful drawings and a tracklist with pointers as to where the tracks came from, with no scholarly reverence. And really, that's all you need.
Martin Pavlinic
Junkmedia Review
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