This was an interesting, if odd, novel - the first by Ayn Rand I've read. Although the scenario - the plight of an individualist trying to break away from a conformist dystopia - is a familiar one, Rand's intervention comes early in the tradition, although it postdates Zamyatin's `We' with which it has much in common. Both are set in a far future world in which humans have been stripped of names and are discouraged from forming meaningful relationships. In Rand's dystopia this process has been taken so far that the word `I' has been outlawed and any spark of wit or initiative is quickly stamped out. (I was reminded of Vonnegut's famous short story `Harrison Bergeron'.)
It's difficult to disentangle my response to the story from my response to Rand's philosophy - and I have reservations about both. Other writers have presented more appealing and humane visions of nonconformity. Rand's hero seems less a nonconformist, more a kind of Nietzschean superman whose superior height and good looks are emphasised as much as his intelligence and independent-mindedness. I much prefer the vision of a round peg character in a square hole society offered by Le Guin in The Dispossessed. It's a pity that both Le Guin and Rand made their maverick protagonists male; whereas Rand's ingenious hero rediscovers scientific breakthroughs from scratch, her heroine's most exciting moment comes when she first encounters a proper mirror. I'd forgive Rand her dodgy politics if the novel was more lively - but there's something rather ponderous and portentous about `Anthem'. If you find the theme of `Anthem' intriguing do try Ira Levin's underrated `This Perfect Day'.