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The film follows a doomed affair between two female journalists, but as the director himself admits in another in-depth interview (one of the extra features), Makk is less interested in sexuality, and more concerned with humanity in general, and with showing the difficulties of living in an opressive communist regime. It's a pessimistic film, but also a very satisfying artistic experience, and, for some reason, the images which begin and end it have stayed strongly in my mind.
One for anyone who enjoys exploring cinema from off the beaten track - and if you have enjoyed Love then it's a must.
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