Those who marvel at Olympic giant slalom skiing, or a virtuoso violinist or piamist playing at the edge of the instrument, or a race car driver leading the pack at the Indianapolis 500 ... or the Le Mans will be fascinated at what James Woods and Melanie Griffith put on screen in ANOTHER DAY IN PARADISE. Having seen most of James Woods' films, and SALVADOR several times, I was on the edge of my seat watching Woods do what he does best: play a homocidal crook on the edge of an emotional explosion at each turn. Melanie Griffith is no slouch either in this movie where she is the gun Moll and lover of the man who she can barely live with and love. Then there are the two loser kids, superbly played by Vincent Kartheise and Natasha Gregson Wagner. "Adopting" the drugged out and oversexed young lovers, Griffith and Woods act as mentors in crime and surrogate parents as the "family" leaves a trail of blood in their violent trade.
Definitely, this is not a movie for children or even adolescents. The graphic drug, sex and violent scenes are all necessary for realistically carrying the film through to its logical conclusion. The film is about a group of dysfunctional people whose life of crime is pursued in an almost tenderly family setting. The young people desperately need parenting, while the characters played by Griffith and Woods hover and brood over their "children" trying to teach them how to live in the river of crime that this "family" wades through.
One of my favorite Woods scenes comes near the end in the car at a rural filling station. As everything in his life begins to unravel, Woods launches into such extreme paroxisms of rage and frustration that we the audience can feel, in his fit he's about to jump out of the screen and tear up our living room. That was a spectacular scene rivaling many of his legendary ones in SALVADOR.
Some people may not be able to stand the vehicle filmmaker Larry Clark uses for dragging us through the grotesquely twisted criminalized lives of two young druggies and their murderous elders. The repeated use of extreme expletives by the characters is necessary because these are people who are verbally inarticulate, and "need" to express themselves with an intensity that moves them to use weapons for self expression. I think viewed this way, the film makes sense. Otherwise, it will burn your ears off, offend your eyes and you'll not wish to see and hear any of it.
Melanie Griffith was very good but James Woods is absolutely great. Acting in a film of this genre cannot garner Academy Awards for those who made this movie. Nevertheless, ANOTHER DAY IN PARADISE must be seen by fans of these gifted American actors.