Filled with exuberant language, The Annotated Hunting of the Snark is an unparalleled adventure, part nonsense, part ironic elucidation, suggesting that nothing is ever what it seems. Published on April Fool's Day 1876, Carroll's epic poem, The Hunting of the Snark, is elaborately presented with annotations by Martin Gardener, exploring the sea voyage of a crew determined to capture the elusive Snark; they are ten: a Bellman, a Boots, a maker of Bonnets and Hoods, a Barrister, a Broker, a Billiard-Maker, a Banker, a Beaver and a Butcher. The Snark itself presents a conundrum, be it beast of "Boojum", an entity that will cause them all to disappear.
For over a century, scholars have discussed Carroll's poem, its nonsense, allegories and anecdotes, rife with hidden meanings and scholarly interpretations. The annotations and illustrations in this volume are classic, black and white images of animated men and beasts, fantasy in the ink strokes of the artist's pen, page after page of fascinating annotations reflecting the variety of discussions engendered by the poem: "According to Humpty Dumpty, the word `mimsy" (from the first stanza of Jabberwocky) is a portmanteau word combining `miserable' and `flimsy'."
Each fit advances the story, introducing the crew members, each with his pretensions and expectations. Both dreamlike and illogical, The Annotated The Hunting of the Snark appeals in language and whimsy with undertones of danger, the unknown lurking, a virtual treasure trove of allegories for those inclined to such interpretation. It is Gardner who adds the unique spirit of this edition, expansively embracing "a personal God and much that confounds the simple or poverty-stricken or mindless materialism", while remaining "an untiring pursuer of pseudoscience and irrationality", the "space between a feeling heart and a thinking mind, between a love of the marvelous and a reverence for skeptical truth":
"In the midst of the word he was trying to say,
In the midst of his laughter and glee,
He had softly and suddenly vanished away-
For the Snark was a Boojum, you see."
Our modern world has been redefined by the specter of the Snark as Boojum, perhaps as death or a fear of extinction, a dread of the unknown. With its luxurious illustrations, the annotated poem is followed by a number of interesting pieces: "An Easter Greeting"; "A Commentary by Snarkophilus Snobs"; "The Clue" (a sequel); "Excepts from Henry Holiday's Reminiscences of My Life"; and an extensive bibliography, all in all, a grand adventure into a vast chasm of possibilities. Luan Gaines/2006.