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Anna Karenina (Signet classics) [Mass Market Paperback]

L.N. Tolstoy
5.0 out of 5 stars  See all reviews (1 customer review)

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Mass Market Paperback, 8 July 1994 --  
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Product details

  • Mass Market Paperback: 808 pages
  • Publisher: Penguin Books Australia; Reissue edition (8 July 1994)
  • Language English
  • ISBN-10: 0451524497
  • ISBN-13: 978-0451524492
  • Product Dimensions: 17.5 x 10.7 x 4.1 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 3,226,865 in Books (See Top 100 in Books)

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Leo Tolstoy
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All happy families are like one another; each unhappy family is unhappy in its own way. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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11 of 12 people found the following review helpful:
5.0 out of 5 stars Sense of Self, 18 Oct 2007
By 
Bentley (USA and England) - See all my reviews
This review is from: Anna Karenina (Signet classics) (Mass Market Paperback)
"Happy families are all alike; every unhappy family is unhappy in its own way"

- Leo Tolstoy "Anna Karenina"

Anna Karenina is a beautifully written novel about three families: the Oblonskys, the Levins, and the Karenins. The first line (one of the most famous in literature) hints at Tolstoy's own views about happy and unhappy marriages having these same three families also represent three very different societal and physical locations in Russia in addition to distinctly different views on love, loyalty, fidelity, happiness and marital bliss.

Tolstoy seems to stress that `trusting companionships" are more durable and filled with happiness versus "romantic passion" that bursts with flames and then slowly; leaves ashes rather than a firm, solid foundation to build upon.

It is like reading a soap opera with all of its twists and turns where the observer is allowed to enter into the homes, the minds and the spirits of its main characters. The moral compass in the book belongs to Levin whose life and courtship of Kitty mirrors much of Leo Tolstoy's own courtship of his wife Sophia. Levin's personality and spiritual quest is Tolstoy's veiled attempt at bringing to life his own spiritual peaks and valleys and the self doubts that plagued him his entire life despite his happy family life and the fact that he too found love in his life and a committed durable marriage. At the other end of the spectrum is Anna, who also because of her individual choices and circumstances, falls into despair.

It is clear that Tolstoy wants the reader to come away with many messages about the sanctity of marriage, love and family life. He also wants us to be mindful of the choices that we make in life and the affect that these choices have upon ourselves, our station and path in life as well as the affect upon those that we profess to love. Tolstoy also wants us to examine what makes our lives happy or not; and what is at the root of either end result. Levin and Kitty are the happiest married couple; yet Levin faces his own double bind when struggling against domestic bliss and his need for independence on the other hand and how to achieve both (if that is possible) without relinquishing that which made him who he was born to be.

Anna Karenina and Konstantin Levin are the primary protagonists in the novel and both are rich and fine characters in their own right. Both of them focus on self; one however finds the self to be a nurturer which puts value into life very much as a farmer; while the other views self with despair and as a punisher or destroyer. Both views, diametrically opposed, force the characters on very different paths and lives for themselves. Then there is the dilemma of forgiveness versus vengeance. The very epigram for the novel from Romans states: "Vengeance is mine; I will repay." Yet vengeance upon oneself or others is not up to individuals but God; and yet the characters are haunted about what forgiveness is or isn't and by the hollowness of words versus heartfelt and soulfully reflective actions. The themes of social change in Russia, family life's blessings and virtues and farming (even if it is simply the goodness one puts into life and how one cultivates it and others) dominate the novel's landscape. Trains also play a symbolic importance in the novel and it is odd that Tolstoy himself years after writing Anna Karenina dies himself in a train station after setting off from his home in an emotional cloud.

Sometimes the names of the characters themselves can be confusing: so a hint to the reader might be to think of each Russian character's name as having three parts: the first name (examples here are for Levin and Kitty) like Konstantin or Ekaterina, a patronymic which is the father's first name accompanied by a suffix which means son of or daughter of like Dmitrich (son of Dmitri) or Alexandrovna (daughter of Alexander) and then the surname like Levin or Shcherbatskaya. Thus the explanations for the Ekaterina Alexandrovna Shcherbatskaya (nicknamed Kitty) and Konstantin Dmitrich Levin (Levin).

I loved the book and its details and the richness of the characterizations as well as the storytelling technique of the great Tolstoy and I have to agree with Tolstoy when he stated, "I am very proud of its architecture-its vaults are joined so that one cannot even notice where the keystone is. " The vaults: "Anna and Levin" are joined with the very first line of the novel and with their focus on themselves.

Rating: A

Bentley/2007

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Amazon.com: 4.4 out of 5 stars (59 customer reviews)

19 of 19 people found the following review helpful:
5.0 out of 5 stars Excellent on so many levels, 11 Nov 2000
By CINDY C. DASHNAW - Published on Amazon.com
This review is from: Anna Karenina (Signet classics) (Mass Market Paperback)
Don't go through life without reading "Anna Karenina." This novel is excellent on so many levels that you can read it again and again, as I have, and still thoroughly enjoy it. Tolstoy skillfully tells two different stories simultaneously, based on the same theme: How does one find true happiness? Anna makes a choice and tries to bravely see it through, trying all the while to persuade herself that she's found happiness, but you can feel the strain build as the novel nears its climax. Levin nearly drives himself insane in his mental tug-of-war over where his place in life should be, but eventually comes full circle. In their journeys, Anna and Levin cross paths, with fascinating results. I can't stress enough that this book is a must-read. Be prepared to be thoughtful, depressed, elated and emotionally drained.

21 of 23 people found the following review helpful:
5.0 out of 5 stars Quite simply, The Novel, 16 Jun 2000
By Gordon R Cameron - Published on Amazon.com
This review is from: Anna Karenina (Signet classics) (Mass Market Paperback)
"Anna Karenina" is why the novel was invented. It is a colossal achievement that fully exploits the possibilities inherent in the literary form. The purpose of the 19th-century novel was to explore character and to critique society, and Tolstoy here has achieved the quintessence of both aims. The thing about Tolstoy is that you can trust him -- he is utterly honest. He doesn't revise, or simplify, or sugar-coat. He presents the human mind, in its various guises, precisely as it is. Levin, to my mind, rivals Hamlet as the most vivid, fully living character in literature, and he is probably much more self-consistent than the Melancholy Dane. Anna's story, which is more melodramatic and plot-heavy, might strike some as a flaw in comparison to Levin's. And maybe it is a flaw. But one must talk about flaws in "Anna Karenina" as one talks about flaws in Beethoven's 9th Symphony -- blemishes on a masterpiece which, if it errs, errs only in striving further than the art form is supposed to go.

Tolstoy's genius at depicting character and psychology is matched by his ability to construct vivid, memorable setpieces. No one who has read "Anna Karenina" can ever forget the hay-mowing, or Vronksy's horse race, or the heartbreaking scenes of Levin's sickly brother.

Even Dickens, with all his glorious phantasmagoria, never achieved what Tolstoy has done here. Tolstoy caught lightning in a bottle: homo sapiens, captured in 800-odd pages. There are only a handful of comparable achievements in all of Western art.


7 of 7 people found the following review helpful:
5.0 out of 5 stars "what can you name that's superior?", 1 Mar 2001
By Cipriano "www.bookpuddle.blogspot.com" - Published on Amazon.com
This review is from: Anna Karenina (Signet classics) (Mass Market Paperback)
For the longest time I have been reticent to write a review of Anna for fear of not being able to do the book justice. I still have that fear, but the time has come to at least say that this is my favorite novel of all time. I refer to the Magarshack translation which I have read and now re-read. I can't imagine a more intriguing story... admittedly however, it would help if the reader had an interest in the world that Tolstoy inhabited. There are so many (often lengthy) asides into his thoughts on abstention from worldly riches / social reconstruction etc. Tolstoy gets his character Levin to do reams of his own preaching on these subjects but again, because I find Tolstoy himself to be one of the most interesting characters Russia has ever produced, I don't mind finding him so obviously entrenched in his own story here.

But "Anna" is first and foremost a LOVE story which depicts the fleeting and disastrous effects of tempestous/undisciplined love (Anna and Vronsky) over against the lasting and mutually beneficial results of patient/disciplined love (Levin and Kitty). This book is an important masterpiece without rival in literature. Reading such a book on one's death-bed would not be a waste of time.

When I think of Anna, I am reminded of something that Solzhenitsyn made one of his fictional characters say in his book The First Circle: "In the 17th century there was Rembrandt, and there is Rembrandt today. Just try to improve on him. And yet the technology of the 17th century now seems primitive to us. Or take the technological innovations of the 1870's. For us they're child's play. But that was when Anna Karenina was written. What can you name that's superior?"

Read Anna... and you will be as silent as I am on that one!

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