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Anna Karenina (Collectors Library)
 
 
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Anna Karenina (Collectors Library) [Hardcover]

Leo Tolstoy
5.0 out of 5 stars  See all reviews (1 customer review)
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Product details

  • Hardcover: 1040 pages
  • Publisher: CRW Publishing Ltd (1 Sep 2010)
  • Language English
  • ISBN-10: 190736000X
  • ISBN-13: 978-1907360008
  • Product Dimensions: 15.2 x 10 x 5 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 182,874 in Books (See Top 100 in Books)

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Leo Tolstoy
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Product Description

Product Description

The sweeping love story of two people who defy the conventions of their age to follow the dictates of their hearts. Trapped in a stifling marriage, Anna Karenina is swept off her feet by the dashing Count Vronsky. When the truth about their passionate liaison comes out, Anna's husband is more concerned about keeping up appearances than anything else, but at last he seeks a reluctant divorce. Rejected by society, the two lovers flee to Italy, where Anna finds herself isolated from all except the man she loves, and who loves her. But can they live by love alone? In this novel of astonishing scope and grandeur, Leo Tolstoy, the great master of Russian Literature, charts the course of the human heart.

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Most Helpful Customer Reviews
2 of 2 people found the following review helpful
Sense of Self 18 Oct 2007
By Bentley
Format:Hardcover
"Happy families are all alike; every unhappy family is unhappy in its own way"

- Leo Tolstoy "Anna Karenina"

Anna Karenina is a beautifully written novel about three families: the Oblonskys, the Levins, and the Karenins. The first line (one of the most famous in literature) hints at Tolstoy's own views about happy and unhappy marriages having these same three families also represent three very different societal and physical locations in Russia in addition to distinctly different views on love, loyalty, fidelity, happiness and marital bliss.

Tolstoy seems to stress that `trusting companionships" are more durable and filled with happiness versus "romantic passion" that bursts with flames and then slowly; leaves ashes rather than a firm, solid foundation to build upon.

It is like reading a soap opera with all of its twists and turns where the observer is allowed to enter into the homes, the minds and the spirits of its main characters. The moral compass in the book belongs to Levin whose life and courtship of Kitty mirrors much of Leo Tolstoy's own courtship of his wife Sophia. Levin's personality and spiritual quest is Tolstoy's veiled attempt at bringing to life his own spiritual peaks and valleys and the self doubts that plagued him his entire life despite his happy family life and the fact that he too found love in his life and a committed durable marriage. At the other end of the spectrum is Anna, who also because of her individual choices and circumstances, falls into despair.

It is clear that Tolstoy wants the reader to come away with many messages about the sanctity of marriage, love and family life. He also wants us to be mindful of the choices that we make in life and the affect that these choices have upon ourselves, our station and path in life as well as the affect upon those that we profess to love. Tolstoy also wants us to examine what makes our lives happy or not; and what is at the root of either end result. Levin and Kitty are the happiest married couple; yet Levin faces his own double bind when struggling against domestic bliss and his need for independence on the other hand and how to achieve both (if that is possible) without relinquishing that which made him who he was born to be.

Anna Karenina and Konstantin Levin are the primary protagonists in the novel and both are rich and fine characters in their own right. Both of them focus on self; one however finds the self to be a nurturer which puts value into life very much as a farmer; while the other views self with despair and as a punisher or destroyer. Both views, diametrically opposed, force the characters on very different paths and lives for themselves. Then there is the dilemma of forgiveness versus vengeance. The very epigram for the novel from Romans states: "Vengeance is mine; I will repay." Yet vengeance upon oneself or others is not up to individuals but God; and yet the characters are haunted about what forgiveness is or isn't and by the hollowness of words versus heartfelt and soulfully reflective actions. The themes of social change in Russia, family life's blessings and virtues and farming (even if it is simply the goodness one puts into life and how one cultivates it and others) dominate the novel's landscape. Trains also play a symbolic importance in the novel and it is odd that Tolstoy himself years after writing Anna Karenina dies himself in a train station after setting off from his home in an emotional cloud.

Sometimes the names of the characters themselves can be confusing: so a hint to the reader might be to think of each Russian character's name as having three parts: the first name (examples here are for Levin and Kitty) like Konstantin or Ekaterina, a patronymic which is the father's first name accompanied by a suffix which means son of or daughter of like Dmitrich (son of Dmitri) or Alexandrovna (daughter of Alexander) and then the surname like Levin or Shcherbatskaya. Thus the explanations for the Ekaterina Alexandrovna Shcherbatskaya (nicknamed Kitty) and Konstantin Dmitrich Levin (Levin).

I loved the book and its details and the richness of the characterizations as well as the storytelling technique of the great Tolstoy and I have to agree with Tolstoy when he stated, "I am very proud of its architecture-its vaults are joined so that one cannot even notice where the keystone is. " The vaults: "Anna and Levin" are joined with the very first line of the novel and with their focus on themselves.

Rating: A

Bentley/2007
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Amazon.com:  21 reviews
18 of 19 people found the following review helpful
One of the top ten of all time 8 May 2000
By Bruce Kendall - Published on Amazon.com
Format:Paperback
Tolstoy was a "giant, striding through the world with his eyes wide open and his nostrils flaring." He didn't miss much. After reading this and his other great work, War and Peace, I was pretty much dumbfounded by his accomplishment. To me, one halmark of true art, whether it be the Sistine Chapel, Beethoven's ninth, King Lear, Paradise Lost, Faust, etc. is how they are even conceived, much less carried off. I am in awe of very few authors, but Tolstoy has to rank as one of the true big leaguers, and this novel captures him at the height of his powers, when he was throwing about a hundred miles an hour, plus. No one could hit him, not even Dostoevsky, and certainly not Turgenev. I think he does an even better job than Flaubert (another of my heroes) at portraying a woman as his central character. I can't speak from experience, obviously, but both Emma and Anna come across as realistically fleshed-out, multi-dimensional figures. I probably lean towards Anna because she is a much more sympathetic character than Emma Bovary. She is an aristocrat in the true sense of the word, not just born into a noble family, but possessing a nobility of spirit as well. Unlike Emma, she loves her child. Her husband, Karenin, is dry and humorlessly ascerbic, with the soul of a civil servant. He uses the child as a pawn to get back at Anna. Vronsky, in contrast, is dashing and clever and looks great in his uniform. In short,Anna is doomed as soon as she meets him. Fate (of the ancient Greek variety) wends its way through the novel, dragging her inexorably to her doom. There are so many vivid scenes throughout, but the most memorable to me is the scene in which Vronsky's racehorse breaks down, foreshadowing the conclusion at the train station. The subplot involving Levin and Kitty does not detract from the main plot, as it might in the hands of a lesser novelist. It is undeniably less dramatic, but serves as a counterpoint precisely because it is more prosaic. Levin is saved by love, Anna destroyed by it. I really don't believe in re-reading books. I'm usually disappointed when I return to them after a prolonged interval. For instance, I just can't bring myself to read War and Peace again. It would be like returning to an earlier affair. I'd be afraid my response wouldn't be as rich as it was at first encounter. But Anna is different. I've read it three times and haven't tired of it in the least. I really couldn't praise a work of art more highly.
4 of 4 people found the following review helpful
Note on the edition 16 Sep 2010
By Dis Hammerhand - Published on Amazon.com
Format:Hardcover
In 2004 CRW released an abridged version of Anna Karenina in the Collector's library -a collection of very small well-made hardbacks. Most of their offerings in the collection are unabridged but there was the occasional title which would seem to be too large for the small 4x6 format. At some point they decided to go ahead and publish longer works uncut and nice fat little volumes of some of Dickens' novels appeared. Later an entire Don Quixote appeared but with a smaller print than other books in the collection.

This year (2010), to my delight, they decided to re-release Anna Karenina unabridged in honor of the 100th anniversary of Tolstoy's death. It's a nice thick little volume. I am happy they decided to go with the standard sized print.

The translation is the Maude. If you're going to buy the Maude and not a newer translation, this is THE edition to get. It has a cloth cover, ribbon marker, gilded page edges and a sturdy sewn binding. It's a very well made book that is smaller than the cheapo paperbacks. I was contemplating buying an Everyman's Library edition until I learned they were coming out with it in this collection.

Small is definitely beautiful.
4 of 4 people found the following review helpful
"Vengeance is mine... and I will repay." 20 July 2001
By dnk - Published on Amazon.com
Format:Paperback
Isn't it funny how the second part of that statement completely changes the meaning of the first? And that is the way the entire book reads. As soon as you think you have a handle on any of the characters, you learn something new that changes everything. The result is that it's almost impossible to make a judgment about anyone.

Anna, in particular, becomes more tragic just for that reason. First we see her as the dutiful, virtuous wife of a passionless man. Then we see her easily corrupted by the decadent Vronsky. How "good" was she in the first place if she was such a willing victim? And even though we see in painful detail why she continuously refuses to do the right thing until it's too late, we still find ourselves asking why.

Who is avenging themselves on whom, and why? Some of the answers are obvious, but some are unexpected and make the most righteous characters downright malicious, and the most unsympathetic almost pathetic.

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