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The novel's action revolves around Anil Tissera, a young forensic anthropologist, born in Sri Lanka but educated in Europe and America, who "had courted foreignness", and "was at ease whether on the Bakerloo line or on the highways around Santa Fe". Anil returns to the country of her birth after 15 years on a United Nations sponsored investigation into the escalating number of politically motivated murders engulfing the island. As Anil begins to realise the scale of the murder and horror which her investigations reveal, it becomes clear that "the darkest Greek tragedies were innocent compared with what was happening here". She reluctantly teams up with Sarath Diyasena, "the archaeologist selected by the government" to investigate a particularly sensitive murder; skeletons discovered buried in the Bandarawela caves, one of the most archaeologically sensitive sites in the entire country. One skeleton in particular fascinates both Anil and Sarath. Simply known as "Sailor", the quest for the skeleton's identity sucks both Anil and Sarath into the terrifying heart of darkness which makes up contemporary Sri Lankan politics. Ondaatje reflects upon the ancient history of Sri Lanka through the fragments of history and identity that Anil and Sarath uphold in the face of the murder and chaos which surrounds them.
Although Anil's Ghost is a poetic and beautifully written book, it is also a tough, uncompromising and brave novel about a terrifying conflict that the world has chosen to ignore. --Jerry Brotton --This text refers to an out of print or unavailable edition of this title.
Where Ondaatje excells is in describing the terminally complex politics of the island in a way that is at least accessible to the layman. In this respect there can be little doubt that this is one of the most readable novels of the period, but often seems to be displaced from the reality of the daily Sri Lankan experience. Quite simply, were it not for the names, it could be anywhere.
The device of Anil's name itself is a nice one, with the character choosing the name for herself, somewhat like Sri Lanka, formerly Ceylon, formally Serendipity, nee Lanka, and sometimes Shri Lanka. It is an aspect of the novel which could have been developed far more. But this is one of the many problems with the novel. The only way to tell such a story is by stripping it down to the bare bones. Yes, it is poetic and subtle, and manages to avoid the mire of Sri Lankan politics, but in doing so it also looses its identity as a novel about Sri Lanka.
The one real difficulty that I have with the novel is that, while it illustrates the horrors of the island, it does so at the expense of the reality. Sri Lanka has a sense of humour, but that is never conveyed in the text and makes it seem that we all live in terminal fear. Indeed, Anil defines her autopsies by the 'fear gland'. This does undermine the sense of humanity that is so strongly needed in a novel of this sort. Ultimately Anil's Ghost had to be written by a writer of Ondaatje's stature, simply to make people listen. It is a book that everone who read the affected English Patient, and all those navel gazing literary critics should read with a passion. But it must, however, be remembered that there are many other Sri Lankan writers who are equally eloquent, and far too many who never find a voice in Sri Lanka's continuing 'horror'.
I lived the scenes and the matter of fact way that so much human devastation was a cold fact of life. I enjoyed the relationships as they developed and the turmoil of Anil's journey through her work, but I missed the links. Perhaps I am too simplistic in my expectations for a novel, but I needed more continuity in the story and a way to draw it all together. Ondaatje is clearly a professional writer and deserves the awards he has receieved. It's just that in Anil's Ghost I thought I would be captivated and absorbed and the truth is I was not.
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