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Angles CD

4.1 out of 5 stars 58 customer reviews

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Product details

  • Audio CD (21 Mar. 2011)
  • Number of Discs: 1
  • Format: CD
  • Label: Rough Trade Records
  • ASIN: B004LWZDC8
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (58 customer reviews)
  • Amazon Bestsellers Rank: 13,610 in Music (See Top 100 in Music)
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Product Description

Product Description

Fourth studio album by the acclaimed American alternative rock group. Their first new release since 2006's 'First Impressions of Earth', the album was described by bassist Nikolai Fraiture as 'a return to basics', and includes the single 'Under Cover of Darkness'.

BBC Review

Time isn’t kind to the cool. Disappear for too long, and nobody bats an eyelid when you return, fanfare conspicuous by its utter absence. Arriving over five years since their last LP, 2006’s First Impressions of Earth, white-hot-back-when NYC combo The Strokes could have so easily found themselves piled beside the likes of Razorlight and Toploader in the pile of re-emerging artists probably without a place in 2011. But they’ve avoided such a fate by putting together what might actually be their very best record yet.

Yes, you read that right: Angles isn’t just the equal of the band’s lightning-in-a-bottle debut of 2001, Is This It, it might be better. There are several moments here where the five-piece exhibit an infectious immediacy that’s presented in parallel with some genuine ingenuity, and the effect on the listener is to stop what they’re doing, focus fully on what’s unfolding, and then rewind to hear it over again. Take the strutting punk-funk bass of Two Kinds of Happiness – unremarkable in isolation, but soldered to sprightly percussion and real yearning in Julian Casablancas’ voice, as well as some frenetic six-string fret-work, it’s a vital constituent of a whole that’s fairly flabbergasting. If rendered graphically, one would have to picture early U2 and Talking Heads on a seesaw with The National acting as a fulcrum.

Taken for a Fool harks back in production tonality to the scratchy lo-fi charm of Is This It, but flexes significantly developed melodic muscles compared to a decade ago – this is a track, one amongst several, that will bury itself into one’s head for the long-term after even the most fleeting of encounters. It isn’t the only number here with a new-wave feel to it – and this move from 1970s garage revivalism to mining the cooler sounds of the 1980s for elements of inspiration pays serious dividends. Games opens like New Order in their prime, all glossy synths and solid bass, and closer Life is Simple in the Moonlight takes cool keyboards reminiscent of Scandinavian pop-experimentalists Mew and hits 88 miles per hour ‘til they’ve arrived back in 85. Casablancas doesn’t sound like a megastar at any point – he’s hungry, scrappy, like a newcomer ahead of the hype crest. For the first time since Is This It, he sounds a part of the gang rather than the stand-apart leader of it.

Truly, there’s so much to love about Angles that picking it apart seems as ridiculous as dissecting an expensive tray of chocolates, setting fillings aside from their delicious casings. They, like this record, taste far better with everything properly combined – and with all five members contributing, in harmony, The Strokes have here upped their own ante like nobody could have foreseen. Except for the band members themselves, of course. Prepare to be smitten anew.

--Mike Diver

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Customer Reviews

Top Customer Reviews

Format: Audio CD
I know that once you've read this title, you probably think I'm not a proper Strokes fan. You can dispel that thought now - once I only talked in Strokes lyrics and I found it fairly easy... that's how dedicated I was.
However, I lost the bug in the 5 year wait for Angles, as I found so many new bands coming up. Then, when Angles was released, I stupidly listened to the reviews and didn't buy it straight away.
BIG MISTAKE.
This is an amazing album. JC really perfects his song writing and vocals, and he has managed to write great parts for each instrument, not just for himself. Each song is absolute perfection, my favourite being Metabolism - when it gets to the end it is divine.
However, it's not like Is This It at all.
1) It's deeper. You have to listen to it a few times to fully appreciate it. But once you have gotten into it, you won't be able to put it off...
2) They're not anthems. Perhaps a couple are, but the Strokes have done the anthems thing and now it's time for them to experiment. And frankly, they did it great.
So please, I beg of you, buy this album and love it. God knows that I did.
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Format: Audio CD
Plagued by inter-band tension, strife and ill feeling in the recording studio, The Strokes make their audibly bedraggled return from the wilderness with their fourth album Angles. It’s a comeback LP which is quite a hit-and-miss affair, but there’s no denying there’s still some life in the old dog yet.

The herky jerky cod-reggae of “Machu Picchu” is a promising starting point: a very ‘80s-sounding new wave throwback which sounds like The Police sleepwalking through a gig in a bar full of rednecks whilst on a jittery paranoid comedown from amphetamines. But I defy anyone not to hear that familiar-sounding choppy guitar riff at 1:17 and not feel glad that The Strokes are officially back.

The album’s lead single “Under Cover of Darkness” is a successful merging of their Is This It-era sound with a more reflective, statesmanlike approach to songwriting. It’s fairly ambitious melodically, full of catchy fretwork and proves that Julian Casablancas clearly has his eye on vocally emulating the heartland rock of Tom Petty.

The muted palm of rhythm guitarist Albert Hammond Jr. chugs “Two Kind of Happiness” along a groove The Cars would have killed to create, but ends up sounding uncannily like a leftover from Julian Casablancas's solo album Phrazes for the Young, differentiated only by Nick Valensi’s virtuoso guitar solo. The dark and experimental “You’re So Right” relies on a dirge-y guitar riff, but is a weak song overall, and “Taken for a Fool” is essentially a Room on Fire-era outtake made to sound pretty.

The odd ‘80s synths are back out for “Games,” a passable stab at synthpop which brings to mind mullets and Sinclair ZX spectrum computers.
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Format: Audio CD
After reading mixed reviews for "Angles" I was cautiously optimistic that The Strokes had come back with a bang and not a whimper.

As soon as the first minute of album opener "Machu Picchu" had played ,it was clear that one of my favourite bands had indeed made a triumphant return.

Whilst it may lack the impact of "Is This It" as a groundbreaking album,it makes up for this with a more polished and at times,experimental sound.

Stand out tracks are "You're So Right" and "Games" but I cannot not really find a track I don't like.This album will break in like a new pair of shoes after a few listens.

If you like "The Strokes" you will like the album and if you are new to the band it will probably make you buy the earlier albums.

I only hope the next album doesn't take so long to release.
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Format: Audio CD
This album has been a long time coming for Strokes' fans, but I've only really started listening to them this year, long after the hype of 2001. It's a good introduction to a band that are in transition and experiment with their capabilities but not to The Strokes as a band per sé. The band themselves say that they hope to record albums more quickly and I believe it shows in Angles. It seems not to be as cohesive an album as one may want from such an established band. However, under scrutiny the songs leave an impression, giving a greater range of incorporated musical ideas that one would not necessarily expect from a Strokes' album (or want, an impression I get from several fans). This album showcases in parts the musicians being given more freedom to show their progression. Nikolai has more complex bass parts, that are more often melodic, but still robotic (in the way that's intended, pleasingly) and Fab also shares in robotic rhythm, best exemplified in 'You're So Right'.

Highlights are: 'Machu Picchu', 'Taken For A Fool', 'Under Cover of Darkness' and 'Call Me Back'.
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Format: Audio CD
Studio album number four from The Strokes, 'Angles' might be possibly my favourite since the debut (although it certainly is not equal to 'Is This It'!). This isn't in the same style of this 2001 masterpiece, which always a must for indie-rock fans, but it is a progression and something new for 2011.

Each song here is different, and a showcase of great song writing. From the insanely catchy 'Machu Picchu', the rocking should-have-been-hit single 'Under Cover of Darkness' (perhaps the biggest nod to the old stuff on here), the electronically haunting 'Games' with it's 80s pop style and appealing melodies and harmonies, as well as the sweet and gloomy 'Call Me Back', there are no shortage of gems to be found.

'Angles' is the sound of a great indie band who were branching out, change is often good, particularly in this case, so embrace this excellent album guys. If's nicely packaged with a good cover art as well, something else that cool man Julian Casablancas and his band have always done.
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