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It seems, at first, that Gerald Di Pegos script will turn in a supernatural direction--or at least a metaphysical one--but it doesnt, and director Luis Mandoki navigates an emotional minefield while acknowledging the walls that people build between themselves and the traumatic events they wish to forget. Catch has kept a deliberate distance between himself and a tragedy that Sharon had witnessed--not a repressed nightmare, but a devastating loss from which he will, eventually, recover. That these two characters should rediscover each other at a time of mutual need is not a contrived coincidence. In Angel Eyes, its the karmic redemption for two wise and deserving souls.--Jeff Shannon, Amazon.com
The film follows Sharon (Lopez) a Chicago police officer who gets rescued by Catch (Caviezel-never seen him before either but also very good). It turns out that they have met before and will keep on meeting. The films carries on with Catch helping Sharon to deal with her past and Sharon helping Catch to deal with his past-all leading to apredictable end.
This is in essence a romance, bur a dark one. A word of warning, if you don`t like dark films, you won't like this one. If you do like dark films this is one to watch, with a good plot done well.
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