| ||||||||||||
 Trade In this Item for up to £26.60
Trade in Andy Warhol Prints: A Catalogue Raisonné 1962 - 1987: A Catalogue Raisonne 1962-1987 for an Amazon.co.uk gift card of up to £26.60, which you can then spend on millions of items across the site. Plus, get an extra £5 when you trade in books worth £10 or more until June 30, 2012. Trade-in values may vary (terms apply). Find more products eligible for trade-in.
|
Frequently Bought Together
Product details
|
More About the Author
Product Description
Synopsis
This revised and expanded fourth edition of Andy Warhol Prints: A Catalogue Raisonne 1962-1987, with 1,700 illustrations and full documentation, presents the artist's complete graphic production, from his first unique works on paper in 1962 through his final published portfolio in 1987, including trial proof prints and unpublished prints. The fourth edition contains a new portrait section, featuring images of artists, entertainers, writers and sports figures, among others, with 125 illustrations, one hundred of which were not included in the earlier editions of this catalogue. Another highlight is a 33-page supplement covering the illustrated books and portfolios Warhol created in the 1950s, which documents techniques that reappear, in more developed forms, in his later prints. These innovative works of the 1950s, explored in a new essay by Donna De Salvo, represent the first phase in the process of Warhol's conceptualization of printmaking. Two other perceptive essays analyse Warhol's graphic work from different perspectives.In 'God is in the Details', De Salvo traces the evolution of Warhol's printmaking process from blotted line to silkscreen, revealing how Warhol dissected the mechanics of image production to create a truly original - and influential - art form. Arthur C. Danto, in 'Warhol and the Politics of Prints', examines the artist's work in relation to the political climate of the time. Andy Warhol Prints, richly illustrated with over 1,500 colour reproductions and descriptive technical data, is an authoritative reference source that establishes Warhol's prints as among the most distinctive graphic works of our time. By appropriating the silkscreen as a fine art medium, Andy Warhol discovered a way to be original and, in the process, forever altered printmaking in the late 20th century.
Suggested Tags from Similar Products(What's this?)Be the first one to add a relevant tag (keyword that's strongly related to this product)
|
Sell a Digital Version of This Book in the Kindle Store
If you are a publisher or author and hold the digital rights to a book, you can sell a digital version of it in our Kindle Store.
Learn more
What Other Items Do Customers Buy After Viewing This Item?
Customer Reviews
Most Helpful Customer Reviews
4 of 5 people found the following review helpful
Format:Hardcover
All the prints, those published and unpublished by Warhol. A lot of color and the layout is good. There's a good essay (by Donna De Salvo) to introduce what Warhol's printmaking was about.
As much as it may impress, seeing all these prints, unfortunately, conveys a Warhol on autopilot.The "machine" he spoke of wishing to be. Apart from a few famous themes Warhol's prints may represent a triumph of quantity over quality. Prints of many different contents but of the same mechanism, silkscreening, begin to look alike. The selection of images, initially striking in the few deservedly famous subjects (e.g. Marilyn, Jackie, the electric chair, flowers, self-portraits, the soup can, Mao), seems mostly mundane, perhaps tacky. No artist has perhaps created so much forgettable work. But the diversity holds the promise of leading you (and me) beyond any initial limiting set of favorites. Warhol attacked from many directions.
After all, how much I'd like to have Marilyns or his flowers on my walls, to begin with. You have plenty to pick from in this book: even finding ten great images may be worthwhile. And, over time, as you change, your favorite Warhol prints may change.
At the back of the book are a chronology and exhibition history which focus on the prints. At almost 400 large pages using excellent paper, this good value is made to stay. Nevertheless, one is left wondering whether the drive to create or the drive for wealth was stronge
As much as it may impress, seeing all these prints, unfortunately, conveys a Warhol on autopilot.The "machine" he spoke of wishing to be. Apart from a few famous themes Warhol's prints may represent a triumph of quantity over quality. Prints of many different contents but of the same mechanism, silkscreening, begin to look alike. The selection of images, initially striking in the few deservedly famous subjects (e.g. Marilyn, Jackie, the electric chair, flowers, self-portraits, the soup can, Mao), seems mostly mundane, perhaps tacky. No artist has perhaps created so much forgettable work. But the diversity holds the promise of leading you (and me) beyond any initial limiting set of favorites. Warhol attacked from many directions.
After all, how much I'd like to have Marilyns or his flowers on my walls, to begin with. You have plenty to pick from in this book: even finding ten great images may be worthwhile. And, over time, as you change, your favorite Warhol prints may change.
At the back of the book are a chronology and exhibition history which focus on the prints. At almost 400 large pages using excellent paper, this good value is made to stay. Nevertheless, one is left wondering whether the drive to create or the drive for wealth was stronge
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
7 reviews
15 of 18 people found the following review helpful
Triumph of Quantity
28 Aug 2005
Format:Hardcover
All the prints, those published and unpublished by Warhol. A lot of color and the layout is good. There's a good essay (by Donna De Salvo) to introduce what Warhol's printmaking was about.
As much as it may impress, seeing all these prints, unfortunately, conveys a Warhol on autopilot.The "machine" he spoke of wishing to be. Apart from a few famous themes Warhol's prints may represent a triumph of quantity over quality. Prints of many different contents but of the same mechanism, silkscreening, begin to look alike. The selection of images, initially striking in the few deservedly famous subjects (e.g. Marilyn, Jackie, the electric chair, flowers, self-portraits, the soup can, Mao), seems mostly mundane, perhaps tacky. No artist has perhaps created so much forgettable work. But the diversity holds the promise of leading you (and me) beyond any initial limiting set of favorites. Warhol attacked from many directions.
After all, how much I'd like to have Marilyns or his flowers on my walls, to begin with. You have plenty to pick from in this book: even finding ten great images may be worthwhile. And, over time, as you change, your favorite Warhol prints may change.
At the back of the book are a chronology and exhibition history which focus on the prints. At almost 400 large pages using excellent paper, this good value is made to stay. Nevertheless, one is left wondering whether the drive to create or the drive for wealth was stronger.
As much as it may impress, seeing all these prints, unfortunately, conveys a Warhol on autopilot.The "machine" he spoke of wishing to be. Apart from a few famous themes Warhol's prints may represent a triumph of quantity over quality. Prints of many different contents but of the same mechanism, silkscreening, begin to look alike. The selection of images, initially striking in the few deservedly famous subjects (e.g. Marilyn, Jackie, the electric chair, flowers, self-portraits, the soup can, Mao), seems mostly mundane, perhaps tacky. No artist has perhaps created so much forgettable work. But the diversity holds the promise of leading you (and me) beyond any initial limiting set of favorites. Warhol attacked from many directions.
After all, how much I'd like to have Marilyns or his flowers on my walls, to begin with. You have plenty to pick from in this book: even finding ten great images may be worthwhile. And, over time, as you change, your favorite Warhol prints may change.
At the back of the book are a chronology and exhibition history which focus on the prints. At almost 400 large pages using excellent paper, this good value is made to stay. Nevertheless, one is left wondering whether the drive to create or the drive for wealth was stronger.
9 of 11 people found the following review helpful
i love it..
10 Nov 2003
Format:Hardcover
its a really great display of andy warhol's work.. theres alot of unprinted art work in the book as well.. its great i really enjoyed it. when i picked it up at the book store i sat down and flipped through it, and i liked it so much i flipped though it two more times after that. i love warhol's work, and i've seen some great books but this one is by far the most amazing. if your a die hard andy warhol fan, i totally reccomend this book.
4 of 4 people found the following review helpful
excellent Buyers guide
30 April 2007
Format:Hardcover|Amazon Verified Purchase
With a lot of so-called bargains on ebay, this really helps to verify if it is an athentic Warhol print. Good are the infos on Warhol's "after" prints like Sunday B. Morning.
Were these reviews helpful?
Let us know
Listmania!
|
|
Look for similar items by category
Look for similar items by subject
Feedback
- Would you like to update product info or give feedback on images?
- I am the Author, and I want to comment on my book.
- I am the Publisher, and I want to comment on this book.
|
