This is the latest magnificent creation from the award-winning author of "Cryptonomicon and the Baroque Cycle" trilogy. Erasmas, 'Raz', is a young avout living in the Concent, a sanctuary for mathematicians, scientists, and philosophers. Three times during history's darkest epochs, violence has invaded and devastated the cloistered community. Yet the avout have always managed to adapt in the wake of catastrophe. But they now prepare to open the Concent's gates to the outside world, in celebration of a once-a-decade rite. Suddenly, Erasmas finds himself a major player in a drama that will determine the future of his world - as he sets out on an extraordinary odyssey that will carry him to the most dangerous, inhospitable corners of the planet...and beyond.
Anathem
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"'The only catch to reading a novel as imposingly magnificent as this is that for the next few months, everything else seems small and obvious by comparison.' Christopher Brookmyre, Guardian 'Anathem is a brilliant, playful tour of the terrain where logic, mathematics, philosophy and quantum physics intersect, a novel of ideas par excellence, melding wordplay and mathematical theory with a gripping, human adventure.' The Times 'I think this novel is wonderful... Anathem is a call to move into the world.' Andrew McKie, Daily Telegraph 'Neal Stephenson's vertiginous new novel [holds], for me, a boundlessly engaging fascination that comes at the price of being made to feel infinitesimally small: not merely as a human being, but as a writer, too... The only catch to reading a novel as imposingly magnificent as this is that for the next few months, everything else seems small and obvious by comparison.' Christopher Brookmyre, Guardian 'You find yourself enveloped in the atmosphere of a good library, one populated by a cast of characters whose talking is anything but annoying - and often illuminating. Fabulous.' Jonathan Wright, SFX Magazine"
About the Author
Neal Stephenson is the author of eight novels, including the cult successes Snowcrash and Cryptonomicon. He has been shortlisted for the Arthur C. Clarke Award five times, winning with Quicksilver. Three of his last four novels have been New York Times bestsellers. He lives in Seattle.
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Most Helpful Customer Reviews
77 of 81 people found the following review helpful
By wedge
Format:Hardcover
Anathem was a complete surprise to me. I had deliberately avoided reading anything about the book before I bought it, willing to trust the author to come up with another excellent novel comparable to Snow Crash, The Diamond Age or Cryptonomicon.
After reading the first 50 or 60 pages, I was wondering if I'd wasted my money. I don't know what I was expecting, but it wasn't this. The many invented words peppered throughout the text didn't help either - you can immediately decipher many of them from context they're used in, but it is annoying to do it as often as Anathem requires.
However, I kept going, and by the time I'd gotten through the first 100 pages or so I found myself quite enjoying it. After another couple of hundred pages I was reluctant to put it down, and eventually ended up reading the last third of the book in a single session.
What I would say is that once you become familiar with the dialect used by the characters and get past the relatively slow opening chapters, Anathem becomes a far more engaging and interesting book. Sci-fi action sequences are interspersed with frequent philosophical or metaphysical discussions between various characters, which may of course not be to the liking of every reader, but I found it both interesting and entertaining.
Now that I've finished the book I am planning to wait a few weeks and then read it again, as I suspect that reading the opening chapters will be a far better experience the second time around.
After reading the first 50 or 60 pages, I was wondering if I'd wasted my money. I don't know what I was expecting, but it wasn't this. The many invented words peppered throughout the text didn't help either - you can immediately decipher many of them from context they're used in, but it is annoying to do it as often as Anathem requires.
However, I kept going, and by the time I'd gotten through the first 100 pages or so I found myself quite enjoying it. After another couple of hundred pages I was reluctant to put it down, and eventually ended up reading the last third of the book in a single session.
What I would say is that once you become familiar with the dialect used by the characters and get past the relatively slow opening chapters, Anathem becomes a far more engaging and interesting book. Sci-fi action sequences are interspersed with frequent philosophical or metaphysical discussions between various characters, which may of course not be to the liking of every reader, but I found it both interesting and entertaining.
Now that I've finished the book I am planning to wait a few weeks and then read it again, as I suspect that reading the opening chapters will be a far better experience the second time around.
17 of 18 people found the following review helpful
By Allan Murphy
Format:Hardcover
.. this book gets started a lot more quickly than it does in our universe.
I'm an unashamed Stephenson fan, but he tried my patience at the start of this book, and you can see from other reviewers that this is a common experience.
I did get to the point where I was thinking 'ok Neal, where is this going' but I had faith, and that faith was rewarded. The slow part at the start is exposition that I feel is ultimately necessary and a part of his literary creation. He describes a world with some similarities and many differences to our own; the exposition serves as backdrop and 'control' for the reader (and main character) on a journey through adventures and concepts that are startlingly at odds with what went before. In the end this made sense to me, like the chaotic writing in the London part of Gravity's Rainbow made sense as a representation of how the city was for people. In the end, there is a point to having an alternate world to compare with, too. Not just 'I made this stuff up for a laugh'.
I don't want to get all high-falutin though - if you liked the pirate story part of the Baroque Cycle like I did, the first part will test you a bit.
Like Stephenson's other works, this has some serious underpinnings, in this case really based around the collision of maths, philosophy and physics. Stephenson presents these topics in a coherent way with his story, without snapping the reader out of the world (well not too much, sometimes you stop to say 'ok what is the equivalent of this in my world').
I disagree that this book is some kind of exercise in snobbery because it tackles difficult subjects and it's a lengthy book. The theory parts are properly part of the story, not some stuck on exercise in showing off; you aren't required to have studied Godel or Husserl for 10 years to understand the story or the concepts.
The jargon issue is a red herring in my opinion - this is part of the flavour of the alternate world, well integrated, and not confusing. Not when there's a glossary and a ton of context to help you. But if you hated The Clockwork Orange for this reason, you won't like this book.
If you've never read any Stephenson, start with Cryptonomicon or The Diamond Age before this. That and the slow start cause me to give this 4 stars, not 5. And also no Jack Shaftoe or distant relative. But I still think it's an excellent book, and very thought provoking.
I'm an unashamed Stephenson fan, but he tried my patience at the start of this book, and you can see from other reviewers that this is a common experience.
I did get to the point where I was thinking 'ok Neal, where is this going' but I had faith, and that faith was rewarded. The slow part at the start is exposition that I feel is ultimately necessary and a part of his literary creation. He describes a world with some similarities and many differences to our own; the exposition serves as backdrop and 'control' for the reader (and main character) on a journey through adventures and concepts that are startlingly at odds with what went before. In the end this made sense to me, like the chaotic writing in the London part of Gravity's Rainbow made sense as a representation of how the city was for people. In the end, there is a point to having an alternate world to compare with, too. Not just 'I made this stuff up for a laugh'.
I don't want to get all high-falutin though - if you liked the pirate story part of the Baroque Cycle like I did, the first part will test you a bit.
Like Stephenson's other works, this has some serious underpinnings, in this case really based around the collision of maths, philosophy and physics. Stephenson presents these topics in a coherent way with his story, without snapping the reader out of the world (well not too much, sometimes you stop to say 'ok what is the equivalent of this in my world').
I disagree that this book is some kind of exercise in snobbery because it tackles difficult subjects and it's a lengthy book. The theory parts are properly part of the story, not some stuck on exercise in showing off; you aren't required to have studied Godel or Husserl for 10 years to understand the story or the concepts.
The jargon issue is a red herring in my opinion - this is part of the flavour of the alternate world, well integrated, and not confusing. Not when there's a glossary and a ton of context to help you. But if you hated The Clockwork Orange for this reason, you won't like this book.
If you've never read any Stephenson, start with Cryptonomicon or The Diamond Age before this. That and the slow start cause me to give this 4 stars, not 5. And also no Jack Shaftoe or distant relative. But I still think it's an excellent book, and very thought provoking.
43 of 48 people found the following review helpful
Format:Hardcover
I got the same feeling reading Anathem that I got reading Cryptonomicon - that is, after reading 100 pages, I was thrilled that there were 800 more. It's a ripping yarn peppered with mathematical, mechanical, and linguistic nuggets. There's a little odd vocabulary, but it doesn't take long to get used to, and it's fun to look up terms in the glossary, which is interesting in itself. If you are daunted by the fact that there's a glossary and few appendices, then don't bother. This isn't a book to be idly flicked through. But that's not to say it's difficult or tedious; it's driven by an intricate and enthralling plot, and I found myself completely immersed. Stephenson is a freak of a writer, and this book is wholly impressive.
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Most Recent Customer Reviews
5.0 out of 5 stars
Great novel
Great novel. Took me some time to get used to the vocabulary - not easy for non-native English speaker - but once got into it, it was great read.
Published 19 hours ago by Hana Trefna
5.0 out of 5 stars
Love this
Loaned my paper copy to friend ages back and haven't seen it since. Ideal to add it to my Kindle collection and at reasonable price too.
Published 1 month ago by J Davey
5.0 out of 5 stars
Take a whole new look at your concepts of the Multiverse
More of Neal Stephenson's brilliant style. It starts light and develops a thought provoking story.
If you have read and enjoyed any of Neal Stephenson's other works you... Read more
If you have read and enjoyed any of Neal Stephenson's other works you... Read more
Published 1 month ago by Nigel Robert Law
3.0 out of 5 stars
Anathem Anathema Anthem
I really enjoyed Snow Crash which is still paint fresh after 20 years, despite the incredible changes in IT in the interim. Read more
Published 1 month ago by Dudleian
5.0 out of 5 stars
Some commitment needed
I generally tend to distrust authors who write novels excruciatingly long and the word count just covers up editorial sloppiness and a lack of skill on the authors story telling... Read more
Published 1 month ago by Ruphen
5.0 out of 5 stars
Philosophy, quantum physics and monks
"The full cosmos consists of the physical stuff and consciousness. Take away consciousness and it's only dust; add consciousness and you get things, ideas, and time. Read more
Published 2 months ago by Frank Wetzig
5.0 out of 5 stars
Philosophy, History and "Praxis" go to make a remarkably good Read!
This is an incredibly well-realised narrative, based entirely on the concepts developed by Plato - in this alternate universe/cosmos, known as "Protas". Read more
Published 2 months ago by Bruce
4.0 out of 5 stars
Beware the glossary on your Kindle
This is a great, deep, rich and detailed book to be sure (which is to be expected from Stephenson) but Kindle buyers beware - there is a glossary at the back of the book, and... Read more
Published 4 months ago by bunglenutter
4.0 out of 5 stars
Fantastic
Amazing book. Totally engrossing story set on a world not unlike our own where academics live a monastic-like existence, separated from the rest of society. Read more
Published 4 months ago by Richard Hayter
5.0 out of 5 stars
Astounding
Just... ridiculous. The best novel I've read in ten years, with a cover cruelly designed to keep serious readers at bay. There is nothing here that the reader might expect. Read more
Published 5 months ago by Ian Marchant
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