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Anarchy!: An Anthology of Emma Goldman's Mother Earth [Kindle Edition]

Peter Glassgold

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Book Description

In Anarchy! An Anthology of Emma Goldman's Mother Earth, Peter Glassgold brings to the page political activist and anarchist Emma Goldman’s most radical contribution, Mother Earth, a monthly journal about social science and literature. Glassgold has compiled Mother Earth’s most provocative articles, with thematic categories ranging from "The Woman Question" to "The Social War" and features a diverse selection of writers, such as Leo Tolstoy, Margaret Sanger, Peter Kropotkin, and Alexander Berkman.

Mother Earth was published from 1906 to 1918, when birth control, the labor movement, sexual freedom, and the arts where common subjects. The supporters of the journal helped form what was the “radical left” in the United States at the turn of the century. Goldman was imprisoned and ultimately deported to her native Russia. This new edition includes the transcripts from the trial and the summations of both Alexander Berkman and Goldman.

With a new preface by the editor, this book offers historical grounding to many of our contemporary political movements, from libertarianism to the Occupy! actions. Anarchy! provides unprecedented access to Goldman’s beliefs, offering insight to the political activism that existed at the time.

Product details

  • Format: Kindle Edition
  • File Size: 1732 KB
  • Print Length: 464 pages
  • Publisher: Counterpoint; New Exp edition (1 Nov. 2012)
  • Sold by: Amazon Media EU S.à r.l.
  • Language: English
  • ASIN: B009NRF5Z6
  • Text-to-Speech: Enabled
  • X-Ray:
  • Word Wise: Not Enabled
  • Amazon Bestsellers Rank: #1,172,325 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Most Helpful Customer Reviews on (beta) 5.0 out of 5 stars  3 reviews
23 of 23 people found the following review helpful
5.0 out of 5 stars A magnficent and long-overdue collection 2 Dec. 2001
By Matthew Cheney - Published on
Emma Goldman's magazine Mother Earth was one of the best and liveliest anarchist publications at the beginning of the 20th Century, but until this book was published almost everything which ever appeared in Mother Earth was nearly impossible to find. Peter Glassgold has done a fine job of culling some of the best works from the 5,000 or so pages of Mother Earth into this generous and fascinating collection.
The book is separated into six sections: Anarchism, The Woman Question, Literature, Civil Liberties, The Social War, and War and Peace. Within these sections are articles by classic anarchist writers such as Alexander Berkman, Ben Reitman, Voltairine de Cleyre, Peter Kropotkin, and Goldman herself. There are also a number of works by writers you might not expect to appear in such a book: Eugene O'Neill (what is suspected to be his first publication), Ben Hecht, Louise Bryant, Margaret Sanger, and Maxim Gorky. Peter Glassgold provides an informative and readable introduction, and there is a comprehensive index as well as a section of photographs, mostly of the covers of issues of Mother Earth (some by Man Ray).
Everyone interested in the history of anarchism, radical politics, and 20th-century thought should own this book.
6 of 6 people found the following review helpful
5.0 out of 5 stars Red Emma's Mother Earth 19 May 2005
By Andrew A. Gumbs - Published on
Excellent anthology with witty, informative and intelligent prefaces to each chapter. Impossible to put down and sadly though most pieces were written approximately 100 years ago, the themes are as timely as ever/
1 of 1 people found the following review helpful
5.0 out of 5 stars In-depth review: 2012 expanded 2nd ed. 16 Oct. 2012
By John L Murphy - Published on
Emma Goldman published 5000 pages of Mother Earth, a monthly journal between 1906 and 1918. If it had not been raided and its contents confiscated by Red-fearing Fed agents, how long might it have lasted? Would Occupy Wall Street burst into life from it and not Adbusters just over a year ago?

Peter Glassgold updates his 2001 anthology, which distilled to four hundred pages the bulk of Red Emma's anarchist appeals. Despite the intentions of Goldman and her one-time lover and lifelong comrade-in-arms, chief editor Alexander Berkman, the magazine devoted far more attention to the benefits of voluntary agreement rather than imposed government, freedom rather than coercion, which defined their anarchism, a marriage of Peter Kropotkin's communal/ communist aspirations with Jefferson, Emerson, and Whitman's libertarian American roots. In fact, its founders wanted to name their effort after Whitman's poem "The Open Road" until a threat of litigation by a rival publication forced the name change. After a buggy ride, Goldman noticed in April spring germinating, and this inspired the title.

This collection, as the magazine itself, focuses on anarchism and political messages--these dominated despite the subtitle of Mother Earth as "Devoted to Social Science and Literature". For Glassgold, the relevance of its contents in the aftermath of Tea Party populism and Occupy reformist agitation remains, although a century ago, radicals sought a stateless society rather than student loan debt forgiveness, single-payer healthcare, open borders, passage of the ERA, or a green economy. For this second edition, he adds an appendix a "summary and partial transcript" of the July 1917 trial of Goldman and Berkman under the newly signed Espionage Act "for conspiring against the institution of a wartime draft". (For much more, see my Oct. 2012 review of another new book, Paul and Karen Avrich's Sasha and Emma: The Anarchist Odyssey of Emma Goldman and Alexander Berkman.)

The contents of Anarchy! An Anthology of Emma Goldman's Mother Earth follow Glassgold's five criteria. Variety and verve; brevity; exclusive publication therein; originating in America with this publication; relevance then and now. Certainly the name of Voltairine de Cleyre with "her elegant but grand style" conjures up another era's airs. But, turn to "They Who Marry Do Ill": "Nothing is so disgustingly vulgar to me than the so-called sacrament of marriage; outraging all delicacy with the trumpering of private matters in the general ear. Anarchists argued against this status as a property arrangement, a state intrusion into what should have been and could be a choice of free adults.

As we debate birth control availability, foreign policy as eternal war, Wall Street wealth and Beltway corruption, these contents show that the subjects explained do not remain dusty or neglected. They merit revisiting, and application to our own global upheavals. Margaret Sanger, The Mexican Revolution, the shooting of the Ludlow miners, Ibsen and Jack London, the case of Mooney and Billings, the Paris Commune, the death of James Connolly and Francis Sheehy-Skeffington in the Irish rebellion reveal the topical concerns of a restless age not unlike our own, as international revolt and violent unrest challenged bankers and business.

Closer to our own concerns, the six chapters Glassgold arranges emphasize an entry into the anarchist origins and its spirited resistance to the loss of liberty. Rather than the currently common distortion of disorder as an anarchist definition, a cooperative arrangement to advance grassroots interests predominates. "Direct action," attempted by the Occupy movements and last year's Arab Spring, back then depended more on unions and syndicalist workers' associations to swerve around politics into boycotts, slowdowns on the job, and general strikes. Spanish and Russian organizing, the Haymarket affair, McKinley's assassination, and predictable infighting within the labor movement exemplify the issues in this opening section.

Feminism focused beyond the campaigns of suffragettes follows, for the right to vote was but a hollow gesture for anarchists opposed to politics as usual. Morality itself met attack. Marriage, modesty contraception, abortion, free love, prostitution, eugenics broadened the debate beyond convention.

Literature sought with modernism to overthrow the system, too. A piece subsequently attributed to Eugene O'Neill as his disguised debut in print features (not his best). One cannot argue with his conclusion, that the workers' "efforts help their leaders get the Dough" but a weakness of left-leaning lovers of literature persists here. Some soggy verse or militant prose risks being dragooned into the service of right-thinking devotion to the Cause. O'Neill's unsigned ditty appears alongside reviews of London's Martin Eden, The Jungle, The Brothers Karamazov, and Berkman's Prison Memoirs. Original works enter by talents such as Maxim Gorky, Ben Hecht, and journalist John Reed's companion Louise Bryant.

Bryant returns for part three, along with Berkman and de Cleyre, discussing "Civil Liberties". A fresh contributor, Ben Reitman, Goldman's newer lover, deserves his own biopic. "King of the Hobos," a brash loud doctor, a Chicago slum kid without a high school degree, who gave up his wandering if not his womanizing "which tested Goldman's well-known advocacy of free love to its limits.

"The Social War" tackles upheaval in Paris, Dublin, Mexico, Colorado, Philadelphia among other hotspots; "War and Peace" shifts into how capitalism and its state protections might "wither away," not by a gradual socialist evolution but revolution. Zionism, Italian protests, and the threats to democracy as war fever spread show the range of issues in part six. Kropotkin, Tolstoy, and Errico Malatesta personify the revolutionary caliber of contributors. This moment, however, led to the dissolution not of the capitalist state, but the magazine itself.

The Soviet triumph divided anarchists, who as libertarians tended to side against state-socialism of the prevailing Bolsheviks. Glassgold notes, contrary to the "Red Emma" moniker most associated with Goldman and company, how Mother Earth succumbed. The cause of its termination? Not its support of the Russian Revolution, but its opposition to the Great War and the conscription demanded by the nations who forced its men to fight.

This expanded collection, which originally appeared the year of 9/11, remains crucial for us a decade later. Civil Liberties struggle against surveillance and an endless war on terror. Women's issues return to presidential campaigns and Supreme Court decisions on healthcare reform and insurance coverage. Social wars as street protests in the EU and Middle East flare up regularly. Anarchism itself remains often misunderstood by the mainstream, caricatured by the media, commodified by "punk" marketers, and appropriated by Anonymous and Black Box movements that thrive on secrecy.

With a timely reprint and revision, Peter Glassgold's project to revive the primary sources may find an eager audience. Commentary prefaces some entries, the index and illustrations enrich, and the introduction sets the major players within their unsettled time, not unlike our own decades of uncertainty. For all the bluster and cant along with the genuine encouragement for betterment, part of any socio-political ideology or strategy, those who cultivated the energy within this journal reacted with passion and conviction, facing jail and deportation for their idealism and activity.

Hysteria over subversion and hype over radical threats have not gone away in the century since Mother Earth. Neither have the real opportunities to channel idealism into action to better each others' human condition. As I write this review, my state hosts on its November ballot a proposition against sex trafficking, showing that the horrors of the "White Slave Trade" inveighed against by Goldman survived the fall of communism and the rise of capitalism worldwide.
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