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Includes FREE MP3 version of this album.
+ £1.26 UK delivery
Used: Very Good | Details
Condition: Used: Very Good
Comment: Expedited shipping available on this item. Your item will be previously owned but still in great condition. The disc will play perfectly without interruption and the case, inlay notes and sleeve may show limited signs of wear.
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Analogue Enhanced, Extra tracks

60 customer reviews

Price: £7.34 & FREE Delivery in the UK on orders over £20. Details
Includes FREE MP3 version of this album.
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35 new from £3.49 16 used from £1.05 1 collectible from £7.50

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Frequently Bought Together

  • Analogue
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  • Lifelines
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  • Minor Earth Major Sky
Total price: £20.82
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Product details

  • Audio CD (14 Nov. 2005)
  • Number of Discs: 1
  • Format: Enhanced, Extra tracks
  • Label: Polydor Group
  • ASIN: B000BT7I8M
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (60 customer reviews)
  • Amazon Bestsellers Rank: 32,416 in Music (See Top 100 in Music)

Track Listings

Disc: 1

  1. Celice
  2. Don't Do Me Any Favours
  3. Cosy Prisons
  4. Analogue (All I Want)
  5. Birthright
  6. Holyground
  7. Over The Treetops
  8. Halfway Through The Tour
  9. The Fine Blue Line
  10. Keeper Of The Flame
  11. Make It Soon
  12. White Dwarf
  13. The Summers Of Our Youth
  14. a-ha - Softwareplayer Analogue
  15. Analogue (All I Want)
  16. Cosy Prisons

Product Description

Product Description

I will ship by EMS or SAL items in stock in Japan. It is approximately 7-14days on delivery date. You wholeheartedly support customers as satisfactory. Thank you for you seeing it.

BBC Review

A-ha burst on the British scene in 1985 with their comic-book video'd "Take On Me", and they're one of the most internationally loved bands in pop, years later.

Analogue is a mature collection of songs, carefully produced and arranged. They're at their best at their darkest: the title track is the standout with its steady guitar-piano riff breaking out into uplifting choruses. Strings feature across the board: "A Fine Blue Line" blends them with electronics and "Over the Treetops" with vocal harmonies, incorporating fuzz guitar... The trick they have mastered is balancing all synthetic and acoustic elements within dramatic structures.

Bonus track "The Summers of Our Youth" begins with Magne Furuholmen almost cocking a snook to Chris Martin by taking on a rather similar singing style, before returning to Morten's familiar falsetto. A-ha must realise they're the original, and the finest. Keane and Coldplay, get your coats. --Lucy Davies

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Customer Reviews

4.6 out of 5 stars
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Most Helpful Customer Reviews

13 of 13 people found the following review helpful By Timothy Crozier on 7 Nov. 2005
Format: Audio CD
A-ha returns to the UK with their 8th studio album “Analogue”. For A-ha purists looking for a taste of 80’s nostalgia, this album will come as a disappointment. There are no 80’s synch disco beats to be found here, what you will find instead is a masterclass in melancholic sentiment not seen since the exquisite Coldplay album “A rush of blood to the head”.
Standout tracks are “Analogue”, described by some as a Take On Me for the new millennium, albeit with a rockier edge and the European single “Celice”, a song that saw such a radical departure for the band that it led to a marked desertion from their loyal pop obsessed German fan base.
Despite the strength of the aforementioned singles, where this album really excels is in its core material. The album has a wealth of hidden layers that demands repeat listening, songs such as “Cosy Prison” and “The Fine Blue Line” are beautiful ballads that perfectly encapsulate the raw feelings of human emotions whilst remaining easily accessible. Other songs such as “White Dwarf” and “Birthright” take longer to appreciate yet are ultimately rewarding and represent some of the albums finer moments.
The album’s only failing is the dire “Halfway through the tour” a song about the toils of life on the road (although many bands feel the need to write about their experiences on the road they rarely make for great songs). Overall, against such strong material, this is only a minor indiscretion.
So is this a great album, the answer is Yes and if it was released by Keane or Coldplay then it would undoubtedly get the recognition it so richly deserves. The real question is will A-ha ever be able to shake off the boyband tag. Only time will tell, but with this album they have surely made a huge step forward in doing so.
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12 of 12 people found the following review helpful By Dalisa on 9 Dec. 2005
Format: Audio CD
This album was a wonderful surprise. I wasnt sure what to expect but I have to say that this is one of the best albums I have heard and is placed within Colplay's Parachutes, Keanes' Hopes & Fears and Starsailors' Silence is Easy. Morten Harket's voice is as strong ever and the music is as he says music for the soul. There are masterful sound textures, you can notice other sounds depending on whether you hear it anywhere. There are some beautiful tracks such as Birthright and A Fine Blue Line; and there are the more stronger tracks such as Analogue and Celice. This is a must have album for this year - it is truly a beautiful album.
This album is proof that it's time for the world to take a fresh look at a-ha and realise they are one of the best bands in the world who inspired the best bands in the world now.
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6 of 6 people found the following review helpful By Amazon Customer on 14 Nov. 2005
Format: Audio CD
Well, here we are, the third album since their seven-year hiatus ended. A new label, a new direction.
A-ha fans always get very excited about a new album, and start making positive comparisons to the previous ones and so on, but this time, I think it’s justified.
First of all, there’s practically no filler. I was always of the mind that there were enough decent songs on both Minor Earth Major Sky and Lifelines to make up a decent forty or forty-five minute disc after you shed some excess tunes that weren't quite up to standard, but here we have a thirteen track disc where each song pretty much justifies its place on the album.
I’m not saying there aren’t some songs here that are weaker than others, but after six or seven listens, I was never even considering hitting the skip button on any track. I even did a shuffle on one listen, and even on a random sequence, it hangs together really well.
Compared to the last two albums, which usually started quite strongly, and then got very hit-and-miss in the middle before pulling it out of the bag at the final hurdle, this is consistent and doesn’t run out of steam midway through.
First off, their tradition of strong title tracks continues. Analogue is superb, and should have been released as the first single with a decent marketing push by Polydor. It could’ve made top ten in the UK on first week sales, even if only bought by die-hards as a show of solidarity.
I’ve no issue with them bringing in Max “Britney Spears” Martin on this, as the song is still quintessentially a-ha, just with his trademark kick.
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4 of 4 people found the following review helpful By Matt182 on 12 Nov. 2013
Format: Audio CD Verified Purchase
The title of this review is based on the second-hand CD I bought from Amazon that had obviously come from a smoker because the booklet wreaked of tobacco. This album was released in November 2005 and is the band's 8th studio album following 2002's Lifelines. The first time I ever heard this band was on CD:UK back in 2006 when the song Analogue was number 1 on their list and they played the video for it. I was 16 at the time and was into mostly pop, pop/rock and Nu metal and was struck by this different sounding music which immediately grabbed my attention and stuck with me. I then went on to buy the CD single released on 23rd January 2006. This is the standout song on the album and the reason why is that it was originally produced by Martin Terefe and mixed by Flood just as with the rest of the album's songs but was re-written and re-recorded and Max Martin (producer of songs for artists such as Backstreet boys, Kelly Clarkson and Britney Spears) stepped in to produce it. It is the album's most successful single and it became the band's first top 10 hit in the UK since the single Stay on these roads reached number 2 in 1988. The band came nowhere near to reaching that success since.

The album's artwork features black and white pictures of the members with flowers and leaves in colours of greys, whites and reds. On the back of the booklet is an image of a heart. It is quite solemn, representative of the sound.

Celice begins the album with strings followed by someone counting the song in, which is followed by upbeat drums and guitar - 1 of the few times we hear outright electric guitar from Paul. The song although beginning very upbeat and that rhythm continuing throughout most of the song, is mellow and thought provoking. It reached number 1 in both Norway and Belarus.
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