- Hardcover: 184 pages
- Publisher: University of Minnesota Press (1 Dec 2001)
- Language English
- ISBN-10: 0816635609
- ISBN-13: 978-0816635603
- Product Dimensions: 2.6 x 1.8 x 0.2 cm
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While placing Craig Gilbert's innovative series in the context of 1970s nonfiction film and television, Jeffrey Ruoff tells the story behind An American Family from conception to broadcast, from reception to long-term impact. He reintroduces us to the Louds as intimate details of their daily lives, from one child's dance recital to another's gay lifestyle to the parents' divorce proceedings, unfold first before the camera and then before American viewers, challenging audiences to think seriously about family, marital relations, sexuality, affluence, and the American dream. In the documentary's immediate impact-on both producers and viewers of media-Ruoff uncovers the roots of new nonfiction forms including confessional talk shows like Oprah, first-person documentary films like Ross McElwee's acclaimed Sherman's March, and reality TV programs such as The Real World, Survivor, and Big Brother.
A comprehensive production and reception study, Ruoff's work restores An American Family to its rightful, pioneering place in the history of American television.
Jeffrey Ruoff is a film historian, documentary filmmaker, and assistant professor of film and television studies at Dartmouth College. He is co-author (with Kenneth Ruoff) of The Emperor's Naked Army Marches On (1998). Visible Evidence Series, volume 11
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What accounted for this series' success? How did it get made? How was it edited, and what was kept in and left out? Why is it still so compelling despite the passage of time and the declining attention spans of Americans in the past 30 years? Could it get made today?
This ultimate book about "An American Family" answers many of these questions and more: probing the origins of the series, and analyzing the final product and the widespread reaction to it in well-researched and precise detail.
The filmmakers were very lucky (in the sense of being able to create compelling TV) to have chanced upon the Loud family, in which the parents were about to get divorced and in which the eldest son Lance (who died in 2002, sadly) provided such a usable storyline (hanging out with Warhol's crowd in New York, etc). The book debunks the widely-held belief that Lance "came out" during the series. He never explicitly says he's gay on the show. However, of course he was, and it was much of America's first exposure to an openly gay man on TV, week after week.
If you've never seen this series but are still intrigued by it, also buy the book! Reading it will give you a great sense of the program, and will allow you to visualize it. (The still illustrations also help, as do accompanying material like press-release photos and ads from the time).
I only wish the series itself was for sale somewhere! Unfortunately, WNET in New York no longer seems to own the rights.
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