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Banana Yoshimoto's first novel, Kitchen (1991), traversed the territory of love and loss. Its fabulous success in Japan and the U.S. had to do with her distinct sensibility, a contemporary voice arising from a tradition-conscious culture. Amrita also ventures through the minefield of familial loss, but with a style less driven by the bizarre interface of tradition and pop culture.
A celebrated actress who has died in mysterious and shocking circumstances leaves behind an unconventional extended family that includes an older sister, a woman in her twenties through whose eyes the story unfolds; a young brother who possesses mystical powers; and a fiancé who is writing a novel with uncanny parallels to his own story.
'Her novels can have the effect of addictive drugs . . . Pathos, nostalgia, the sense of exquisite sadness at the fleetingness of life are key elements of beauty in Japanese aesthetics, and all are themes central to Yoshimoto's books.' The Times
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