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Amerika: The Man Who Disappeared [Hardcover]

Franz Kafka , Michael Hofmann
3.8 out of 5 stars  See all reviews (4 customer reviews)

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Product details

  • Hardcover: 240 pages
  • Publisher: New Directions Publishing Corporation (Oct 2002)
  • Language English
  • ISBN-10: 081121513X
  • ISBN-13: 978-0811215138
  • Product Dimensions: 21 x 14.9 x 2.3 cm
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Bestsellers Rank: 182,367 in Books (See Top 100 in Books)

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Franz Kafka
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Product Description

Synopsis

Kafka began the first of his three novels in 1911, but like the others "Amerika" remained unfinished - and perhaps as Klaus Mann suggested, "neccessarily endless". Karl Rossman, the youthful hero of the novel, has been banished by his parents to America, where he throws himself into misadventure.

From the Publisher

'Perhaps the most interesting writer of his generation-A strange and disconcerting genius' Edwin Muir --This text refers to the Paperback edition.

Inside This Book (Learn More)
First Sentence
As the seventeen-year-old Karl Rossmann, who had been sent to America by his unfortunate parents because a maid had seduced him and had a child by him, sailed slowly into New York harbour, he suddenly saw the Statue of Liberty, which had already been in view for some time, as though in an intenser sunlight. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Customer Reviews

4 Reviews
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 (1)
4 star:
 (2)
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2 star:
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Average Customer Review
3.8 out of 5 stars (4 customer reviews)
 
 
 
 
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4 of 4 people found the following review helpful:
5.0 out of 5 stars AmeriKa, 22 Jun 2008
By 
Mr. P. Briody "Moomintroll" (St. Helens, UK) - See all my reviews
(REAL NAME)   
This review is from: America (Paperback)
Undeserved lack of attention has been paid to this novel. It contains some great 'Kafka' scenes, and is an interesting read. The title ought to be Amerika, afterall Kafka had never been there and the story is essentially of a fictional land. Really worth reading!
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14 of 20 people found the following review helpful:
4.0 out of 5 stars Amerika becomes America, 14 Feb 2004
By 
Jonathan James Romley (Dublin, Ireland) - See all my reviews
(TOP 1000 REVIEWER)   
This review is from: America (Paperback)
This is like a stone wall scrawled with graffiti... a note found screwed up in the bottom of a waste paper basket... an impenetrable pool of murky puddle water and more than that... Kafka’s great-unfinished symphony. Because of this, Amerika took me a good three of four attempts to really relax into what Kafka was trying to achieve... (largely because the narrative and central concept are so alien to what the writer had attempted before, but also because of the strong use of language and descriptive phrasing). Kafka’s literature is one of absolute evocation in which his choice of words build on top of one another to paint us a portrait of a time and place that is totally visible within out mind’s eye.

Here, his concern is in the recreation and depiction of events seen through the eyes of a naive idealist. His construction of America itself is the view of an outsider, by an outsider... Kafka had never set foot in America in the entirety of his life, and therefore creates the burgeoning metropolis from his imagination. Through this, we end up with a work that could almost be described as science fiction, though with a strong underlining sense of social-realism and of course, Hollywood melodrama. The images that were conjured in my mind whilst reading the book were like some bizarre juxtaposition of varying cinematic styles, with elements of Fritz Lang’s masterpiece Metropolis (a film visually inspired by the city-scapes of New York city) by way of John Ford’s The Grapes of Wrath, shot through with the kind of visual pretension seen in Lars von Trier’s underrated Europa.

There was also a touch of Fellini’s surrealist musical ...And the Ship Sails On with the opening chapter set within the small, claustrophobic cabin of an ocean-liner. Here Kafka’s words practically trip over themselves, as he layers various descriptions that each contradict the nature of the story, to instead, create a visual narrative that will run concurrently alongside the plot. Much of this book relies upon the readers to inject their own imagination into the proceedings, or otherwise, Kafka’s writing becomes almost mechanical in its descriptive delivery. Admittedly, the book is somewhat harder than most in terms of grasping that thread that will lead us into the narrative and allow us to develop that all important connection, but if you are a long-time fan of Kafka (who has already experienced the Trial, the Castle and his celebrated short stories) then I’m sure you’ll find this work worth the extra strain.

The continually dark and noirish atmosphere coupled with the recreation of this surreal and mysterious landscape developed deep within my imagination was the principal factor that I held on to when I first attempted to delve into this book. It finally got me through, as I was desperate to find out whether or not Kafka could keep up this hypnotic use of language throughout... he does. However, the ending is an anti ending due to the fact that Kafka never actually finished the book before he died (another factor that marks out Amerika as a problematic document), but if you are committed to this writer then you shouldn’t let this fact put you off. Half the fun of this book is to continually re-read the work and each time create an ending that you find suitable, and creatively valid (I told you imagination played a big part). Amerika will never be as essential as either the Trial or the Castle (both landmarks of literature) though it is certainly worth a look for those who think they may be up to the challenge.

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1 of 2 people found the following review helpful:
2.0 out of 5 stars like dickens, only by kafka, 17 Aug 2011
By 
rob crawford "Rob Crawford" (Balmette Talloires, France) - See all my reviews
(TOP 1000 REVIEWER)   
This first novel by Kafka is incomplete and was never intended for publication. It isn't funny, it isn't fun, and it certainly isn't very original. Kafka wrote it as an exercise and that is all it should be. Upon reading it carefully, I can only conclude that perhaps it should not have been published as it simply doesn't stand up to this master's best work. As such it is really only of interest to scholars.

Basically, it follows the journey through America of a clueless twit into a variety of catastrophic misadventures, from getting a maid pregnant without even understanding he was committing a sexual act to losing job after job in New York and environs. While it does have some of the bizarre atmospherics that Kafka later perfected, the themes in it are not of the timeless horror and angst that later marked Kafka as a peculiar genius.

Skip it and go on to The Trial or The Castle. If you don't know Kafka, start with Metamorphosis.
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