Wow, what a misfire. There are to key lines in this movie, one delivered by Julia Robert's character Kathleen "Kiki" Harrison to John Cusack's Eddie Thomas (I think one sign that a romantic comedy is in trouble is when she gets top billing and he is listed fourth), and the other by Billy Crystal's publicity guru Lee Phillips. Both lines on the printed page look great. Both lines as delivered in the film fall flat. To add insult to injury, after watching the movie I checked out the trailer and both lines score in the trailer (the benefit of much better editing than we get in the film). But "America's Sweethearts" is one of those films where not only is the trailer better than the film, the film within the film, directed by Hal Weidmann (Christopher Walken) is better than the film.
The titular couple in this film are the aforementioned Eddie Thomas and his apparently soon to be ex-wife Gwen Harrison, played by Catharine Zeta-Jones. The script by Billy Crystal and Peter Tolan plays off of several famous celebrity relationships, so that when we learn Gwen has left Eddie for her Spanish lover, Hector Gorgonzolas (played by the usually reliable Hank Anzaria in a performance over the top and out of place in the film), we are reminded of Melanie Griffith leaving Don Johnson for Antonio Banderas. When you become bored with this film you can certainly divert your mind by coming up with other guesses as to who the characters are "really" supposed to be. Anyhow, the plot is that Gwen and Eddie have been bombing in films ever since they broke up and the studio has sent Lee Phillips out to get them back together to save their latest film "Time Over Time," made with Zen crackpot director Weidmann (think Tom and Nicole slaving for Kubrick in London for over a year). Is Eddie over Gwen? Or will he notice that her sister Kiki has lost 60 pounds and turned into Julia Roberts?
What? You thought this was a SUSPENSE film?
I like John Cusak, but I keep thinking he is too young for either of the women in this film. Roberts successfully dims her wattage for the most point but her character never really clicks, beyond the fact she is played by Julia Roberts. But I am even more perplexed by the idea that this is a film written by Billy Crystal that is not particularly funny. Walken steals the film as soon as he shows up although Zeta-Jones surprisingly offers the best comic timing and performance in the film. In the end, you look at the cast, you look at who wrote the script, and then you watch the film and wonder what happened.