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American Woman [Paperback]

Susan Choi
5.0 out of 5 stars  See all reviews (2 customer reviews)
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Product details

  • Paperback: 369 pages
  • Publisher: Harper Perennial; Reprint edition (Sep 2004)
  • Language English
  • ISBN-10: 0060542225
  • ISBN-13: 978-0060542221
  • Product Dimensions: 20.3 x 13.6 x 2.3 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 1,095,725 in Books (See Top 100 in Books)

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Susan Choi
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Red Hook is little more than the junction of a couple of roads, with a farm store, a church and graveyard, a diner. Read the first page
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Most Helpful Customer Reviews
1 of 1 people found the following review helpful
By Grady Harp TOP 1000 REVIEWER
Format:Hardcover
Susan Choi's first novel THE FOREIGN STUDENT signaled the arrival of a sensitive new voice unafraid to tackle tender issues of national guilt and immigrant isolation in the Land of Dreams. In her new novel AMERICAN WOMAN Choi further establishes her credentials as an important American writer who manages to research historical data so well that turning that media blitz-hype into a novel results in a compelling probe of the minds of youth at odds with the society that raised them.
Succinctly based on the 1974 SLA kidnapping of Patricia Hearst and its aftermath, Choi has played out this tragic but intensely credible bit of American history in the form of a series of character studies of those involved. The main character Jenny is a Japanese American girl involved with the radical groups who struck out against the Vietnam War, the hypocrisy of a 'democratic' America, and the abuse of the police in neglecting the poor people of this country. Choi's Jenny makes us re-examine the motivation that perpetrated the radicals of that period and if this book has no other result than to cause us all to re-think the important role of students who questioned the state of the Union, then that raised flag would be sufficient. But this finely wrought novel goes beyond that exploratory surgery and finds analogies to the reactions to the interment of the Japanese during WW II (Jenny's father was one of those interred and greatly influenced her perception of right and wrong in America), to the effect of isolation (read imprisonment/segregation) on young minds at odds with the status quo, to the power of bonding between individuals whose common needs may in fact be disparate.

AMERICAN WOMAN is a slow read: Choi knows how to create that pregnant ennui that encapsulates feral individuals awaiting the backlash of their actions. But during those slow pages Choi manages to spread her canvas on the page and paint immaculate images of nature at rest and at fury. In the end she gives us a group of people not all of whom we can admire (or even care for), but at the same time she molds thoughtful minds that accept abuse because of their beliefs, who continue to foster dreams against all plausible odds. And just when you may tire of the shenanigans of Choi's 'cast', you are reminded that this story on a different level DID happen. Stay with this book to the end and you will embrace or perhaps even question your own idealistic youth that dwells back there someplace in the 1970s.

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By Kali
Format:Paperback
I have to confess that I wasn't sure I was going to like this book because the title was enough to frighten me away! I mean what do I know about American women? However the blurb intrigued me and I do like books that are "different" and thought provoking so I took the metaphorical bull by the horns and settled down to read it, expecting to read it over a course of several days. All I can say is, "What a gem of a book!" and please can Miss Choi write to my employers and explain to them why I was three hours late to work, it's her fault, I was so engrossed I lost track of time!

I won't lie to you and say that this is an easy book to read, it isn't but it is worth the effort and it is strangely gripping, and even frightening in parts. The protagonist (and heroine) Jenny is suposedly a radical living in a time of political, economical and social upheaval. It is the 1970s and the world is no longer made up patriots and nationalists. Students are demanding change, and European ideas and politics are invading the consciousness of an insulated nation. Jenny herself is the daughter of a Japanese American man who suffered internment in the 1940s and though in the beginning she calls herself a radical, she has serious doubts about the things she has done in the past and what she is about to do. Herself a fugitive from the law, (she helped in a bombing of some Draft Offices) she is called out of hiding to help three young radicals, one of them recently the kidnap victim of the other two. It here we are introduced to Pauline, fragile, confused, and perhaps more dedicated to the cause than her once-upon-a-time captors who treat her with benign contempt mingled with reverence.

Often humourous, sometimes tragic, we are drawn into the shadowy world that Jenny and her friends inhabit. Hiding out in a farmhouse with the three dysfunctional radicals, who sprout Marxism and put themselves through harsh physical training for the war that they are sure that they will have fight in when the time comes, Jenny finds herself questioning her own ideals, along with the lack of compromise on all sides, both within the establishment she despises and the young radicals themselves. Jenny even questions even the passion that drives her charges along with the right way forward in a world built on lies, hypocrisy, racism and social injustice.

As Jenny and Pauline forge a tentative friendship, perhaps built on their mutual similarities and differences, Jenny reminisces about her life, her love affairs and her bittersweet relationship with her proud but deeply cynical father.

Jenny is very much an anti-heroine, both loved and despised in the same breath but she instils sympathy from the reader, where as Pauline is more of a spoilt little rich girl trying to break free from the constraints of her upbringing with only a glimmer of sympathy from the reader because of her emotional fragility.

There are many other interesting characters in the book like Jenny's ex-lover/friend Frazer who brings her out of hiding in the first place, and the other two radicals (once Pauline's captors) who want to change the world in a day but mostly this book is about Jenny, and Pauline with everything else weaving its way around them to bring the story, plot and climax of the novel its final conclusion.

An intellectually stimulating, intriguing and compulsive read is my final word on this novel. "American Women" can be read by readers of any nationality because all of us, young or old can remember a time when we thought the world we lived in could be changed beyond all recognition by the power of our voices, the passion of our beliefs, and the rebellious acts of our bodies, only to shed bitter tears of maturity when we realised that the establishment we sought to defeat wasn't going to fall to its knees and change was a concept of the mind rather than a physical reality.

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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:  44 reviews
18 of 19 people found the following review helpful
When do we know we are doing the right thing? 12 Sep 2003
By Kali - Published on Amazon.com
Format:Hardcover
As a Brit I have to confess that I wasn't sure I was going to like this book because the title was enough to frighten me away! I mean what do I know about American women? However the blurb intrigued me and I do like books that are "different" and thought provoking so I took the metaphorical bull by the horns and settled down to read it, expecting to read it over a course of several days. All I can say is, "What a gem of a book!" and please can Miss Choi write to my employers and explain to them why I was three hours late to work, it's her fault, I was so engrossed I lost track of time!

I won't lie to you and say that this is an easy book to read, it isn't but it is worth the effort and it is strangely gripping, and even frightening in parts. The protagonist (and heroine) Jenny is suposedly a radical living in a time of political, economical and social upheaval. It is the 1970s and the world is no longer made up patriots and nationalists. Students are demanding change, and European ideas and politics are invading the consciousness of an insulated nation. Jenny herself is the daughter of a Japanese American man who suffered internment in the 1940s and though in the beginning she calls herself a radical, she has serious doubts about the things she has done in the past and what she is about to do. Herself a fugitive from the law, (she helped in a bombing of some Draft Offices) she is called out of hiding to help three young radicals, one of them recently the kidnap victim of the other two. It here we are introduced to Pauline, fragile, confused, and perhaps more dedicated to the cause than her once-upon-a-time captors who treat her with benign contempt mingled with reverence.

Often humourous, sometimes tragic, we are drawn into the shadowy world that Jenny and her friends inhabit. Hiding out in a farmhouse with the three dysfunctional radicals, who sprout Marxism and put themselves through harsh physical training for the war that they are sure that they will have fight in when the time comes, Jenny finds herself questioning her own ideals, along with the lack of compromise on all sides, both within the establishment she despises and the young radicals themselves. Jenny even questions even the passion that drives her charges along with the right way forward in a world built on lies, hypocrisy, racism and social injustice.

As Jenny and Pauline forge a tentative friendship, perhaps built on their mutual similarities and differences, Jenny reminisces about her life, her love affairs and her bittersweet relationship with her proud but deeply cynical father.

Jenny is very much an anti-heroine, both loved and despised in the same breath but she instils sympathy from the reader, where as Pauline is more of a spoilt little rich girl trying to break free from the constraints of her upbringing with only a glimmer of sympathy from the reader because of her emotional fragility.

There are many other interesting characters in the book like Jenny's ex-lover/friend Frazer who brings her out of hiding in the first place, and the other two radicals (once Pauline's captors) who want to change the world in a day but mostly this book is about Jenny, and Pauline with everything else weaving its way around them to bring the story, plot and climax of the novel its final conclusion.

An intellectually stimulating, intriguing and compulsive read is my final word on this novel. "American Women" can be read by readers of any nationality because all of us, young or old can remember a time when we thought the world we lived in could be changed beyond all recognition by the power of our voices, the passion of our beliefs, and the rebellious acts of our bodies, only to shed bitter tears of maturity when we realised that the establishment we sought to defeat wasn't going to fall to its knees and change was a concept of the mind rather than a physical reality.

12 of 14 people found the following review helpful
A stunning book 28 Aug 2003
By A Customer - Published on Amazon.com
Format:Hardcover
I thought I knew the Patty Hearst story pretty well, but I was riveted by this novel. It's not just that it's told from the perspective of someone usually considered a minor character in the affair--a young Japanese-American woman who's on the lam for her own reasons--or that the writing is great, though it is. Choi captures a moment in the seventies when politics led some young people to make disastrous, brutal decisions. But the most interesting choices in the book have to do with love and friendships--with how they're formed, and how they're betrayed. Can't wait for the movie.
11 of 14 people found the following review helpful
Good, but not great 15 Oct 2003
By "keikoyamada2" - Published on Amazon.com
Format:Hardcover
I have to agree with the reviewer a while back, who observed that making Shimada a daughter of camp internees who ALSO spent her childhood in Hiroshima and who ALSO later became involved with the S.L.A. is just a little too much. The first fact alone would have been enough. Choi was smart to withhold this information until relatively late in the novel, but even this structural decision can't keep Shimada's psychological trajectory from feeling too tidy.

Otherwise, I think this novel features fine (but not brilliant) psychological insight into the characters, solid plot construction, and most of all, an ambitious exploration of large questions regarding class, race, gender, political and social change, idealism and "American" self-invention. Choi's intelligence is a true pleasure, and this is her greatest strength.

However, the actual writing is a sticking point for me. Sentence by sentence, page by page, chapter by chapter, the novel feels insufficiently compressed, which makes it far too slow. The weak passages water down the strong passages. (If it had been 70-100 pages shorter, the book would be much stronger.) And sorry to say this, but stylistically, I find the writing unmemorable. There are far more gifted stylists in her generation, such as Lahiri, Haslett, Diaz, Ali, etc. But substance is her strength, like I said. I definitely look forward to the next book.

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