Camilo Vergara's latest effort will appeal to those interested in both architectural and landscape photography, as well as urban activists, artists, writers, and even musicians. Vergara has the ability to draw on a variety of inspirations in his thoughtful analyses of forgotten urban America. Nominally about decaying buildings in Detroit, Newark, Chicago, and elsewhere; American Ruins goes deeper--exploring connections between buildings, art, sociology, psychology, and the natural environment.
The book is divided into sections based on ruins typology. This is a good approach, as it allows Vergara to show connections between cities and their related phenomena which might not otherwise have been apparent. His accounts of conversations with wary local residents and (usually) thoughtless politicians and developers invest the book with a jarring realism that juxtaposes effectively with the often dreamy and strangely beautiful photographs.
Another excellent attribute of this substantial book is its readability. In comparison with The New American Ghetto (Vergara's previous book), here Vergara separates his narrative into shorter separate, site-specific analyses, which makes it easy to ingest a few pages at a time and return for more later. It also makes it easy to move through the book in a non-linear fashion, based on your own visual interests.
This evocative work will be required reading for architects, preservationists, and artists. However, the sublime beauty of Vergara's photography should win him fans from many other persuasions. Perhaps in the end Vergara will succeed in his effort to, at least, bring appreciation for not just our sanitized and restored "landmarks," but for our most humble and neglected buildings--those which tell the story of this tumultous century in ways only this book reveals.