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Gaiman's protagonist Shadow has patiently done his time in prison. But as the moment of his release approaches, he begins to sense that some unnamed disaster is lying in wait for him. As he makes his way home, he encounters the mysterious Mr Wednesday, who appears to be both a refugee from a distant country at war and the King of America. And perhaps even a god. As Shadow and Mr Wednesday begin a bizarre odyssey across the United States, solving murders is only one of their accomplishments. With an epic storm of supernatural origin brewing, one questions whether they will be destroyed before Shadow pays the price for grim mistakes in his past.
The use of language here is impeccable, and it is wedded to a surreal narrative that brings out the most quirky and unsettling aspects of Gaiman's imagination. Forget Gaiman the Guru: just enjoy Gaiman the consummate writer:
He opened his mouth to catch the rain as it fell, moistening his cracked lips and his dry tongue, wetting the ropes that bound him to the trunk of the tree. There was a flash of lightning so bright it fell like a blow to his eyes, transforming the world into an intense panorama of image and after-image. The wind tugged at Shadow, trying to pull him from the tree, flaying him, cutting to the bone. Shadow knew in his soul that the real storm had truly begun...--Barry Forshaw --This text refers to an out of print or unavailable edition of this title.
'Gaiman has a rich imagination...and an ability to tackle large themes'
(Philip Pullman )
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The nice thing about this book is the amount of mythology hidden to a lesser or greater extent in the storytelling. Some of the gods are more easily recognisable than others; the jump from "Mr Nancy" to "Anansi", for instance, is not so great, whereas the link between Mr Wednesday to Odin is not as immediately obvious. But you don't have to have much grounding in mythology to be able to enjoy the book, which is one of the great things about it; there are plenty of layers to be unpicked, if you're that way inclined, but on the other hand, you can just sit back and enjoy Neil Gaiman's masterful storytelling.
The added benefit of this particular edition is the author interview in the back, which gives that extra little insight into the book. It's apparently also the author's preferred text, though having read both versions, I have to say that for the reader it makes little difference.
The story centres on the character of Shadow who is about to be released from prison and is eager to get back to a life and, above all, back to his wife. Two days before he is due to be released Shadows wife dies tragically in a car accident. On the journey home from prison to attend his wife’s funeral Shadow meets the enigmatic Mr Wednesday who offers him a job. Having nothing of his old life remaining to go back to Shadow reluctantly agrees to the offer on, what he believes are, his terms.
Mr Wednesday takes Shadow to a bar where he drinks three glasses of mead to “seal the agreement” and the pair meet Mad Sweeney; a leprechaun and an alcoholic. From then on nothing in Shadows life is conventional as we follow him on the path of Mr Wednesday’s agenda to a surprising and satisfying conclusion.
I could rave on about this book but I would not want to spoil the plot for you. Needless to say it has won the Hugo Award, the Nebula Award, the Bram Stoker Award and the Locus Award. This book is pure Gaiman; its book heroin. I was reading it on the toilet, on the tube, during my tea breaks, during commercial breaks, in fact any spare minute that I had was spent reading this book I enjoyed it that much, and now my girlfriend is suffering the same fate. I would recommend this read in a heartbeat.
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